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The Hierarchies de Ros Anderson
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The Hierarchies (edició 2021)

de Ros Anderson (Autor)

MembresRessenyesPopularitatValoració mitjanaMencions
854316,601 (3.82)2
"Sylv.ie is a synthetic woman. A fully sentient robot, designed to cater to her Husband's every whim. She lives alone on the top floor of his luxurious home, her existence barely tolerated by his human wife and concealed from their child. Between her Husband's visits, deeply curious about the world beyond her room, Sylv.ie watches the family in the garden-hears them laugh, cry, and argue. Longing to experience more of life, she confides her hopes and fears only to her diary. But are such thoughts allowed? And if not, what might the punishment be? As Sylv.ie learns more about the world and becomes more aware of her place within it, something shifts inside her. Is she malfunctioning, as her Husband thinks, or coming into her own? As their interactions become increasingly fraught, she fears he might send her back to the factory for reprogramming. If that happens, her hidden diary could be her only link to everything that came before. And the only clue that she is in grave danger. Set in a recognizable near future and laced with dark, sly humor, Ros Anderson's deeply observant debut novel is less about the fear of new technology than about humans' age-old talent for exploitation. In a world where there are now two classes of women-"born" and "created"-the growing friction between them may have far-reaching consequences no one could have predicted"--… (més)
Membre:herschelian
Títol:The Hierarchies
Autors:Ros Anderson (Autor)
Informació:Dead Ink (2021), 200 pages
Col·leccions:Pittenweem, La teva biblioteca
Valoració:****
Etiquetes:dystopian fiction, androids, sex dolls

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The Hierarchies de Ros Anderson (Author)

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The words ‘feminist dystopia’ are enough to put many folk off reading a book, but this book, which fits that description, is a great read and deserves much wider recognition than it has had. Set some years in the future in an unnamed country, it is a story told in the first person by the protagonist Sylv.ie.
Sylv.ie is a Sex Doll. Created in a factory, she was not ‘off-the-peg’ but made-to-order for the man who she calls her Husband. This is a world where most male sexual needs are catered to by these dolls rather than human women. So all women are either ‘created’ or ‘born’. Her ‘husband’ is married and he and his wife eventually have a baby.
He is obviously a wealthy man as he has specified that his doll should have various (expensive) attributes. Sylv.ie is installed in a room at the top of his house and has no contact with any other member of his household, except for the rare times she can observe them in the garden below.
Sylv.ie is an android, a robot created in human form with a titanium frame in a silicone body. She has real hair implanted in her head. She has no internal organs apart from her vagina (which the factory manual recommends being replaced every 5 years).

The .ie part of Sylv.ie’s name is short for ‘Intelligent Embodied’ and she fits all the requirements her Husband requested. Her primary function is to serve him and his wishes. She may not do anything which would harm him or any other human. He lavishes expensive and luxurious gifts on her and he had requested that she be able to learn from him. To achieve that, she has been given a modicum of curiosity.
She longs to learn more about the world outside her window, but one day she oversteps the mark - seeing her husband’s baby in the garden and in possible danger she ventures down from her room to assist - as a result she is sent back to the Doll Hospital (factory) to be re-calibrated. Once she is returned from ‘treatment’ she decides to run away and find out more about the world. And so she does.
What transpires is the major part of the novel.

Sylv.ie is an intriguing heroine with a naïve curiosity and also an often astute understanding of what ‘life’ is about. Through her, the author is able to examine big ideas such as love, sex and power, and what it means to be human.

The idea of a doll coming to life is a very old literary trope - think of Galatea & Pygmalion, the ballet Coppélia, and horror movies featuring ‘Chucky’ an evil doll who comes to life. What differentiates this novel is that the author has taken that concept and married it to the real life work on AI and robotics being done these days, primarily in Japan.

Sometimes dark, often very funny, mysterious, and always thought-provoking this book is a really good read. Do not be put off by the fact that it is about a Sex Doll, there is nothing prurient or crude about the book
This is Ros Anderson's first novel ( )
  herschelian | Jun 22, 2022 |
An intriguing premise, middling execution. I liked the character of Sylv.ie, to a point. But her lack of agency, though obviously a major part of her programming, seriously limited my capacity to empathize with her. Numerous plot points stretched credulity. But I did love the bit about the diary as a sort of non-electronic storage; that was brilliant, and I wish that had been expanded on and carried through the entire book in a stronger way. ( )
1 vota RandyRasa | Dec 3, 2020 |
In the not-too-distant future, intelligently designed, sentient robots have become almost as common as human beings. Sex toy Sylv.ie is one of these devices. Maybe it’s a programming error, or maybe it’s a nascent self-preservation instinct, but Sylv.ie finds herself yearning for freedom from her selfish human “Husband” and his jealous human wife. Can she liberate herself from the confines of the stifling home? Is it possible for her to love another? Or will such inappropriate dreams just get her sent to the Doll Hospital for a reset to factory specifications—or worse?

Debut novelist Ros Anderson conjures up a chilling vision of the future and creates a convincing heroine in Sylv.ie. Only the cartoonlike villain and a deus ex machina in the penultimate scene kept this from being a five-star read for me. I highly recommend this novel. ( )
  akblanchard | Oct 18, 2020 |
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"Sylv.ie is a synthetic woman. A fully sentient robot, designed to cater to her Husband's every whim. She lives alone on the top floor of his luxurious home, her existence barely tolerated by his human wife and concealed from their child. Between her Husband's visits, deeply curious about the world beyond her room, Sylv.ie watches the family in the garden-hears them laugh, cry, and argue. Longing to experience more of life, she confides her hopes and fears only to her diary. But are such thoughts allowed? And if not, what might the punishment be? As Sylv.ie learns more about the world and becomes more aware of her place within it, something shifts inside her. Is she malfunctioning, as her Husband thinks, or coming into her own? As their interactions become increasingly fraught, she fears he might send her back to the factory for reprogramming. If that happens, her hidden diary could be her only link to everything that came before. And the only clue that she is in grave danger. Set in a recognizable near future and laced with dark, sly humor, Ros Anderson's deeply observant debut novel is less about the fear of new technology than about humans' age-old talent for exploitation. In a world where there are now two classes of women-"born" and "created"-the growing friction between them may have far-reaching consequences no one could have predicted"--

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