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Titian's Vision of Women: Beauty…
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Titian's Vision of Women: Beauty – Love – Poetry (edició 2022)

de Sylvia Ferino-Pagden (Editor), Titian (Artist)

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The dominant role of female beauty in sixteenth-century Venice is unique both in the history of the Republic and other parts of the world. One reason for this is the Serenissima's distinctive political-social structure, which granted women special rights in connection with their dowry and their ability to inherit; another was Venice's pivotal role as an international cultural centre. The rise of influential publishing houses attracted renowned poets and humanists such as Pietro Bembo, Sperone Speroni and Lodovico Dolce, who in their writings increasingly focused on women and their vital role for the family and the continuation of humanity as such. The crucial impetus for the visual realisation of this idea came from the Serenissima's greatest artist: Titian. For him, artistic beauty was identical with female beauty. He was less interested in the canon of exterior beauty than in a women's character, in femininity as such. Titian elevates every depiction of a woman into a celebration of womanhood. Published for the exhibition in Vienna and Milan, the book aims to present the female image through the spectrum of possible themes and to compare individual artistic approaches between Titian and other painters of the time. The reader will experience the various aspects of female idealisation.… (més)
Membre:Alisandre
Títol:Titian's Vision of Women: Beauty – Love – Poetry
Autors:Sylvia Ferino-Pagden (Editor)
Altres autors:Titian (Artist)
Informació:Skira (2022), 368 pages
Col·leccions:La teva biblioteca
Valoració:
Etiquetes:Titian, Venice, art history, Italy, 16th century

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Titian's Vision of Women: Beauty – Love – Poetry de Sylvia Ferino-Pagden

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Nom de l'autorCàrrecTipus d'autorObra?Estat
Sylvia Ferino-Pagdenautor primaritotes les edicionscalculat
Aikema, BernardAutorautor principaltotes les edicionsconfirmat
Albl, StefanAutorautor principaltotes les edicionsconfirmat
Artemieva, IrinaAutorautor principaltotes les edicionsconfirmat
Bellavitis, AnnaAutorautor principaltotes les edicionsconfirmat
Bridgemann, JaneAutorautor principaltotes les edicionsconfirmat
Brown, Beverly LouiseAutorautor principaltotes les edicionsconfirmat
Costa, Thomas DallaAutorautor principaltotes les edicionsconfirmat
Dal Pozzolo, Enrico MariaAutorautor principaltotes les edicionsconfirmat
Deiters, WenckeEditor and Authorautor principaltotes les edicionsconfirmat
Del Torre Scheuch, FrancescaEditor and Authorautor principaltotes les edicionsconfirmat
Gazzola, SilviaAutorautor principaltotes les edicionsconfirmat
Hope, CharlesAutorautor principaltotes les edicionsconfirmat
Kunsthistorisches Museum (Wien)Croporate Authorautor principaltotes les edicionsconfirmat
Quondam, AmedeoAutorautor principaltotes les edicionsconfirmat
Rainer, PaulusAutorautor principaltotes les edicionsconfirmat
Samyn, AnouckAutorautor principaltotes les edicionsconfirmat
Sciré, Giovanna NepiAutorautor principaltotes les edicionsconfirmat
Wald, RobertAutorautor principaltotes les edicionsconfirmat
Eder, MichaelFotògrafautor secundaritotes les edicionsconfirmat
Haag, SabinePròlegautor secundaritotes les edicionsconfirmat
Pichoner, FranzPublications Manageerautor secundaritotes les edicionsconfirmat
Seyfried, TinaImage rightsautor secundaritotes les edicionsconfirmat
Udrich, AndreasFotògrafautor secundaritotes les edicionsconfirmat
Zeisler, StefanPhoto editorautor secundaritotes les edicionsconfirmat
Zeleny, KarinProofreadingautor secundaritotes les edicionsconfirmat
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The dominant role of female beauty in sixteenth-century Venice is unique both in the history of the Republic and other parts of the world. One reason for this is the Serenissima's distinctive political-social structure, which granted women special rights in connection with their dowry and their ability to inherit; another was Venice's pivotal role as an international cultural centre. The rise of influential publishing houses attracted renowned poets and humanists such as Pietro Bembo, Sperone Speroni and Lodovico Dolce, who in their writings increasingly focused on women and their vital role for the family and the continuation of humanity as such. The crucial impetus for the visual realisation of this idea came from the Serenissima's greatest artist: Titian. For him, artistic beauty was identical with female beauty. He was less interested in the canon of exterior beauty than in a women's character, in femininity as such. Titian elevates every depiction of a woman into a celebration of womanhood. Published for the exhibition in Vienna and Milan, the book aims to present the female image through the spectrum of possible themes and to compare individual artistic approaches between Titian and other painters of the time. The reader will experience the various aspects of female idealisation.

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