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El Jardí secret (1911)

de Frances Hodgson Burnett

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MembresRessenyesPopularitatValoració mitjanaMencions
34,83755072 (4.13)971
Ten-year-old Mary comes to live in a lonely house on the Yorkshire moors and discovers an invalid cousin and the mysteries of a locked garden.
1910s (21)
AP Lit (31)
Garden (6)
1970s (639)
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» Mira també 971 mencions

Anglès (524)  Italià (6)  Castellà (3)  Alemany (3)  Danès (1)  Portuguès (Brasil) (1)  Finès (1)  Portuguès (Portugal) (1)  Suec (1)  Àrab (1)  Totes les llengües (542)
Es mostren 1-5 de 542 (següent | mostra-les totes)
Absolutely beautiful, magical and mysterious. Makes me feel good about life, envigorates, soothes. I was entranced the whole journey through the gorgeously illustrated book, didn't want to put it down for long.
Burnett's language and pacing put me in a special state, like a meditation would. It's a state of relaxation, joy, acceptance, wonder, revelation, love.
This book is truly magical. ( )
  rubyman | Feb 21, 2024 |
Delightful of two children who Change from spoiled, weak, and unhealthy children thru the ?magic? of working in a garden.
  bentstoker | Jan 26, 2024 |
I read to Sarah. A good story. ( )
  SteveMcI | Jan 26, 2024 |
Good story about the human power of transformation. Too bad about religious overtones near the end. ( )
  mlevel | Jan 22, 2024 |
I started to re-read this after receiving [b:The Humming Room|9975313|The Humming Room|Ellen Potter||14869677], a new book by Ellen Potter that's "inspired by The Secret Garden." This turned out to be a mistake. You can't (or shouldn't) go back and forth between two books that are so similar because it stops you from getting lost in the stories; all you do is compare and contrast. It decreases enjoyment all around--except for a few fun little details that you only catch when you set them side by side. (For example, the little snake that appears in Mary's room in India matches the little glass snake that Roo plays with under her trailer.)

So my main reason for re-reading FHB's TSG was to see if there's any reason to re-write this classic for a modern audience. And, ladies and gentlemen, I found some.

1. First of all, there's Martha's really appalling speech about "Blacks" which never seems to end. I can maybe overlook one racist sentence out of the mouth of a character from 1910, but she just goes on and on about it so the point where it's really hard to shrug off.

2. It's kind of hard to understand the Yorkshire-accented dialect. Of course, the Yorkshire stuff is a big element in TSG and gives it a lot of charm. But if it's hard for me to figure out what Ben Weatherstaff is saying, it must be ten times harder for a modern kid.

3. TSG is looong. The Humming Room is short.

Is The Humming Room as good as TSG? Most certainly not (thought I'm not done with it yet). But is it interesting to give TSG a modern face-lift for a new generation? Yeah, I think so. The basic idea of the story is that neglected things, whether they be gardens or children, need love and magic to repair them. And that's a moral for the ages. ( )
  LibrarianDest | Jan 3, 2024 |
Es mostren 1-5 de 542 (següent | mostra-les totes)

» Afegeix-hi altres autors (75 possibles)

