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Plautus: Casina (Bloomsbury Ancient Comedy Companions)

de David Christenson

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This is the first volume dedicated to Plautus' perennially popular comedy Casina that analyses the play for a student audience and assumes no knowledge of Latin. It launches a much-needed new series of books, each discussing a comedy that survives from the ancient world. Four chapters highlight the play's historical context, themes, performance and reception, including its reflection of recent societal trends in marriage and property ownership by women after the Punic Wars, and its complex dynamics on stage. It is ideal for students, but helpful also for scholars wanting a brief introduction to the play. Casina pits a husband (Lysidamus) and wife (Cleostrata) against each other in a struggle for control of a 16-year-old slave named Casina. Cleostrata cleverly plots to frustrate the efforts of her lascivious elderly husband, staging a cross-dressing 'marriage' that culminates in his complete humiliation. The play provides rich insights into relationships within the Roman family. This volume analyses how Casina addresses such issues as women's status and property rights, the distribution of power within a Roman household, and sexual violence, all within a compellingly meta-comic framework from which Cleostrata emerges as a surprising comic hero. It also examines the play's enduring popularity and relevance.… (més)
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David M. Christenson has written an engaging and accessible introduction to one of Plautus’ most unusual and entertaining comedies. Christenson dedicates the book to his students, and indeed my undergraduates found this book both interesting and easy to understand, and they appreciated Christenson’s thorough treatment of the socio-historical context in which this play was first produced. Christenson’s approach to the palliata genre and clear discussion of the action and potential staging of individual scenes, as well as several major themes of Casina, allowed my students to build from his observations on that play in order to reflect constructively on the very different Trinummus (which we were translating at the time). As such, this book meets all stated goals of Bloomsbury’s new Ancient Comedy Companions series, of which Casina is amongst the first volumes to be published. But beyond the excellent orientation to Rome, the palliata genre, and Casina in particular, my students also greatly enjoyed how Christenson connected elements of Casina’s plot to comic works in the Renaissance and beyond.
 

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This is the first volume dedicated to Plautus' perennially popular comedy Casina that analyses the play for a student audience and assumes no knowledge of Latin. It launches a much-needed new series of books, each discussing a comedy that survives from the ancient world. Four chapters highlight the play's historical context, themes, performance and reception, including its reflection of recent societal trends in marriage and property ownership by women after the Punic Wars, and its complex dynamics on stage. It is ideal for students, but helpful also for scholars wanting a brief introduction to the play. Casina pits a husband (Lysidamus) and wife (Cleostrata) against each other in a struggle for control of a 16-year-old slave named Casina. Cleostrata cleverly plots to frustrate the efforts of her lascivious elderly husband, staging a cross-dressing 'marriage' that culminates in his complete humiliation. The play provides rich insights into relationships within the Roman family. This volume analyses how Casina addresses such issues as women's status and property rights, the distribution of power within a Roman household, and sexual violence, all within a compellingly meta-comic framework from which Cleostrata emerges as a surprising comic hero. It also examines the play's enduring popularity and relevance.

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