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Esthetics of Music

de Carl Dahlhaus

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452558,523CapCap
This book is an introduction to the esthetics of music. Aesthetics, which were of prime importance in thinking about music in the nineteenth century, are today sometimes suspected of being idle speculation. Yet judgments about music and every sort of musical activity are based on aesthetic presuppositions. Carl Dahlhaus gives an account of developments in the aesthetics of music from the mid-eighteenth century onwards. He combines a historical and systematic approach. Central themes in music are grouped together to illustrate both the historical course of events and a systematic unity of the essential elements in the aesthetics of music. For this edition, the late Carl Dahlhaus provided an annotated bibliography. William Austin has added books for the English-speaking reader, and has also supplied notes to the text to help the student.… (més)
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Në këtë libër, Dahlhaus ofron njëkohësisht një histori të muzikës perëndimore që nga shekulli XVIII e këtej, si dhe një paraqitje tematike të estetikës së muzikës.
  BibliotekaFeniks | Nov 15, 2021 |
Philip A. Alperson: The Journal of Musicology, Vol. 2, No. 2
http://www.jstor.org/stable/763809

William W. Austin: Notes, Vol. 25, No. 3
http://www.jstor.org/stable/895357

Bojan Bujic: Music & Letters, Vol. 64, No. 1/2, Jan. - Apr.,…
http://www.jstor.org/stable/735392

Robert D. Schick: The Journal of Aesthetics and Art Criticism, Vol. 41, No. 3, Spring, 1983
http://www.jstor.org/stable/430115

Christopher Wintle: Music Analysis, Vol. 1, No. 3, Oct., 1982
http://www.jstor.org/stable/i235762

Donald W. Roach: Music Educators Journal, Vol. 69, No. 5, Jan., 1983
http://www.jstor.org/stable/i367757

Edward A. Lippman: Notes, Vol. 40, No. 3, Mar., 1984
http://www.jstor.org/stable/i238888

Roger Scruton: Royal Musical Association Research Chronicle, No. 17, 1981
http://www.jstor.org/stable/25099369
  TriMosaic | Oct 12, 2014 |
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This book is an introduction to the esthetics of music. Aesthetics, which were of prime importance in thinking about music in the nineteenth century, are today sometimes suspected of being idle speculation. Yet judgments about music and every sort of musical activity are based on aesthetic presuppositions. Carl Dahlhaus gives an account of developments in the aesthetics of music from the mid-eighteenth century onwards. He combines a historical and systematic approach. Central themes in music are grouped together to illustrate both the historical course of events and a systematic unity of the essential elements in the aesthetics of music. For this edition, the late Carl Dahlhaus provided an annotated bibliography. William Austin has added books for the English-speaking reader, and has also supplied notes to the text to help the student.

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