Nom de l'autorCàrrecTipus d'autorObra?Estat
Burnett, Frances Hodgsonautor primaritotes les edicionsconfirmat
Agutter, JennyNarradorautor secundarialgunes edicionsconfirmat
ArcadyIl·lustradorautor secundarialgunes edicionsconfirmat
Bailey, JosephineNarradorautor secundarialgunes edicionsconfirmat
Bailey, PeterIl·lustradorautor secundarialgunes edicionsconfirmat
Barrett, AngelaIl·lustradorautor secundarialgunes edicionsconfirmat
Bauman, JillIl·lustradorautor secundarialgunes edicionsconfirmat
Bawden, NinaPròlegautor secundarialgunes edicionsconfirmat
Brown, BarbaraIl·lustradorautor secundarialgunes edicionsconfirmat
Carpenter, NancyIl·lustradorautor secundarialgunes edicionsconfirmat
Carter, Helena BonhamNarradorautor secundarialgunes edicionsconfirmat
Caswell, KellyIl·lustradorautor secundarialgunes edicionsconfirmat
Child, LaurenIl·lustradorautor secundarialgunes edicionsconfirmat
Christenson, HannahArtistautor secundarialgunes edicionsconfirmat
Cockcroft, JasonIl·lustradorautor secundarialgunes edicionsconfirmat
Collier, MaryIl·lustradorautor secundarialgunes edicionsconfirmat
Cross, GillianPròlegautor secundarialgunes edicionsconfirmat
Dahl, SophieIntroduccióautor secundarialgunes edicionsconfirmat
Dellaporta, PenelopeNarradorautor secundarialgunes edicionsconfirmat
Design, PeartreeFotògrafautor secundarialgunes edicionsconfirmat
Devine, PhilIl·lustradorautor secundarialgunes edicionsconfirmat
Gallagher, SusanIl·lustradorautor secundarialgunes edicionsconfirmat
Gerding, LauraIl·lustradorautor secundarialgunes edicionsconfirmat
Gerzina,Gretchen HolbrookEditorautor secundarialgunes edicionsconfirmat
Gibson, FloNarradorautor secundarialgunes edicionsconfirmat
Gilbert, Sandra M.Introduccióautor secundarialgunes edicionsconfirmat
Gillan, KarenNarradorautor secundarialgunes edicionsconfirmat
Graham, EleanorEditorautor secundarialgunes edicionsconfirmat
Gratias, CaroleTraductorautor secundarialgunes edicionsconfirmat
Hague, MichaelIl·lustradorautor secundarialgunes edicionsconfirmat
Hömke, FriedelTraductorautor secundarialgunes edicionsconfirmat
Høverstad, Torstein BuggeTraductorautor secundarialgunes edicionsconfirmat
Hewetson, NicholasIl·lustradorautor secundarialgunes edicionsconfirmat
Hoff, GerdTraductorautor secundarialgunes edicionsconfirmat
Howell, TroyIl·lustradorautor secundarialgunes edicionsconfirmat
Hughes, FinolaNarradorautor secundarialgunes edicionsconfirmat
Hughes, ShirleyIl·lustradorautor secundarialgunes edicionsconfirmat
Hunt, PeterEditorautor secundarialgunes edicionsconfirmat
Ingpen, RobertIl·lustradorautor secundarialgunes edicionsconfirmat
Johnson, CillaTraductorautor secundarialgunes edicionsconfirmat
Karhulahti, SariTraductorautor secundarialgunes edicionsconfirmat
Kaster, Shelley AustinIl·lustradorautor secundarialgunes edicionsconfirmat
Kincaid, EricIl·lustradorautor secundarialgunes edicionsconfirmat
Kirk, MariaIl·lustradorautor secundarialgunes edicionsconfirmat
Kliros, TheaIl·lustradorautor secundarialgunes edicionsconfirmat
Knight, KathrynEditorautor secundarialgunes edicionsconfirmat
