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S'està carregant… People of the River: Lost Worlds of Early Australiade Grace Karskens
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Dyarubbin, the Hawkesbury-Nepean River, is where the two early Australias - ancient and modern - first collided. People of the River journeys into the lost worlds of the Aboriginal people and the settlers of Dyarubbin, both complex worlds with ancient roots. The settlers who took land on the river from the mid-1790s were there because of an extraordinary experiment devised half a world away. Modern Australia was not founded as a gaol, as we usually suppose, but as a colony. Britain's felons, transported to the other side of the world, were meant to become settlers in the new colony. They made history on the river: it was the first successful white farming frontier, a community that nurtured the earliest expressions of patriotism, and it became the last bastion of eighteenth-century ways of life. The Aboriginal people had occupied Dyarubbin for at least 50,000 years. Their history, culture and spirituality were inseparable from this river Country. Colonisation kicked off a slow and cumulative process of violence, theft of Aboriginal children and ongoing annexation of the river lands. Yet despite that sorry history, Dyarubbin's Aboriginal people managed to remain on their Country, and they still live on the river today. The Hawkesbury-Nepean was the seedbed for settler expansion and invasion of Aboriginal lands to the north, south and west. It was the crucible of the colony, and the nation that followed. No s'han trobat descripcions de biblioteca. |
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Google Books — S'està carregant… GèneresClassificació Decimal de Dewey (DDC)994.02History and Geography Oceania and elsewhere AustraliaLCC (Clas. Bibl. Congrés EUA)ValoracióMitjana:
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Having recently read [b:Pemulwuy, The Rainbow Warrior|6323289|Pemulwuy, The Rainbow Warrior|Eric Willmot|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1361081906l/6323289._SX50_.jpg|6508759] by Eric Willmot, I question whether Grace Karskens adequately covers the extent of Aboriginal resistance to white settlement which, although mentioned, is largely omitted. If Eric Willmot is to be believed, then Pemulwuy and other warriors went very close to ridding NSW of the invaders in his 12-year war.
There are dimensions of this book that are part of my own family history. As a descendent (on my mother's side) of Colonial Secretary, Evan Nepean and his brother, Nicholas Nepean of the NSW Corps as well as (on my father's side) Governor Macquarie's ADC, Captain John Antill, our family is descended from what Grace Karskens calls the colonial elite. But we also have convict forebears. How fascinating and just that today the new elite are those who are descended from the dispossessed Aboriginal clans. Like many other Currency girls, my great-great grandmother, Selina (nee Antill) married at 16. Over 9 generations our family has developed intimate enchantments with different Australian places. My own enchantment with the Warrumbungles, in north-western N.S.W, is articulated in In Place .
Karskens delves into why the Currency generation should despise the new British settlers. A tension that continues to this day with entitled British migrants pontificating from a position of perceived superiority. However, for those who saw beauty... Nevertheless, the dispossession on which this new sense of belonging was based, extended to the prevailing notion that Aboriginal culture is/was somehow fixed and therefore doomed. The dynamism and flexibility of Indigenous culture is still largely ignored today, with many lamenting the loss of traditional cultural practices. Just when I began to wonder if this book was becoming slightly plodding I found myself enthralled with the description of songs as connective events. In 1933, on the edge of Australia's western MacDonell Ranges, my father witnessed the last great pre-contact gathering of Nalliae, Pintubi and Loritcha groups. During a corroboree the Nalliae sang a song (among many others) referred to as the Duck Flying Away song. Not only was it rhythmically remarkable in that it was clear to all that it was about the flight of ducks as they circle a water hole, but it was sung in an old language no-one understood. My father speculated that it may have been a relic of a more sophisticated period. Karskens provides another explanation:
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