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(3.93) | 1 / 1153 | On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone.… (més) |
▾Recomanacions de LibraryThing  ▾Recomanacions dels membres 110 L'Assassí cec de Margaret Atwood (rbtanger, browner56)rbtanger: I know that the Library Thing Recommendations aren't always completely spot-on, but I just want to say that if I were writing the recommend list, The Blind Assassin by Margaret Atwood would be top of the list. These books have so many similarities that it's hard to count them all.… (més) browner56: Two superbly crafted explorations of the cathartic power that comes from the act of writing. 143 The English Patient de Michael Ondaatje (ecureuil, Johanna11)111 Brideshead Revisited de Evelyn Waugh (readerbabe1984)80 Birdsong de Sebastian Faulks (BookshelfMonstrosity)70 Suite francesa de Irène Némirovsky (Queenofcups)50 The Go-Between de L. P. Hartley (burneyfan)30 L'Aniversari secret de Kate Morton (joririchardson)joririchardson: Both books begin with a young girl witnessing a crime of sorts that will powerfully affect her own life and the lives of her family members. Both books also are set in England during World War II. 20 The Outcast de Sadie Jones (JeaniusOak, BookshelfMonstrosity)BookshelfMonstrosity: These character-driven literary novels set in 20th-century England offer haunting, reflective narratives of secrets, shame and guilt. In each, children make decisions or perform actions that have unintended, tragic consequences and lasting repercussions.… (més) 10 El que resta del dia de Kazuo Ishiguro (sturlington)10 The Wars de Timothy Findley (mountebank)10 Casa de nines de Henrik Ibsen (lucy.depalma)21 Accusation de Catherine Bush (ShelfMonkey)43 The God of Small Things de Arundhati Roy (kiwiflowa, Othemts)00 El cinquè en joc de Robertson Davies (librorumamans)librorumamans: Also a look at the consequences of a childhood crime. For me, though, Fifth Business is better crafted and a more complex examination. 00 L'últim adéu de Kate Morton (kethorn23)44 Catch-22 de Joseph Heller (rosylibrarian)00 No Time for Romance de Lucilla Andrews (Usuari anònim)11 Rules of Civility de Amor Towles (BookshelfMonstrosity)BookshelfMonstrosity: Atonement, like Rules of Civility, paints a picture of events that instantly turn characters' worlds upside down. Also set in the 1930s, it highlights the lingering opulence of the age and how that can disappear amid tragedy. 01 What Katy Did de Susan Coolidge (MarieSeltenrych)MarieSeltenrych: A wonderful work of literary prose that I can still remember, over 50 years after reading it. It gives the reader a glimpse into a different world that inspired my imagination and even my life. 01 Spies de Michael Frayn (hazzabamboo)
(Mira totes les recomanacions 27) ▾T'agradarà?
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 Apunta't a LibraryThing per saber si aquest llibre et pot agradar. » Afegeix-hi altres autors (43 possibles) | Nom de l'autor | Càrrec | Tipus d'autor | Obra? | Estat | | Ian McEwan | — | autor primari | totes les edicions | calculat | | Bailey, Josephine | Narrador | autor secundari | algunes edicions | confirmat | | Basso, Susanna | Traductor | autor secundari | algunes edicions | confirmat | | Blair, Isla | Narrador | autor secundari | algunes edicions | confirmat | | Boyd, Carole | Narrator | autor secundari | algunes edicions | confirmat | | Britto, Paulo Henriques | Traductor | autor secundari | algunes edicions | confirmat | | Ekman, Maria | Traductor | autor secundari | algunes edicions | confirmat | | Lukács, Laura | Traductor | autor secundari | algunes edicions | confirmat | | Messud, Claire | Introducció | autor secundari | algunes edicions | confirmat | | Metsch, Fritz | Dissenyador | autor secundari | algunes edicions | confirmat | | Robben, Bernhard | Traductor | autor secundari | algunes edicions | confirmat | | Rooney, Anne | Col·laborador | autor secundari | algunes edicions | confirmat | | Tanner, Jill | Narrador | autor secundari | algunes edicions | confirmat | | Válková, Marie | Traductor | autor secundari | algunes edicions | confirmat | | Verhoef, Rien | Traductor | autor secundari | algunes edicions | confirmat | | Zulaika, Jaime | Traductor | autor secundari | algunes edicions | confirmat |
▾Relacions entre sèries i obres Pertany a aquestes col·leccions editorialsContéTé l'adaptacióTé una guia d'estudi per a estudiants
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Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. "Dear Miss Morland, consider the dreadful nature of the suspicions you have entertained. What have you been judging from? Remember the country and the age in which we live. Remember that we are English: that we are Christians. Consult your own understanding, your own sense of the probable, your own observation of what is passing around you. Does our education prepare us for such atrocities? Do our laws connive at them? Could they be perpetrated without being known in a country like this, where social and literary intercourse is on such a footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open? Dearest Miss Morland, what ideas have you been admitting?"
They had reached the end of the gallery; and with tears of shame she ran off to her own room.
Jane Austen, Northanger Abbey  | |
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Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. The play – for which Briony had designed posters, programs and tickets, constructed the sales booth out of a folding screen tipped on its side, and lined the collection box in red crepe paper – was written by her in a two-day tempest of composition, causing her to miss a breakfast and a lunch. | |
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Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. Novels and movies, being relentlessly modern, propel you forwards or backwards through time, through days, years or even generations. But to do its noticing and judging, poetry balances itself on the pinprick of the moment. Slowing down, stopping yourself completely, to read and understand a poem is like trying to acquire an old-fashioned skill like drystone walling or trout tickling. How much growing up do you need to do? It wasn’t only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you. A person is, among all else, a material thing, easily torn and not easily mended. Find you, love you, marry you, and live without shame. Finally he spoke the three simple words that no amount of bad art or bad faith can ever quite cheapen. She repeated them, with exactly the same slight emphasis on the second word, as though she were the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract. The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation--it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him. (p313) For all the fine rhythms and nice observations, nothing much happens after a beginning that has such promise. (p349) She was calm as she considered what she had to do. Together, the note to her parents and the formal statement would take no time at all. Then she would be free for the rest of the day. She knew what was required of her. Not simply a letter, but a new draft, an atonement, and she was ready to begin.
BT
London 1999 (p371) The problem these fifty-nine years has ben this: how can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God? There is no-one, no entity or higher form that she can appeal to, or be reconciled with, or that can forgive her. There is nothing outside her. In her imagination she has set the limits and the terms. No atonement for God, or novelists, even if they are atheists. It was always an impossible task, and that was precisely the point. The attempt was all. | |
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▾Referències Referències a aquesta obra en fonts externes.  Wikipedia en anglès (1)
▾Descripcions del llibre On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone. ▾Descripcions provinents de biblioteques No s'han trobat descripcions de biblioteca. ▾Descripció dels membres de LibraryThing |
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Ian McEwan
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