Konigsburg, E.L.Introduccióautor secundarialgunes edicionsconfirmat
Kork, M. B.Il·lustradorautor secundarialgunes edicionsconfirmat
Lauter, RichardIl·lustradorautor secundarialgunes edicionsconfirmat
Lawrie, RobinIl·lustradorautor secundarialgunes edicionsconfirmat
Lermuzeaux, AntoineTraductorautor secundarialgunes edicionsconfirmat
Lurie, AlisonCol·laboradorautor secundarialgunes edicionsconfirmat
Marklew, GillyIl·lustradorautor secundarialgunes edicionsconfirmat
Marks, AlanIl·lustradorautor secundarialgunes edicionsconfirmat
Maroney, VanessaNarradorautor secundarialgunes edicionsconfirmat
Martin, Ann MatthewsIntroduccióautor secundarialgunes edicionsconfirmat
Masterman, DodieIl·lustradorautor secundarialgunes edicionsconfirmat
Mayer, FelixTraductorautor secundarialgunes edicionsconfirmat
Müller, KlausIl·lustradorautor secundarialgunes edicionsconfirmat
McCaddon, WandaNarradorautor secundarialgunes edicionsconfirmat
McKowen, ScottIl·lustradorautor secundarialgunes edicionsconfirmat
McNulty, FaithEpílegautor secundarialgunes edicionsconfirmat
Mitchell, KathyIl·lustradorautor secundarialgunes edicionsconfirmat
Moore, IngaIl·lustradorautor secundarialgunes edicionsconfirmat
Muller, JillIntroduccióautor secundarialgunes edicionsconfirmat
Norman, Marshaautor secundarialgunes edicionsconfirmat
Numminen, EmiliaTraductorautor secundarialgunes edicionsconfirmat
Partridge, Tompaper engineerautor secundarialgunes edicionsconfirmat
Portugal, Roberto G.Traductorautor secundarialgunes edicionsconfirmat
Reim, RiccardoEditorautor secundarialgunes edicionsconfirmat
Rinaldi, AngeloAutor de la cobertaautor secundarialgunes edicionsconfirmat
Robinson, CharlesIl·lustradorautor secundarialgunes edicionsconfirmat
Rozier-GaudriaultIl·lustradorautor secundarialgunes edicionsconfirmat
Rust, GrahamIl·lustradorautor secundarialgunes edicionsconfirmat
Sanderson, RuthIl·lustradorautor secundarialgunes edicionsconfirmat
Savage, KarenNarradorautor secundarialgunes edicionsconfirmat
Sebold, AliceIntroduccióautor secundarialgunes edicionsconfirmat
Shallenberg, KaraNarradorautor secundarialgunes edicionsconfirmat
Shepard, Ernest HIl·lustradorautor secundarialgunes edicionsconfirmat
South, AnnaEpílegautor secundarialgunes edicionsconfirmat
Stevenson, JulietNarradorautor secundarialgunes edicionsconfirmat
Sutton, JudithIl·lustradorautor secundarialgunes edicionsconfirmat
Swan, ToiniTraductorautor secundarialgunes edicionsconfirmat
Tamaki, JillianIl·lustradorautor secundarialgunes edicionsconfirmat
Terrazzini, Daniela JaglenkaIl·lustradorautor secundarialgunes edicionsconfirmat
Thorne, JennyIl·lustradorautor secundarialgunes edicionsconfirmat
Tudor, TashaIl·lustradorautor secundarialgunes edicionsconfirmat
Tudor, TashaIl·lustradorautor secundarialgunes edicionsconfirmat
Twinn, ColinIl·lustradorautor secundarialgunes edicionsconfirmat
Unwin, Nora S.Il·lustradorautor secundarialgunes edicionsconfirmat
Veegens-Latorf, E.Traductorautor secundarialgunes edicionsconfirmat
Ward, JohannaNarradorautor secundarialgunes edicionsconfirmat
Włodarkiewiczowa, JadwigaTraductorautor secundarialgunes edicionsconfirmat

