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The Birth of Tragedy: Out of the Spirit of…
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The Birth of Tragedy: Out of the Spirit of Music (Penguin Classics) (1872 original; edició 1994)

de Friedrich Nietzsche (Autor)

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Die Geburt der Tragödie (1872) is one of the most important philosophical texts of the modern period. Nietzsche describes how Greek tragedy was born out of the encounter between the Dionysian and the Apollonian and represents a culture in which a balance between the two was achieved. The Dionysian plunged Greek culture into chaos and despair but also paved the way for the regenerative power of Apollonian clarity and rationality. It is this model that Nietzsche employs to understand both the decline of modern culture and the possible rebirth of this culture. In genuine tragic art, the Dionysian and Apollonian elements are completely entwined. In the music of Richard Wagner, to whom the work is dedicated, Nietzsche sees a redemptive power that can overcome the intellectual dichtonomy between the Dionysian and the Apollonian that characterises modern society.… (més)
Membre:Jeffrey_Towey
Títol:The Birth of Tragedy: Out of the Spirit of Music (Penguin Classics)
Autors:Friedrich Nietzsche (Autor)
Informació:Penguin Classics (1994), Edition: unknown, 160 pages
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El naixement de la tragèdia (Die Geburt der Tragödie). de Friedrich Nietzsche (1872)

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  AnkaraLibrary | Feb 23, 2024 |
In The Birth of Tragedy Nietzsche not only narrates the origin of tragedy, but he also offers a postmortem that identifies its killers. According to Nietzsche, with Euripides' help and encouragement, Socrates destroyed this pinnacle of Greek culture. However, Nietzsche goes on to predict that Wagnerian opera will bring about its revival, at least in Germany. The ideas of Schopenhauer and Kant indicate that the rationalism that was introduced by Socrates and ultimately led to the abolition of tragedy has run its course and reached its limits, which means that the time is right for tragedy to reappear. Pace logic apart, the thing itself demonstrates that it is fundamentally unknown.

Nietzsche's analysis identifies the Apolline and the Dionysian artistic tendencies that are united in Greek tragedy. In contrast to the Dionysian, who offers chaos, intoxication, obscurity, excess, and fusion, the Apolline symbolizes clarity, beauty, order, shape, and individuation. Greek tragedy—at least the works by Aeschylus and Sophocles—exposes its audience to existential horrors like fate's hand, the impotence of even the most admirable people, and the certainty of suffering. It rises above the pit of sorrow and pessimism, however, to affirm life in the end, or at the very least, to affirm aesthetic force and its capacity to redeem pain and suffering, by crafting these brutal facts into a great work of art. ( )
  jwhenderson | Feb 8, 2024 |
Fala sobre período pré-socrático, grécia, dionísio, críticas relativas a dor e a alegria ( )
  Taisha18 | Sep 6, 2021 |
A Coleção Grandes Obras do Pensamento Universal traz, neste volume, mais um clássico do escritor Friedrich Nietzsche para completar a sua biblioteca. O Nascimento da Tragédia, de 1872, é a primeira obra do autor a ser publicada e já dá mostras do pen samento que será apresentado nos livros seguintes. Nele, Nietzsche analisa a cultura e o mito e faz uma reflexão profunda sobre a arte, contrapondo os deuses Apolo e Dioniso e seus aspectos opostos e contraditórios.
  BolideBooks | May 15, 2021 |
Tragedya'nın Doğuşu'nu okudum. İlk defa bir Nietzsche eseri okudum, beynim zonkluyor şu an. Hem içerik olarak hakim olduğum bir alanda yazılmasından dolayı hem de yazarın ilk kitabı olduğu için bu kitaptan yazarın eserlerini okumaya başladım. Çok da doğru bir tercih yapmamışım meğerse.

Nietzsche bu kitabında anlatım olarak çok başarısız. Sürekli tekrarlara düşmüş ve lafı ağzında geveleyip durmuş. Araştırdığım kadarıyla ve daha önce okuyup yarım bıraktığım Böyle Buyurdu Zerdüşt tecrübesinden yola çıkarak yazarın diğer kitaplarında anlatım tarzını düzelttiğini, daha anlaşılır bir dille eserlerini kaleme aldığını biliyorum. Aksi taktirde, diğer kitaplarında da Tragedyanın Doğuşu'nda kullandığı anlatım tarzını kullansaydı bu kadar büyük bir filozof olarak ünlenmezdi.

Bu kitabı okumadan önce Yunan Mitolojisi'yle birlikte Sophokles, Aiskhylos ve Euripides'in eserlerine az çok hakim olmanız lazım. Ayrıca Sokrates'in görüşlerini ve hayatını da araştırmanız gerekiyor. Ben tüm bunları bilmeme rağmen bile eserin tamamını anlayamadım. ( )
  Tobizume | Jun 9, 2020 |
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Nom de l'autorCàrrecTipus d'autorObra?Estat
Friedrich Nietzscheautor primaritotes les edicionscalculat
Ījabs, IvarsTraductorautor secundarialgunes edicionsconfirmat
Baeumler, AlfredEditorautor secundarialgunes edicionsconfirmat
Blumbergs, IlmārsIl·lustradorautor secundarialgunes edicionsconfirmat
Fadiman, CliftonTraductorautor secundarialgunes edicionsconfirmat
Tanner, MichaelEditorautor secundarialgunes edicionsconfirmat
Whiteside, ShaunTraductorautor secundarialgunes edicionsconfirmat
Winter, LeoIntroduccióautor secundarialgunes edicionsconfirmat

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We shall do a great deal for the science of esthetics, once we perceive not merely by logical inference, but with the immediate certainty of intuition, that the continuous development of art is bound up with the Apollonian and Dionysian duality:  just as procreation depends on the duality of the sexes, involving perpetual strife with only periodically intervening reconciliations.
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Die Geburt der Tragödie (1872) is one of the most important philosophical texts of the modern period. Nietzsche describes how Greek tragedy was born out of the encounter between the Dionysian and the Apollonian and represents a culture in which a balance between the two was achieved. The Dionysian plunged Greek culture into chaos and despair but also paved the way for the regenerative power of Apollonian clarity and rationality. It is this model that Nietzsche employs to understand both the decline of modern culture and the possible rebirth of this culture. In genuine tragic art, the Dionysian and Apollonian elements are completely entwined. In the music of Richard Wagner, to whom the work is dedicated, Nietzsche sees a redemptive power that can overcome the intellectual dichtonomy between the Dionysian and the Apollonian that characterises modern society.

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