IniciGrupsConversesMésTendències
Cerca al lloc
Aquest lloc utilitza galetes per a oferir els nostres serveis, millorar el desenvolupament, per a anàlisis i (si no has iniciat la sessió) per a publicitat. Utilitzant LibraryThing acceptes que has llegit i entès els nostres Termes de servei i política de privacitat. L'ús que facis del lloc i dels seus serveis està subjecte a aquestes polítiques i termes.
Hide this

Resultats de Google Books

Clica una miniatura per anar a Google Books.

The Great Gatsby de Haruki Murakami
S'està carregant…

The Great Gatsby (1925 original; edició 2004)

de Haruki Murakami

MembresRessenyesPopularitatValoració mitjanaConverses / Mencions
60,964100414 (3.86)3 / 1208
After the Great War, the mysterious Jay Gatsby, a self-made millionaire, pursues wealth, riches and the lady he lost to another man with stoic determination. He buys a mansion across from her house and throws lavish parties to entice her. When Gatsby finally does reunite with Daisy Buchanan, tragic events are set in motion. Told through the eyes of his detached and omnipresent neighbour and friend, Nick Carraway, Fitzgerald's succinct and powerful prose hints at the destruction and tragedy that awaits.… (més)
Membre:Ely.sium
Títol:The Great Gatsby
Autors:Haruki Murakami
Informació:Scribner, Paperback, 180 pages
Col·leccions:Read, La teva biblioteca
Valoració:*
Etiquetes:classics

Detalls de l'obra

El gran Gatsby de F. Scott Fitzgerald (Author) (1925)

  1. 166
    El Sol també s'aixeca de Ernest Hemingway (themephi, sturlington)
    sturlington: Great novels of the Jazz Age.
  2. 51
    Escorxador-5 de Kurt Vonnegut (chwiggy)
  3. 41
    Flappers, Flasks and Foul Play de Ellen Mansoor Collier (TomWaitsTables)
  4. 31
    El roig i el negre de Stendhal (CGlanovsky)
    CGlanovsky: Shady social upstarts rising to prominence in societies dealing with fundamental class upheaval and entertaining romantic aspirations outside their traditional spheres.
  5. 31
    The Green Hat de Michael Arlen (Rebeki)
    Rebeki: Also narrated by a shadowy "outsider" figure and set in the glamorous 1920s.
  6. 10
    Mira'm de Anita Brookner (KayCliff)
  7. 21
    The House of Mirth de Edith Wharton (kara.shamy)
  8. 10
    Jardí vora el mar de Mercè Rodoreda (bluepiano)
    bluepiano: Garden by the Sea is set in same period & similar milieu & leaves behind a deeper impression.
  9. 21
    An American Tragedy de Theodore Dreiser (Waldstein)
    Waldstein: Ten times longer, a hundred times harder to read, and a thousand times greater than Fitzgerald's lame and hysterical melodrama. Published only eight months later and nowadays largely forgotten, Dreiser's magnum opus is a much more powerful depiction of the rich and poor in America of the 1920s.… (més)
  10. 21
    El gran Meaulnes (El Cangur) de Alain-Fournier (mountebank)
  11. 10
    The Spoils of Poynton de Henry James (lottpoet)
    lottpoet: similarly has a peripheral narrator showing rich people behaving badly about some of the strangest things
  12. 43
    The Other Typist de Suzanne Rindell (akblanchard)
    akblanchard: In the afterword of The Other Typist, Suzanne Rindell acknowledges that her work was inspired by The Great Gatsby.
  13. 21
    Trust de Cynthia Ozick (citygirl)
  14. 10
    A Whistling Woman de A. S. Byatt (KayCliff)
  15. 21
    Adéu a Berlín de Christopher Isherwood (LottaBerling)
  16. 11
    Kleider machen Leute de Gottfried Keller (chwiggy)
  17. 11
    Gentlemen Prefer Blondes de Anita Loos (acceptance)
    acceptance: Two short novels of the Jazz age, published in the same year. Fun to compare the two.
  18. 11
    Linden Hills de Gloria Naylor (lottpoet)
    lottpoet: This book features a well-off family, pillars of the community, taking things to quite tragic lengths. It follows an African-American family and so adds colorism and racism to the mix.
  19. 11
    A Hundred Summers de Beatriz Williams (FFortuna)
  20. 00
    Entitlement de Jonathan Bennett (ShelfMonkey)

