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Fences de August Wilson
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Fences (1986 original; edició 1986)

de August Wilson (Autor), Lloyd Richards (Introducció)

MembresRessenyesPopularitatValoració mitjanaMencions
1,402149,860 (3.81)69
Fences represents the decade of the 1950s, and, when it premiered in 1985, it won the Pulitzer Prize. Set during the beginnings of the civil rights movement, it also concerns generational change and renewal, ending with a celebration of the life of its protagonist, even though it takes place at his funeral. Critics and scholars have lauded August Wilson's work for its universality and its ability, especially in Fences, to transcend racial barriers and this play helped to earn him the titles of "America's greatest playwright" and "the African American Shakespeare."… (més)
Membre:ShiraDest
Títol:Fences
Autors:August Wilson (Autor)
Altres autors:Lloyd Richards (Introducció)
Informació:Plume (1986), Edition: Reissue, 101 pages
Col·leccions:La teva biblioteca
Valoració:
Etiquetes:to-read, FromGR

Detalls de l'obra

Fences de August Wilson (Author) (1986)

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» Mira també 69 mencions

Es mostren 1-5 de 14 (següent | mostra-les totes)
A rich, tragic, restless play. An encasulation of the American Dream, as we see it for Jim Crow-era Black Americans. ( )
  DrFuriosa | Dec 4, 2020 |
A story about wanting more for others and your own self at the same time. It's about the barriers we put up in our lives. Wilson weaves words together to build these powerfully beautiful and heartbreaking monologues you really can't help getting chills when reading. Well, I couldn't at least. ( )
  ctkjs | Jan 3, 2018 |
1957 Pittsburgh.

Troy Maxson, garbage man and former Negro leagues star, is trying to stop his son from being recruited to college to play football. Troy is jealous and angry because of the course of his life. He was kept out of the major leagues by racist policies. He only owns his home because his brother was severely injured in WW2 and his settlement enabled them to buy the house. He has worked and worked but due to his race his abilities haven't mattered. He tries to convince his son that those supposed possibilities aren't real. His wife, Rose, disagrees. ( )
  Dreesie | Dec 6, 2017 |
August Wilson
FENCES
Plume, 1986
Play

"Can't visit the sins of the father upon the child."

A few summers back, August Wilson's play, FENCES, was performed at a local theater. I missed every performance. That was upsetting. I love seeing plays. Recently, I saw that FENCES was being made into a major motion picture with Denzel Washington. With renewed interest, I ordered the play, and read it in one sitting.

FENCES is set in the 1950s. The Acts mostly take place on Fridays. Payday. On the porch of a small house, with a dirt yard, we meet Troy Maxson, his wife Rose, their son Cory, Troy's other son, Lyons, and Troy's disabled brother, Gabe, and, additionally, Bono, Troy's lifelong friend.

Unfortunately, Troy is not a likeable man. Although he'd lived a hard life, his life is spent in the past. Despite having left home at fourteen, and spending fifteen years in prison for murder, he married, landed a good job as a garbage man, and started a family. His once dreamed of playing professional baseball. Too many things were stacked against him. The fact he was black became the tallest obstacle, and an impossible hurdle.

Hard working, Troy has little time for his boys. Lyons is in his thirties, and doesn't work. He is a musician, and despite having no money, and begging for cash from his father, it is clear Lyons wants to, in some way, salvage his relationship with his father. His constant pleas for Troy to come down to the club where his band plays scream for attention that time, and again, Troy ignores.

Rose's and Troy's son, Cory, is athletic. His football playing might land him a scholarship into college. A recruiter is anxious to discuss terms with Troy. Determined his son is living in a fantasy, Troy continually gives Cory a hard time, setting unrealistic goals with little care of the consequences.

Gabe, Troy's younger brother, fought in World War II. A plate in his head has him believing he is the Arch Angel Gabriel. The government checks helped Troy make ends meet, but when Gabe moves out, hard feelings set in.

Troy likes to make everyone believe he is smarter than he is. He wants people to know he is strong, and in charge. He is the King of his Castle. Ruler over Rose, and Cory, and even Lyons. What he says, goes. He is harsh, and brash, and obnoxious. Calloused, and careless.

His mistakes continually pile up. He makes one bad call after another. And then, when his reality is there facing him, ready to wrestle -- he has no one to blame for the outcome, except himself.

"You went back on yourself Troy. You gonna have to answer for that."

The thing is, I don't think Troy ever truly gets it. I don't think he ever understands that he was the problem. And that, for me, was the tragedy. That was what made this story so sad, and depressing. Troy never got it. He just never got it.

FENCES is a fantastic, taut play. I am going to have to read more August Wilson. No doubt about it. The messages were there. Clear, and not so subtle, and I loved the story.

Phillip Tomasso
Author of the Severed Empire Series, and
The Vaccination Trilogy ( )
  ptom3 | Feb 7, 2017 |
A great sad, poignant story of life, love and loss. So much packed into 101 pages. Wish I had been able to see James Earl Jones as Troy on Broadway. An amazing piece of literature and humanity. Universal. ( )
  Charlie-Ravioli | Jan 18, 2016 |
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Nom de l'autorCàrrecTipus d'autorObra?Estat
Wilson, AugustAutorautor primaritotes les edicionsconfirmat
Richards, LloydIntroduccióautor secundarialgunes edicionsconfirmat
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Wikipedia en anglès (3)

Fences represents the decade of the 1950s, and, when it premiered in 1985, it won the Pulitzer Prize. Set during the beginnings of the civil rights movement, it also concerns generational change and renewal, ending with a celebration of the life of its protagonist, even though it takes place at his funeral. Critics and scholars have lauded August Wilson's work for its universality and its ability, especially in Fences, to transcend racial barriers and this play helped to earn him the titles of "America's greatest playwright" and "the African American Shakespeare."

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