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S'està carregant… Oliver Twistde Charles Dickens
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Apunta't a LibraryThing per saber si aquest llibre et pot agradar. No hi ha cap discussió a Converses sobre aquesta obra. Ky variant i përshtatur na njeh me fatin e një jetimi të varfër, që jeta do ta përplasë në mjediset më të dyshimta të Londrës. Fati i Oliver Tuistit tregon, se e rëndësishme është të luftosh për një jetë më të mirë dhe të jetosh me ndershmëri. Duke lexuar këtë libër, fëmijët do të njihen edhe me shumë ngjarje e personazhe të tjera mbresëlënëse. Having now worked my way through most of the Dickens canon, feel confident stating that this isn’t one of his more masterly outings. The plot is transparent, over-reliant on deux ex machina (okay, his plots are *always* over-reliant on improbable coincidence, but this one even more so than most), and the protagonist Oliver is, frankly, a bit of a sop, possessing ample virtue and gratitude but little in the way of intelligence, personality, or gumption. (Not for nothing, this is one of Dickens' earliest works, penned a full 20 years before his brilliant Tale of Two Cities.) So what does it say that I still waited with baited breath to see what would happen in each new chapter? Dickens’ narration is so clever, his characters so original, his wit so biting that even a lesser outing still has the power to beguile. To be fair, I think the reason Dickens doesn't bother to endow Oliver with any particular qualities is because the author is interested in telling an entirely different tale. Our milquetoast protagonist merely provides a narrative device for Dickens to whisk us off on an exploration of London’s repugnant underworld – the frauds, pickpockets, burglars, whores, fences, and murderers that prey not merely on the unwary, but particularly on the desperate, especially children. One reason people may be put off by this story is that the most fully realized characters are wholly odious, from Fagin, the physically and morally repellant leader of a gang of thieves comprised of children he has gleefully corrupted; to Bumble, the absurd parochial Beadle who uses the prestige of his office to mask his casual cruelty; to Sikes, the physically and mentally abusive villain who mistreats his dog and his girlfriend Nancy in equal measure, confident that – in a dark underworld in which they live, where filth is rampant, life is cheap, and exploitation inescapable - neither of them have a choice but to endure his violence. In anyone else’s hands, this dark tale would be almost unreadable, but what Dickens does so well in all his tales, and certainly here, is to layer this darkness with so much absurdity, humor, wit, and empathy that you keep reading in spite of your revulsion. The scene in which Bumble woos his bride is truly hilarious; the moment that the Artful Dodger meets his fate with a dazzling display of proud insouciance, undeniably affecting; the scene in which Nancy turns her back on the hope of redemption, heartbreaking. And then, in between these scenes, a thousand other moments, some ridiculous, some shocking, some poignant, some ironic, some but all organized into a compelling story and related via Dickens’ deliciously penetrating prose. Having just recently polished off a bunch of novels that received critical plaudits (Nobel Prize winners, Booker Prize winners, Pen/Faulkner prize winners), feel like I can honestly say that even this relatively weak effort by Dickens deserves to stand alongside the best of what’s being published now. Who else but Dickens is capable of combining the social commentary of Barbara Kingsolver, the grim brutality of Cormac McCarthy, the absurd wit of P.G. Wodehouse, and the unconditional empathy of Toni Morrison into a single affecting tale? I really liked listening to Great Expectations and David Copperfield, so I expected to like this as well. And I did! Until I got about halfway through and completely lost interest. I made it as far as Oliver living with Mrs. Maylie. I knew Nancy's death was coming and it was bumming me out so I decided to just quit. Perhaps I will come back to this someday, but I think I read enough to know that this is not Dickens' best. Oliver is a boring character. The best part is Dickens pointing out how completely unfair the world is for the poor. Fagin calling everyone "my dear" will haunt me, as well as him being constantly referred to as "the Jew."