(Mira totes les recomanacions 29)

Read (3)
1920s (3)
S'està carregant…

Apunta't a LibraryThing per saber si aquest llibre et pot agradar.

Anglès (954)  Castellà (16)  Italià (10)  Francès (6)  Suec (5)  Neerlandès (3)  Català (2)  Alemany (2)  Hebreu (1)  Danès (1)  Hongarès (1)  Portuguès (Brasil) (1)  Noruec (1)  Totes les llengües (1,003)
Es mostren totes 2
Quan l'acabes veus una obra molt rodona i estructurada; traça com ningú personatges i relacions icòniques. Per altra banda, tot i ser Gatsby el paradigma del noi romàntic i turmentat, m'he trobat amb una narració terriblement asèptica i freda; no he disfrutat en el línia-a-línia . ( )
  jmbadia | Jul 20, 2013 |
actualment ja està depassada ( )
  boixac | Feb 23, 2012 |
Es mostren totes 2
The Great Gatsby is a romance novel that written by American Author F.Scott Fitzgerald.This novel is talk about the New Yorker in 1900s.The Great Gatsby is a classic piece of American fiction. It is a novel full of triumph and tragedy.Nick Carraway is the narrator, or storyteller, of The Great Gatsby, but he is not the story's protagonist, or main character. Instead, Jay Gatsby is the protagonist of the novel that bears his name. Tom Buchanan is the book's antagonist, opposing Gatsby's attempts to get what he wants: Tom's wife Daisy.

The weakness of this book is they using the classic languange and a little difficult to understand.The weakness also about Gatsby affection to Daisy,He spends that money on lavish parties in the hopes that she will show up.When she finally spends time with him, for the first time in many years, he naively believes that she will leave Tom for him but,unfortunately she is not.

However,the strength of this book is the writer are using the unique title so the reader are feel sympathy and curious about it, also the characteristic about Jay Gatsby that teach the reader many lesson.

To conclude,this book is the very recommended book,especially High School students because Fitzgerald’s novel is a portal to the savage heart of the human spirit, and wonders at our enormous capacity to dream, to imagine, to hope and to persevere.
afegit per Billy_Kululu | editaMedia Indonesia, Billy Kululu (Dec 2, 2016)
 
The great Gatsby is truly a romance book like no other.F.SCOTT.Switzgerald describing about the life of New Yorker in 1900s.This novel is very popular many students if high school are required by their teachers to read this book.The narrator of The Great Gatsby is a young man from Minnesota named Nick Carraway. He not only narrates the story but casts himself as the book’s author.As ive read about this book,Gatsby’s personality was nothing short of “gorgeous.”

moreover,the weakness about this book is hard to understand if u are not really pay attention on it.this novel is about a contradiction,Gatsby's idealism makes him blind.He doesn't see that Daisy can't have love and money, just money. Gatsby can't turn back time.He even doesn't see death coming toward him.

However,the strength of this book something quite different from others,it is the charm and beauty of writing,has many important meanings that should be learned early on in life.

To conclude,what i can say is don't be too obsessed just because you have so much money,money ain't last forever.but overall its a magnificent,fantastically, entertaining and enthralling story.
afegit per Nadilla-Syawie | editaThe New York Times, Nadilla Syawie (Dec 1, 2016)
 
"The Great Gatsby" is in form no more than a glorified anecdote, and not too probable at that

What gives the story distinction is something quite different from the management of the action or the handling of the characters; it is the charm and beauty of the writing.
afegit per danielx | editaChicago Tribune, HL Mencken (Jan 23, 2015)
 
I find Gatsby aesthetically overrated, psychologically vacant, and morally complacent; I think we kid ourselves about the lessons it contains. None of this would matter much to me if Gatsby were not also sacrosanct.

