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(4.26) | 203 | NEW YORK TIMES BESTSELLERONE OF TIME MAGAZINE'S 10 BEST FICTION BOOKS OF THE DECADE WINNER OF THE KIRKUS PRIZE LONGLISTED FOR THE NATIONAL BOOK AWARD In this bravura follow-up to the Pulitzer Prize, and National Book Award-winning #1 New York Times bestseller The Underground Railroad, Colson Whitehead brilliantly dramatizes another strand of American history through the story of two boys sentenced to a hellish reform school in Jim Crow-era Florida. As the Civil Rights movement begins to reach the black enclave of Frenchtown in segregated Tallahassee, Elwood Curtis takes the words of Dr. Martin Luther King to heart: He is "as good as anyone." Abandoned by his parents, but kept on the straight and narrow by his grandmother, Elwood is about to enroll in the local black college. But for a black boy in the Jim Crow South of the early 1960s, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, whose mission statement says it provides "physical, intellectual and moral training" so the delinquent boys in their charge can become "honorable and honest men."In reality, the Nickel Academy is a grotesque chamber of horrors where the sadistic staff beats and sexually abuses the students, corrupt officials and locals steal food and supplies, and any boy who resists is likely to disappear "out back." Stunned to find himself in such a vicious environment, Elwood tries to hold onto Dr. King's ringing assertion "Throw us in jail and we will still love you." His friend Turner thinks Elwood is worse than naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble. The tension between Elwood's ideals and Turner's skepticism leads to a decision whose repercussions will echo down the decades. Formed in the crucible of the evils Jim Crow wrought, the boys' fates will be determined by what they endured at the Nickel Academy.Based on the real story of a reform school in Florida that operated for one hundred and eleven years and warped the lives of thousands of children, The Nickel Boys is a devastating, driven narrative that showcases a great American novelist writing at the height of his powers.… (més) |
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Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. They were sent to Nickel for offenses Elwood had never heard of: malingering, mopery, incorrigibility. Words the boys didn’t understand either, but what was the point when their meaning was clear enough: Nickel. I got busted for sleeping in a garage to keep warm, I stole five dollars from my teacher, I drank a bottle of cough syrup and went wild one night. I was on my own trying to get by (Whitehead 81). He had a date, now he needed a course of action. He felt rotten those first days out of the hospital until he came up with a scheme that combined Turner’s advice with what he’d learned from his heroes in the movement. Watch and think and plan. Let the world be a mob Elwood will walk through it. They might curse and spit and strike him, but he’d make it through to the other side. Bloodied and tired, but he’d make it through (Whitehead 93). “It used to be worse in the old days,” Harper said, “from what my aunt says. But the state cracked down and now we lay off the south-campus stuff.” Meaning, they only sold the black students’ supplies. “We had this good old boy who used to run Nickel, Roberts, who would’ve sold the air you breathe if he could’ve. Now that was a crook!” (Whitehead 97). The boy had been a reedy little runt when he got to Nickel and regularly punked out his first year until he learned to fight, and then he preyed on the smaller kids, taking them into closets and supply rooms—you teach what you’re taught (Whitehead 170). Plenty of boys had talked of the secret graveyard before, but as it had ever been with Nickel, no one believed them until someone else said it. The theme music was stuck in his head now, and Elwood would have hummed or whistled but he didn’t want to look like a copycat. The song was a tiny, quiet piece of America carved out of the rest. No fire hoses, no need for the National Guard. It occurred to Elwood that he’d never seen a Negro in the small town of Mayberry, where the show took place. Violence is the only lever big enough to move the world. Jaimie kept a quiet profile and conducted himself in accordance with the Nickel handbook’s rules of conduct—a miracle, since no one had ever seen the handbook despite its constant invocations by the staff. Like justice, it existed in theory. Still, the law was corrupt and capricious in various measure and sometimes a boy strolled out through what passed for divine intervention. The laggards and limpers who weren’t running the course but running deep into their character—down into the cave to return to the light with what they found. Competitors for apartments, for schools, for the very air—all those hard-won and cherished animosities fell away for a few hours as they celebrated a rite of endurance and vicarious suffering. You can do it. The country was big, and its appetite for prejudice and depredation limitless, how could they keep up with the host of injustices, big and small. This was just one place. A lunch counter in New Orleans, a public pool in Baltimore that they filled with concrete rather than allow black kids to dip a toe in it. This was one place, but if there was one, there were hundreds, hundreds of Nickels and White Houses scattered across the land like pain factories. | |
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▾Referències Referències a aquesta obra en fonts externes.  Wikipedia en anglès
No n'hi ha cap ▾Descripcions del llibre NEW YORK TIMES BESTSELLERONE OF TIME MAGAZINE'S 10 BEST FICTION BOOKS OF THE DECADE WINNER OF THE KIRKUS PRIZE LONGLISTED FOR THE NATIONAL BOOK AWARD In this bravura follow-up to the Pulitzer Prize, and National Book Award-winning #1 New York Times bestseller The Underground Railroad, Colson Whitehead brilliantly dramatizes another strand of American history through the story of two boys sentenced to a hellish reform school in Jim Crow-era Florida. As the Civil Rights movement begins to reach the black enclave of Frenchtown in segregated Tallahassee, Elwood Curtis takes the words of Dr. Martin Luther King to heart: He is "as good as anyone." Abandoned by his parents, but kept on the straight and narrow by his grandmother, Elwood is about to enroll in the local black college. But for a black boy in the Jim Crow South of the early 1960s, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, whose mission statement says it provides "physical, intellectual and moral training" so the delinquent boys in their charge can become "honorable and honest men."In reality, the Nickel Academy is a grotesque chamber of horrors where the sadistic staff beats and sexually abuses the students, corrupt officials and locals steal food and supplies, and any boy who resists is likely to disappear "out back." Stunned to find himself in such a vicious environment, Elwood tries to hold onto Dr. King's ringing assertion "Throw us in jail and we will still love you." His friend Turner thinks Elwood is worse than naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble. The tension between Elwood's ideals and Turner's skepticism leads to a decision whose repercussions will echo down the decades. Formed in the crucible of the evils Jim Crow wrought, the boys' fates will be determined by what they endured at the Nickel Academy.Based on the real story of a reform school in Florida that operated for one hundred and eleven years and warped the lives of thousands of children, The Nickel Boys is a devastating, driven narrative that showcases a great American novelist writing at the height of his powers. ▾Descripcions provinents de biblioteques No s'han trobat descripcions de biblioteca. ▾Descripció dels membres de LibraryThing |
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