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S'està carregant… Out of the Sun: On Race and Storytellingde Esi Edugyan
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Pertany a aquestes col·leccions editorialsCBC Massey Lectures (2021) Llistes notables
"Two-time Scotiabank Giller Prize winner and internationally bestselling author Esi Edugyan delivers an incisive analysis of the relationship between race and art. History is a construction. What happens when we begin to consider stories at the margins, when we grant them centrality? How does that complicate our certainties about who we are, as individuals, as nations, as human beings? Through the lens of visual art, literature, film, and the author's lived experience, Out of the Sun examines the depiction of Black histories in art, offering new perspectives to challenge the accepted narrative."-- No s'han trobat descripcions de biblioteca. |
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Google Books — S'està carregant… GèneresClassificació Decimal de Dewey (DDC)909.0496History and Geography History World history Ethnic and national groups Other African OriginLCC (Clas. Bibl. Congrés EUA)ValoracióMitjana:
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She begins with art in Europe, investigating the ways that Black people were portrayed in paintings (when they were at all), such as using symbols to show the "other". "Canada and the Art of Ghosts" was an interesting look at the ghost stories that do - and don't - get told, what we are collectively afraid of and what we allow to be forgotten.
I was particularly struck by the middle essay, "America and the Art of Empathy", in which she takes on the idea of transracialism, briefly talking about "passing," but spending more of her time on folks such as Rachel Dolezal who was born white but self-identifies as Black. There was a lot to chew on there, and I highlighted this quote: That resonates a lot with me, as it's a tension I find in my reading. I want to read diversely, and sometimes that means I notice when a book is all-white characters, but a lot of the time it means that I'm purposely seeking out books by people who are Black or Asian American or Latinx, and yes, I do look for a certain "authenticity" in that I don't want all the diverse stories I read to be written from a white lens. But, at the same time, I do think that a creative act should allow a writer to write about things they have not personally experienced. It can be a fine line to walk sometimes, and the lack of diversity in publishing with the decision-makers adds another layer to this.
Finally, in "Africa and the Art of the Future" she talks about Afrofuturism and her experience watching Black Panther, and "Asia and the Art of Storytelling" (possibly the weakest of the bunch, but still good) details her own story of traveling Asia and the challenging relationship China and Japan have with race, particularly in accepting Black people and why their attitudes are what they are.
There is a lot to unpack in this fairly slim book, but it's well worth the effort. ( )