Mort de tinta (2007)

An interesting story ( )

Inkdeath is a darker book than Inkheart and Inkspell. This third book and trilogy finale shifts its focus away from magic and adventure and into something more sinister. There are more villains than ever before in the Inkworld and allies are less stalwart. While the magic of Inkheart leads me to love the trilogy, it is Inkdeath that engrossed me the most.

There is not so much action in Inkdeath as there are high stakes. Of particular interest to me is Mortimer’s transformation. I saw the Inkheart film long before I read any of the books, and Mo will forever be Brendan Fraser in my mind. Watching the way that character evolves to fill the role needed of him in the Inkworld is fascinating and a bit heartbreaking (which makes it that much easier to relate to Meggie and Reesa). Between besting cruel rulers and saving children and having a meeting with Death, there is so much going on in Inkdeath to appeal to any reader, but it’s Mo’s descent that shines most in this novel. I have no idea if this was Funke’s intent or just my personal interpretation, but I really like it.

To be sure, this book has its flaws. It’s far too long and feels like it ambles along sometimes. Where there are so many ticking clocks and things at stake, Inkdeath‘s leisurely pace frustrated me as a reader. While Funke is not a particularly urgent writer, the pacing of the book was further agitated by the multiple POVs. Inkdeath has five main POVs – Mo, Reesa, Meggie, Fengolia, and Orpheus. Meggie and Mo still hold the spotlight, but that is an awful lot of voices. There are also characters that have one or two POV chapters, such as Elinor, Dustfinger, and Farid. From a writer’s perspective, I really enjoy telling the story from the voice of the character who is in the right place at the right time. From a reader’s perspective, it’s a bit much. I personally didn’t get the voices tangled, but by this time I’m well familiar with each of the characters and found their individual internal monologues easy to navigate. Others may not be so fortunate.

The Inkworld remains as vivid and interesting as ever. One cannot help but to side with Fengolio a bit in this one, despite his cantankerous nature – he created an incredible world and Orpheus’ machinations cheapen the magic a bit. There’s also a new setting conjured by Fengolio that I just… didn’t buy. The blue faeries and the Fire-Dancers and the Black Prince and his Bear – all the elements from the original story before humans entered the world and began mucking about – remains as wonderful as ever.

As much as it pains me to admit this, there are characters I really enjoyed in Inkheart and Inkspell that just don’t seem to have a purpose. Farid and Meggie are left mostly to following in their heroes’ shadows and being angsty. Elinor is absolutely one of my favorite characters, and I am begrudgingly forced to admit she doesn’t add much. In fact, Elinor has never been much more than a means-to-an-end to move the story along in places, which is a shame before I adore her. Orpheus, our villain, is so cartoonishly bad that he reminds me of the Bowler Hat Guy from Disney’s Meet the Robinsons. His physical description is nothing like the character, but it’s the only way I can picture him. The characters are all fun and interesting, but they just don’t bring as much to the story as I wanted.

One of the magical things about Inkdeath was that I spent so much time worrying after Mo or for the poor glass men who were constantly abused by Fengolio and Orpheus that I didn’t think of all these things that bothered me until hours after I finished the book. The main premise of the Inkworld trilogy revolves around a man who reads worlds from books and makes them come to life. That same breathless magic is in Inkdeath as vibrantly it is the rest of the trilogy. You dive in, and you are immediately caught up in the world around you. It’s so easy to forget about life for a while.

For all the qualms I have about the trilogy – whether it be translation or fact, but wouldn’t it be amazing to read them in their original German?- I still think that this collection is one of the most creative stories I’ve ever read and I adore the story they tell. I very much recommend it to readers of all ages. ( )

I'm reading Inkheart and Inkspell over again first. ( )

Tintentod, translated as Inkdeath, is the third book in the Inkworld Trilogy by Cornelia Funke.

Plot:
Things in the Inkworld are still pretty dire. Politically, Mo’s plan has backfired severely, and Mo himself becomes the Bluejay more and more, much to Resa’s and Meggie’s worry. Farid is still desperately trying to bring Dustfinger back to life, and has pledged himself to Orpheus in the hope that he can achieve it. Fenoglio is still unable to write. And for all the people in the Inkworld, the Adderhead and his people become increasingly more dangerous. Something has got to change and very soon, or it will be too late.

Tintentod is a really great ending for the story, that makes good use of the pieces it put into play and gives satisfaction – despite a couple of issues I had with it.

Read more on my blog: https://kalafudra.com/2021/12/13/tintentod-cornelia-funke/ ( )

"Go back and rid the world of that book. Fill it with word before spring comes, or winter will never end for you. And I will take not only your life for the Adderhead's but your daughter's too, because she helped you bind the book. Do you understand, Bluejay?"
"Why two?" asked Mo hoarsely. "How can you ask for two lives in return for one?"