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Artemisia de Anna Banti
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Artemisia (1953 original; edició 2020)

de Anna Banti (Autor)

MembresRessenyesPopularitatValoració mitjanaMencions
1833117,558 (3.54)1
Artemisia Gentileschi, born in 1598, the daughter of an esteemed painter, taught art in Naples and painted the great women of Roman and biblical history. She could neither read nor write, and she was the reviled victim in a public rape trial, rejected by her father, and later abandoned by her husband. Nevertheless, she was one of the first women in modern times to uphold through her work and deeds the right of women to pursue careers compatible with their talents and on an equal footing with men. This edition features a new introduction by the celebrated critic and writer Susan Sontag.   Anna Banti, the pen name of Lucia Lopresti, was born in Florence in 1895. Trained as an art historian, she turned to novels, stories, and autobiographical prose in the 1930s. Artemisia, her second novel, published in 1947, is the most acclaimed of the sixteen works of fiction she published during her long life, and is considered a classic of twentieth century Italian literature. Her last, harrowingly confessional novel, A Piercing Cry (Un grido lacerante), appeared in 1981. Banti also wrote art criticism and monographs on painters (Lorenzo Lotto, Fra Angelico, Velázquez, Monet), literary criticism and film reviews, and translated novels by Thackery, Colette, Alain Fournier, and Virginia Woolf. She died in Ronchi di Massa (Tuscanny) in 1985.… (més)
Membre:DGSBiblio
Títol:Artemisia
Autors:Anna Banti (Autor)
Informació:Hope Road (2020), Edition: New edition, 248 pages
Col·leccions:La teva biblioteca
Valoració:
Etiquetes:artists

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Artemisia de Anna Banti (1953)

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Banti's historical fiction about the Renaissance painter Artemisia Gentileschi is a wonderfully creative take on the genre, being both biographical (of Banti's house fire which destroyed her original writings) and fictional novel (of Artimisia's personal journeys as a painter in Italy and England). The story of the artist is enthralling, but it is brought to life through Banti's creative feminist narrative on a woman operating in, and excelling in, a man's world (something Banti shares with her subject). ( )
  ephemeral_future | Aug 20, 2020 |
I had to attempt to read this for my Women's Studies class. I was not a fan of the changing narrator and shifts in time. Thankfully we're done with it and moving on in class. ( )
  jlparent | Feb 14, 2011 |
En roman der "brænder sig fast" hos læseren.
Historisk roman om Artemisia Gentileschi, født i 1598. Datter af den anerkendte barokmaler, Orazio Gentileschi, levede et turbolent liv.
Som helt ung bliver hun voldtaget af sin tegnelærer og efter en ydmygende, vanærende retssag helligede hun sig totalt maleriet og formåede at slå sig igennem som kvindelig maler.
I hendes biografiske data optræder en ægtemand og 2 – 3 børn, samt en for tiden enestående begivenhed: alene kvinde rejste hun til England for at besøge sin far som havde skabt sig en karriere under Charles d. I
Romanen er ikke en traditionel biografisk-historisk roman.
Banti tager sig store friheder og digter sit eget værk i en løbende dialog med Artemisia. Denne opbygning af romanen giver en oplevelse af at der skabes en pagt mellem de to kvinder. En pagt hvor Banti giver Artemisia stemme og liv nr.2 og til gengæld i retur får skrevet en helt særligt værk som skiller sig ud fra den traditionelle historiske roman.
Desværre er romanen kun oversat til engelsk ( )
  JanetWilhjelm | Feb 11, 2008 |
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Nom de l'autorCàrrecTipus d'autorObra?Estat
Anna Bantiautor primaritotes les edicionscalculat
Caracciolo, Shirley D'ArdiaTraductorautor secundarialgunes edicionsconfirmat

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Artemisia Gentileschi, born in 1598, the daughter of an esteemed painter, taught art in Naples and painted the great women of Roman and biblical history. She could neither read nor write, and she was the reviled victim in a public rape trial, rejected by her father, and later abandoned by her husband. Nevertheless, she was one of the first women in modern times to uphold through her work and deeds the right of women to pursue careers compatible with their talents and on an equal footing with men. This edition features a new introduction by the celebrated critic and writer Susan Sontag.   Anna Banti, the pen name of Lucia Lopresti, was born in Florence in 1895. Trained as an art historian, she turned to novels, stories, and autobiographical prose in the 1930s. Artemisia, her second novel, published in 1947, is the most acclaimed of the sixteen works of fiction she published during her long life, and is considered a classic of twentieth century Italian literature. Her last, harrowingly confessional novel, A Piercing Cry (Un grido lacerante), appeared in 1981. Banti also wrote art criticism and monographs on painters (Lorenzo Lotto, Fra Angelico, Velázquez, Monet), literary criticism and film reviews, and translated novels by Thackery, Colette, Alain Fournier, and Virginia Woolf. She died in Ronchi di Massa (Tuscanny) in 1985.

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Mitjana: (3.54)
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2 4
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