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When Mary Lennox was sent to Misselthwaite Manor to live with her uncle, everybody said she was the most disagreeable-looking child ever seen.
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The seeds Dickon and Mary had planted grew as if fairies had tended them. Satiny poppies of all tints danced in the breeze by the score, gaily defying flowers which had lived in the garden for years and which it might be confessed seemed rather to wonder how such new people had got there. And the roses—the roses! Rising out of the grass, tangled round the sundial, wreathing the tree trunks, and hanging from their branches, climbing up the walls and spreading over them with long garlands falling in cascades—they came alive day by day, hour by hour. Fair, fresh leaves and buds— and buds—tiny at first, but swelling and working Magic until they burst and uncurled into cups of scent delicately spilling themselves over their brims and filling the garden air.
And over walls and earth and trees and swinging sprays and tendrils the fair green veil of tender little leaves had crept, and in the grass under the trees and the gray urns in the alcoves and here and there everywhere were touches or splashes of gold and purple and white and the trees were showing pink and snow above his head and there were fluttering of wings and faint sweet pipes and humming and scents and scents. And the sun fell warm upon his face like a hand with a lovely touch. And in wonder Mary and Dickon stood and stared at him.
They always called it Magic and indeed it seemed like it in the months that followed--the wonderful months--the radiant months--the amazing ones. Oh! the things which happened in that garden! If you have never had a garden you cannot understand, and if you have had a garden you will know that it would take a whole book to describe all that came to pass there. At first it seemed that green things would never cease pushing their way through the earth, in the grass, in the beds, even in the crevices of the walls. Then the green things began to show buds and the buds began to unfurl and show color, every shade of blue, every shade of purple, every tint and hue of crimson. In its happy days flowers had been tucked away into every inch and hole and corner. Ben Weatherstaff had seen it done and had himself scraped out mortar from between the bricks of the wall and made pockets of earth for lovely clinging things to grow on. Iris and white lilies rose out of the grass in sheaves, and the green alcoves filled themselves with amazing armies of the blue and white flower lances of tall delphiniums or columbines or campanulas. "She was main fond o' them--she was", Ben Weatherstaff said.
It was the sweetest, most mysterious-looking place any one could imagine. The high walls which shut it in were covered with the leafless stems of climbing roses which were so thick that they were matted together. Mary Lennox knew they were roses because she had seen a great many roses in India. All the ground was covered with grass of a wintry brown and out of it grew clumps of bushes which were surely rosebushes if they were alive. There were numbers of standard roses which had so spread their branches that they were like little trees. There were other trees in the garden, and one of the things which made the place look strangest and loveliest was that climbing roses had run all over them and swung down long tendrils which made light swaying curtains, and here and there they had caught at each other or at a far-reaching branch and had crept from one tree to another and made lovely bridges of themselves. There were neither leaves nor roses on them now and Mary did not know whether they were dead or alive, but their thin gray or brown branches and sprays looked like a sort of hazy mantle spreading over everything, walls, and trees, and even brown grass, where they had fallen from their fastenings and run along the ground. It was this hazy tangle from tree to tree which made it all look so mysterious. Mary had thought it must be different from other gardens which had not been left all by themselves so long; and indeed it was different from any other place she had ever seen in her life.
There had once been a flowerbed in it, and she thought she saw something sticking out of the black earth- -some sharp little pale green points. She remembered what Ben Weatherstaff had said and she knelt down to look at them. "Yes, they are tiny growing things and they might be crocuses or snowdrops or daffodils," she whispered. She bent very close to them and sniffed the fresh scent of the damp earth. She liked it very much. "Perhaps there are some other ones coming up in other places," she said. "I will go all over the garden and look." She did not skip, but walked. She went slowly and kept her eyes on the ground. She looked in the old border beds and among the grass, and after she had gone round, trying to miss nothing, she had found ever so many more sharp, pale green points, and she had become quite excited again. "It isn't a quite dead garden," she cried out softly to herself. "Even if the roses are dead, there are other things alive." She did not know anything about gardening, but the grass seemed so thick in some of the places where the green points were pushing their way through that she thought they did not seem to have room enough to grow. She searched about until she found a rather sharp piece of wood and knelt down and dug and weeded out the weeds and grass until she made nice little clear places around them. "Now they look as if they could breathe," she said, after she had finished with the first ones. "I am going to do ever so many more. I'll do all I can see. If I haven't time today I can come tomorrow." She went from place to place, and dug and weeded, and enjoyed herself so immensely that she was led on from bed to bed and into the grass under the trees.
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Ten-year-old Mary comes to live in a lonely house on the Yorkshire moors and discovers an invalid cousin and the mysteries of a locked garden.

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Penguin Australia

Penguin Australia ha publicat 5 edicions d'aquest llibre.

Edicions: 0142437050, 0141321067, 0141336536, 0143106457, 0141331763

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