Oliver Twist, a meek, mild young boy, is born in the workhouse and spends his early years there until, finding the audacity to ask for more food, he is made to leave. Apprenticed to an undertaker by Mr Bumble, Oliver runs away in desperation and falls in with Fagin and his gang of thieves where he begins his new life in the criminal underworld. Under the tutelage of the satanic Fagin, the brutal Bill Sikes and the wily Artful Dodger, Oliver learns to survive, although he is destined not to stay with Fagin but to find his own place in the world. With its terrifying evocation of the hypocrisy of the wealthy and the depths to which poverty pushes the human spirit, Oliver Twist is both a fascinating examination of evil and a poignant moving novel for all times. Pertany a aquestes col·leccions editorialsAirmont Classics (CL9) cbj Klassiker (21951) — 52 més Corticelli [Mursia] (14) Dean's Classics (27) El País. Aventuras (23) Everyman's Library (233) Gallimard, Folio (386) insel taschenbuch (0242) Instructor Literature Series (No.260) Penguin Clothbound Classics (2009) Penguin English Library, 2012 series (2012-04) The Pocket Library (PL-514) Prisma Klassieken (36) Reader's Enrichment Series (RE 314) Reclam Taschenbuch (20631) Sammlung Dieterich (106) Signet Classics (CP 102) A tot vent (153) Tus Libros. Anaya (95) Zephyr Books (50) Contingut aOliver Twist / A Christmas Carol / David Copperfield / A Tale of Two Cities / Great Expectations de Charles Dickens (indirecte) Gesammelte Werke. Die Pickwickier, Nikals Nickleby, Martin Chuzzlewit, Oliver Twist, Weihnachtsgeschichten, Bleakhaus, David Copperfield de Charles Dickens Anniversary Edition of the Complete Works, volume 25: Oliver Twist / The Lazy Tour of Two Idle Apprentices de Charles Dickens ContéRefet aTé la seqüela (sense pertànyer a cap sèrie)Té l'adaptacióAbreujat aDoré's London: All 180 Images from the Original London Series with Selected Writings de Valerie Purton 10 Penguin Classics on 45 CDs (The Mayor of Casterbridge, Pride & Prejudice, Great Expectations, Frankenstein, Jane Eyre, Crime & Punishment, Wuthering Heights, Northanger Abbey, Middlemarch, Oliver Twist) de Penguin One hundred best novels condensed: 3 of 4 see note: Adam Bede; Tess of the D'Urbervilles; Don Quixote; East Lynne; Count of Monte Cristo; Paul and Virginia; Tom Brown's School Days; Waverley; Dombey and Son; Romola; Legend of Sleepy Hollow; Last of the Mohicans; Wreck of the "Grosvenor"; Right of Way; Coniston; Far from the Madding Crowd; Woman in White; Deemster; Waterloo; Hypatia; Kidnapped; Oliver Twist; Gil Blas; Peg Woffington; Virginians de Edwin Atkins Grozier És respost aHa inspiratTé un comentari al textTé una guia d'estudi per a estudiants
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Google Books — S'està carregant… GèneresClassificació Decimal de Dewey (DDC)823.8Literature English & Old English literatures English fiction Victorian period 1837-1900LCC (Clas. Bibl. Congrés EUA)ValoracióMitjana:
Ets tu?Fes-te Autor del LibraryThing. Penguin AustraliaPenguin Australia ha publicat 6 edicions d'aquest llibre. Edicions: 0141439742, 0451529715, 0141031719, 0141322438, 0141192496, 0141198885 Tantor MediaUna edició d'aquest llibre ha estat publicada per Tantor Media. » Pàgina d'informació de l'editor Recorded BooksUna edició d'aquest llibre ha estat publicada per Recorded Books. » Pàgina d'informació de l'editor Urban RomanticsUna edició d'aquest llibre ha estat publicada per Urban Romantics. |
The second half of the novel... well, here things deteriorate into a series of outlandishly improbable events that result in Oliver's parentage being discovered and his inheritance and gentlemanly future becoming secured. Dickens writes scenes that might more likely belong in a hackneyed romance of the era. Oliver gains no depth, continuing to be an impossibly pure and noble child. Meanwhile several villains are given their comeuppance in what one assumes was a young Dickens's condescension for mass popularity. He's certainly better than this.
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