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Running in the Family de Michael Ondaatje
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Running in the Family (1982 original; edició 1993)

de Michael Ondaatje

MembresRessenyesPopularitatValoració mitjanaMencions
1,7043010,182 (3.89)105
In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.… (més)
Membre:ColumMcCann
Títol:Running in the Family
Autors:Michael Ondaatje
Informació:Vintage (1993), Paperback, 208 pages
Col·leccions:La teva biblioteca
Valoració:
Etiquetes:Cap

Informació de l'obra

Running in the Family de Michael Ondaatje (1982)

Afegit fa poc perphilcbull, prengel90, ChikuK, E-W-T-B, jerfjerf, 0lhh0
Biblioteques llegadesEdward St. John Gorey
  1. 10
    The English Patient de Michael Ondaatje (stevereads)
  2. 00
    Bone China de Roma Tearne (Nickelini)
    Nickelini: Both books tell stories of upper class Sri Lankan families, and both are lovely.
  3. 00
    Under Magnolia: A Southern Memoir de Frances Mayes (emydid)
  4. 01
    Out of Egypt: A Memoir de André Aciman (wandering_star)
    wandering_star: Both these are family memoirs with a light-hearted tone, although Out Of Egypt has a rather more sombre background setting.
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» Mira també 105 mencions

Anglès (28)  Italià (1)  Alemany (1)  Totes les llengües (30)
Es mostren 1-5 de 30 (següent | mostra-les totes)
This book is a strange addition to the genre “memoir.” The author returns from Canada to the island of his birth, then known as Ceylon, to recapture as many fragments as he can of his parents from the memories of those who knew them. The harvest quickly turns phantasmagoric. I began to wonder if this was a novel but soon became convinced if Ondaatje were making this up, he would have been more restrained. I found myself believing these tales of the antics of his father, his mother, and especially his maternal grandmother Lalle, as well as the circle in which they moved, well-situated and star-crossed, suspended somewhere between European and native.
Then, when the book was nearly finished, Ondaatje lifts the veil. He writes something about his mother that seems the key to the entire book:
“She belonged to a type of Ceylonese family whose women would take the minutest reaction from another and blow it up into a tremendously exciting tale, then later use it as an example of someone’s strain of character. . . . An individual would be eternally remembered for one small act that in five years had become so magnified he was just a footnote below it” (p. 169).
As if a kaleidoscope had been turned, everything I had read in the book so far reconfigured itself. No, it was not fiction, nor was it fact, strictly speaking. It was history in the way that myth is history.
And what compelled Ondaatje to make two emotionally wrenching trips back to Sri Lanka to excavate the past? As he writes: “During certain hours, at certain years in our lives, we see ourselves as remnants from the earlier generations that were destroyed. So our job becomes to keep peace with enemy camps, eliminate the chaos at the end of Jacobean tragedies, and with ‘the mercy of distance’ write the histories” (p. 179).
This book then fulfills a dual aim. We seek to understand ourselves in the process of dredging up the memory of those who sired, who bore us. At the same time, we fulfill the ancient duty to them that the Romans called pietas, which was not only reverence toward the gods but toward one’s family, one’s ancestors. The result, in this case, is a strangely affecting book. It took me by the hand to visit a distant island I’ve never been to. I was deep in it when I heard the news of the Easter bombs in Colombo, the craziness of the incidence in the book helping illuminate the madness of the act and vice versa, except that neither really explained the other. Instead, both took on the air of strands in the complex tapestry of life. Beautiful and sad.
Ondaatje crafts his prose with the care of language of an accomplished poet. Also, like the poet that he is, he doesn’t construct his account in a straight-forward way. Instead, he records a series of episodes whose effect builds in an evocative way. In that way, it is a prose evocation of memory, as once both insightful and untrustworthy. ( )
  HenrySt123 | Jul 19, 2021 |
This was an easy, mostly pleasant look into Ondaatje's past and his family's past. It's a nice lyrical book, and I enjoyed it, though it's not something I'll remember much of beyond the fact of having read it. ( )
  dllh | Jan 6, 2021 |
Well, I like reading Michael Ondaatje, I like his style and his flow. I found this quite mesmerising.

In some ways it reminded me of Empire Of The Sun by J.G. Ballard in that it speaks of a world that is not only long gone but also about as far removed from most peoples' experience as you can get. It's a window into another person's life which is where it is different from his novels, this is about his childhood and how that world was in that unquestioning way that children have when they have nothin to compare it to.

Brilliant ( )
  Ken-Me-Old-Mate | Sep 24, 2020 |
beautifully written ( )
  piquareste | Jun 3, 2020 |
I thoroughly enjoyed this book. I was hooked from the start - Just could not put it down and cursed when I had to .... I loved the writing and the descriptions of the period and places, a time that no longer exists but full of fascinating detail that made you feel as though you were sitting there watching it all happen in front of you. The author is quite a story-teller. There were crazy, colourful and interesting characters in his family. I was in stitches at some of the antics that his father got up to and at the same time could not believe how he could have done some of the things he did!!! I also loved the photos that were included in the book. Looking forward to reading more from this author. ( )
  Carole888 | Mar 1, 2020 |
Es mostren 1-5 de 30 (següent | mostra-les totes)
Mittels der Sprache führt Ondaatje den Leser an die Plätze seiner Eltern und seiner Kindheit, so dass man sich das Leben zwischen Teeplantagen und Pferderennen, Regenzeit und Regenwald inmitten von unzähligen Gewürzen und Gerüchen bildlich vorstellen kann. Ondaatje vergisst weder auf die Diskrepanz zwischen den verschiedenen ansässigen Nationen, noch auf die oft ignorante Ächtung anderer Gesellschaftsschichten oder Kasten hinzuweisen. Nicht immer kann er die Aktionen seiner Familie gutheißen, doch selbst die kritischste Bemerkung hat noch eine liebevolle Färbung. Wahrscheinlich hat Michael Ondaatje als Kind von der Zunge des Thalagoya gekostet, denn "[v]iele Jahre später wird dies eine verbale Brillanz zeitigen, auch wenn diese manchmal mit schlechtem Benehmen einhergeht."
 

» Afegeix-hi altres autors (2 possibles)

Nom de l'autorCàrrecTipus d'autorObra?Estat
Ondaatje, Michaelautor primaritotes les edicionsconfirmat
Brossard, NicoleEpílegautor secundarialgunes edicionsconfirmat
Bruin, Paul deTraductorautor secundarialgunes edicionsconfirmat
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"I saw in this island fowls as big as our country geese having two heads...and other miraculous things which I will not here write of."
Oderic, (Franciscan Friar, 14th century)

"The Americans were able to put a man on the moon because they knew English. The Sinhalese and Tamils whose knowledge of English was poor, thought that the earth was flat."
Douglas Amarsekera, Ceylon Sunday Times 29.1.78
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For Griffin and Quintin.
For Gillian, Janet, and Christopher.
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Drought since December.

All across the city men roll carts with ice clothed in sawdust.
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Wikipedia en anglès (1)

In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.

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