Here's the thing:

I do not think this book should have been written/compiled yet.

THE SHOW ONLY HAS TWO SEASONS!!!

I do think it needed more oomph, more stories, even more background from Julia Quinn about the books that haven't been Netflix adapted yet. It lacked some interviews that needed to be in there (like Rege Jean Page, hello!!). It could be more well rounded even after Seasons 3 and 4. I have the Downton Abbey insider book but that was after all six seasons.

But why did I give it a positive rating? Because it's Bridgerton. Duh. ( )

As a director and producer (in theatre rather than film/tv) I found this book absolutely fascinating. It covers off every aspect of the production and talks to the key players about how they created the world. There are so many gorgeous photos taken on set and the book ends with listing every single person who worked on seasons 1 and/or 2. I expect to have a greater appreciation of the show next time I watch. ( )

Like millions of other people, I’m a fan of the Bridgerton books by Julia Quinn, but I was introduced to them by the Netflix series Bridgerton. With its modern spin on an inclusive Regency world, how could you not be bedazzled by the colours, jewels and food? This behind-the-scenes book is perfect for any fan of the show, and a great way to build up to Season 3 and Polin (that’s Penelope and Colin).

The book is lavishly illustrated with both posed photographs and behind the scenes shots of the shoots. It’s not uncommon to see Queen Charlotte sitting at a table laden with food in her OTT wig, surrounded by people in puffer jackets and jeans. At first it’s a little odd to see the contrast of history and modern, but you get used to it. (Also, you can pore over the detail of all the delicious looking food and flowers, something you don’t always get to dwell in the fast paced series).

Usually with a book accompanying a TV series or film, I can get through it in an afternoon. It’s usually a lot of pictures with not much text. Inside Bridgerton delivers on both the writing and picture front, which is really rare! It took me several days to get through this book. What’s also rare is that it goes deep – it’s not just interviews with the actors and a run down of episodes. The book assumes you, dearest reader, know your Bridgerton, and want more. It really does deliver on every aspect of production and goes in deeper to some key scenes, such as Daphne and Simon and the painting plus some lavish balls. I found the world building fascinating with the amount of detail that goes into everything from how quickly the actors speak to the use of silence to build tension. The way the crew shot Bridgerton was fascinating too, followed by editing done remotely due to the COVID-19 pandemic. It could have turned out messily, but it all worked brilliantly.

There are interviews and explanations from a lot of the crew that also go into detail, so much so that I find myself wanting to rewatch the series so I can pick up on the lighting, music and costume details. This is definitely a book worthy of the series!

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