IniciGrupsConversesExploraTendències
Cerca al lloc
Aquest lloc utilitza galetes per a oferir els nostres serveis, millorar el desenvolupament, per a anàlisis i (si no has iniciat la sessió) per a publicitat. Utilitzant LibraryThing acceptes que has llegit i entès els nostres Termes de servei i política de privacitat. L'ús que facis del lloc i dels seus serveis està subjecte a aquestes polítiques i termes.
Hide this

Resultats de Google Books

Clica una miniatura per anar a Google Books.

S'està carregant…

The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century… (1979)

de Sandra M. Gilbert, Susan Gubar

MembresRessenyesPopularitatValoració mitjanaMencions
1,200712,683 (4.04)68
In this work the authors explore the works of many 19th-century women writers. They chart a tangible desire expressed for freedom from the restraints of a confining patriarchal society and trace a distinctive female literary tradition.
S'està carregant…

Apunta't a LibraryThing per saber si aquest llibre et pot agradar.

No hi ha cap discussió a Converses sobre aquesta obra.

» Mira també 68 mencions

Es mostren 1-5 de 7 (següent | mostra-les totes)
This book is considered a classic and it is easy to understand why. It's an extremely thorough (and, yes, extremely long) investigation of female writers of the nineteenth century and of how their experiences of being women, and women writers, shaped their works. I particularly appreciated the discussion of Austen and Charlotte Brontë, but felt that some of the arguments became a little repetitive as the text went on. I think that part of that stemmed from the fact that it is a work of sustained, deep literary analysis, covering many individual novels and poems, and is probably at its best when dipped into with a focus on a particular author. I think that it reads as being a little dated in places as well–the psychology/psychotherapy aspects stood out to me in particular as I tend to check out mentally when Freud is mentioned ;p ( )
  Tara_Calaby | Jun 22, 2020 |
Yes, it's dated, but for my generation this was so exciting. This made going to grad school feel like punk rock (for grad students, so, y'know, not that punk). We were going to change the academy & then the world & Gilbert & Gubar were showing us how.
Try to read this book as if it's the first or at most second piece of feminist criticism you've ever read. Imagine Austen & the Brontes and Dickinson constantly trivialized and George Eliot lauded for her masculine writing in everything you've seen before. Try to think about Bertha Rochester's life as completely unproblematic. Then read this book and you'll get a sense of what we felt. ( )
1 vota susanbooks | Nov 17, 2018 |
Another university textbook I've been meaning to read cover-to-cover for a long time. Famous enough that everyone ignores the clever title and just calls it "Gilbert & Gubar", over 600 pages long, and with in-depth studies of half a dozen of the biggest names in nineteenth-century literature, it's a daunting prospect. Happily it turns out to be eminently readable, much more so than I remember from when I was writing essays - maybe my standards have changed?

The really important thing about it, of course, is that it's one of the books that made respectable the idea that we need to look at the work of women writers in terms of their role as women in the society of the time, and also bearing in mind that they were writing for a largely female audience. (G&G appeared in 1979, about the same time as Elaine Showalter's A literature of their own.) Where more recent feminist critique tends to mix in other theoretical approaches, G&G look almost exclusively at how women writers deal with and aare influenced by the situation of women in the society of their times, and their own role as women writers in particular. How do you deal with the assertive act of speaking out in print in a society where the ideal of feminine behaviour is supposed to be passive and silent? Despite the famous, aggressively Freudian, opening line, there is little or no recourse to the usual male authority-figures of lit-crit (Marx, Freud, Derrida, Barthes, Foucault...). Virginia Woolf, of course, is quoted heavily, and G&G have quite a bit to say about how 19th century women writers saw each others' work.

One part I found especially interesting was the discussion of how women writers engaged with Milton: maybe an obvious question to pose for Frankenstein and Middlemarch, but not at all self-evident for Wuthering Heights until you've seen their analysis.

With hindsight, one of the surprising things about the book is the way it sticks to the narrowly-defined "canon" of 19th century English writing - there is only the very briefest discussion of Victorian popular novelists who have since fallen out of favour (Mrs Oliphant, Charlotte M. Yonge, Harriet Beecher Stowe, etc.), and apart from Emily Dickinson there is nothing about women writers who were relatively unknown in their own time. Obviously the reason for this is that they want to concentrate their energy on the writers who have received the lioness's share of critical attention and show how looking at them as women can change our perception of their work and what it is trying to say. Rediscovering writers who were unfairly neglected isn't part of their remit. But it does mean that you shouldn't try to use this book on its own to get a view of women's writing in 19th century England (and New England...). Let alone anywhere else. ( )
1 vota thorold | Jul 20, 2015 |
Forum, June 8, 2015 ( )
  clifforddham | Jun 8, 2015 |
This is must-reading for anyone who loves to read serious literature. My copy is dog-eared and marked up; I use it for reference and short reading, as it reads for me more like a text-book than a page-turner. However, it is on my bedside table. This was a watershed influence on my intellectual life. Highly recommended. ( )
  BarbBowling | Aug 22, 2010 |
Es mostren 1-5 de 7 (següent | mostra-les totes)
Sense ressenyes | afegeix-hi una ressenya

» Afegeix-hi altres autors

Nom de l'autorCàrrecTipus d'autorObra?Estat
Sandra M. Gilbertautor primaritotes les edicionscalculat
Gubar, Susanautor principaltotes les edicionsconfirmat

Pertany a aquestes col·leccions editorials

Has d'iniciar sessió per poder modificar les dades del coneixement compartit.
Si et cal més ajuda, mira la pàgina d'ajuda del coneixement compartit.
Títol normalitzat
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
Títol original
Títols alternatius
Data original de publicació
Gent/Personatges
Llocs importants
Esdeveniments importants
Pel·lícules relacionades
Premis i honors
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
Epígraf
Dedicatòria
Primeres paraules
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
Is a pen a metaphorical penis?
Citacions
Darreres paraules
Nota de desambiguació
Editor de l'editorial
Creadors de notes promocionals a la coberta
Llengua original
CDD/SMD canònics
LCC canònic
In this work the authors explore the works of many 19th-century women writers. They chart a tangible desire expressed for freedom from the restraints of a confining patriarchal society and trace a distinctive female literary tradition.

No s'han trobat descripcions de biblioteca.

Descripció del llibre
Sumari haiku

Cobertes populars

Dreceres

Valoració

Mitjana: (4.04)
0.5
1 1
1.5 1
2 7
2.5 1
3 21
3.5 3
4 44
4.5 4
5 47

Ets tu?

Fes-te Autor del LibraryThing.

Yale University Press

Yale University Press ha publicat 2 edicions d'aquest llibre.

Edicions: 0300084587, 0300025963

 

Quant a | Contacte | LibraryThing.com | Privadesa/Condicions | Ajuda/PMF | Blog | Botiga | APIs | TinyCat | Biblioteques llegades | Crítics Matiners | Coneixement comú | 166,152,861 llibres! | Barra superior: Sempre visible