IniciGrupsConversesExploraTendències
Cerca al lloc
Has donat un cop d'ull al SantaThing, la tradició de fer-se regals de LibraryThing?
ignora
Aquest lloc utilitza galetes per a oferir els nostres serveis, millorar el desenvolupament, per a anàlisis i (si no has iniciat la sessió) per a publicitat. Utilitzant LibraryThing acceptes que has llegit i entès els nostres Termes de servei i política de privacitat. L'ús que facis del lloc i dels seus serveis està subjecte a aquestes polítiques i termes.
Hide this

Resultats de Google Books

Clica una miniatura per anar a Google Books.

S'està carregant…

Stoppard the Playwright (Methuen Paperback)

de Michael Billington

MembresRessenyesPopularitatValoració mitjanaConverses
5No n'hi ha cap2,501,177No n'hi ha capNo n'hi ha cap
Tom Stoppard has been described as a unique phenomenon among contemporary British dramatists, squatting cheerfully on the fence between 'serious' and boulevard theatre. At a time when playwrights were judged by their political commitment, he achieved fame with "Rosencrantz and Guildenstern are dead" a debonair conceit about two marginal Shakespearean figures waiting for something to make sense of their lives. Michael Billington, an uncommonly sympathetic and expert observer of the forms of theatre and principal theatre critic of the "Guardian," has followed Stoppard's career with pleasurable bewilderment and offers a clear-eyed assessment of the real merit behind Stoppard's dazzling theatrical cleverness. Covering every phase of Stoppard's career, whether as playwright or adapter from his early radio plays to up to some of his adaptations (1986), Billington provides a precise analysis of each work and the maturing of Stoppard's genius.… (més)
No n'hi ha cap
S'està carregant…

Apunta't a LibraryThing per saber si aquest llibre et pot agradar.

No hi ha cap discussió a Converses sobre aquesta obra.

Sense ressenyes
Sense ressenyes | afegeix-hi una ressenya
Has d'iniciar sessió per poder modificar les dades del coneixement compartit.
Si et cal més ajuda, mira la pàgina d'ajuda del coneixement compartit.
Títol normalitzat
Títol original
Títols alternatius
Data original de publicació
Gent/Personatges
Llocs importants
Esdeveniments importants
Pel·lícules relacionades
Premis i honors
Epígraf
Dedicatòria
Primeres paraules
Citacions
Darreres paraules
Nota de desambiguació
Editor de l'editorial
Creadors de notes promocionals a la coberta
Llengua original
CDD/SMD canònics
LCC canònic

Referències a aquesta obra en fonts externes.

Wikipedia en anglès (1)

Tom Stoppard has been described as a unique phenomenon among contemporary British dramatists, squatting cheerfully on the fence between 'serious' and boulevard theatre. At a time when playwrights were judged by their political commitment, he achieved fame with "Rosencrantz and Guildenstern are dead" a debonair conceit about two marginal Shakespearean figures waiting for something to make sense of their lives. Michael Billington, an uncommonly sympathetic and expert observer of the forms of theatre and principal theatre critic of the "Guardian," has followed Stoppard's career with pleasurable bewilderment and offers a clear-eyed assessment of the real merit behind Stoppard's dazzling theatrical cleverness. Covering every phase of Stoppard's career, whether as playwright or adapter from his early radio plays to up to some of his adaptations (1986), Billington provides a precise analysis of each work and the maturing of Stoppard's genius.

No s'han trobat descripcions de biblioteca.

Descripció del llibre
Sumari haiku

Cobertes populars

No n'hi ha cap

Dreceres

Valoració

Mitjana: Sense puntuar.

Ets tu?

Fes-te Autor del LibraryThing.

 

Quant a | Contacte | LibraryThing.com | Privadesa/Condicions | Ajuda/PMF | Blog | Botiga | APIs | TinyCat | Biblioteques llegades | Crítics Matiners | Coneixement comú | 164,313,903 llibres! | Barra superior: Sempre visible