There is the convoluted moral logic, simultaneously Romantic and Machiavellian, by which the most epically crooked character in the book is the one we are commanded to admire. There’s the command itself: the controlling need to tell us what to think, both in and about the book. There’s the blanket embrace of that great American delusion by which wealth, poverty, and class itself stem from private virtue and vice. There’s Fitzgerald’s unthinking commitment to a gender order so archaic as to be Premodern: corrupt woman occasioning the fall of man. There is, relatedly, the travesty of his female characters—single parenthesis every one, thoughtless and thin. (Don’t talk to me about the standards of his time; the man hell-bent on being the voice of his generation was a contemporary of Dorothy Parker, Gertrude Stein, and Virginia Woolf, not to mention the great groundswell of activists who achieved the passage of the Nineteenth Amendment. Yet here he is in A Short Autobiography: “Women learn best not from books or from their own dreams but from reality and from contact with first-class men.”)
afegit per danielx | editaVulture, Kathryn Schultz (Jul 4, 2013)
 


It is an impressive accomplishment. And yet, apart from the restrained, intelligent, beautifully constructed opening pages and a few stray passages thereafter—a melancholy twilight walk in Manhattan; some billowing curtains settling into place at the closing of a drawing-room door—Gatsby as a literary creation leaves me cold. Like one of those manicured European parks patrolled on all sides by officious gendarmes, it is pleasant to look at, but you will not find any people inside.

Indeed, The Great Gatsby is less involved with human emotion than any book of comparable fame I can think of. None of its characters are likable. None of them are even dislikable, though nearly all of them are despicable. They function here only as types, walking through the pages of the book like kids in a school play who wear sashes telling the audience what they represent: OLD MONEY, THE AMERICAN DREAM, ORGANIZED CRIME.
 

» Afegeix-hi altres autors (15 possibles)

Nom de l'autorCàrrecTipus d'autorObra?Estat
Fitzgerald, F. ScottAutorautor primaritotes les edicionsconfirmat
Abarbanell, BettinaTraductorautor secundarialgunes edicionsconfirmat
Amberg, BillDissenyador de la cobertaautor secundarialgunes edicionsconfirmat
Bickford-Smith, CoralieAutor de la cobertaautor secundarialgunes edicionsconfirmat
Bradbury, MalcolmIntroduccióautor secundarialgunes edicionsconfirmat
Bruccoli, Matthew JosephPrefaceautor secundarialgunes edicionsconfirmat
Burgess, AnthonyIntroduccióautor secundarialgunes edicionsconfirmat
Burns, TomIl·lustradorautor secundarialgunes edicionsconfirmat
Bush, KenEditorautor secundarialgunes edicionsconfirmat
Cirlin, EdgardAutor de la cobertaautor secundarialgunes edicionsconfirmat
Colomb, StephanieEditorautor secundarialgunes edicionsconfirmat
Cornils, L.Traductorautor secundarialgunes edicionsconfirmat
Cugat, FrancisAutor de la cobertaautor secundarialgunes edicionsconfirmat
Dean, BruceIl·lustradorautor secundarialgunes edicionsconfirmat
Ekvall, ChristianTraductorautor secundarialgunes edicionsconfirmat
Ellsworth, JohannaTraductorautor secundarialgunes edicionsconfirmat
Folch i Camarasa, RamonTraductorautor secundarialgunes edicionsconfirmat
Gyllenhaal, JakeNarradorautor secundarialgunes edicionsconfirmat
Hope, WilliamNarradorautor secundarialgunes edicionsconfirmat
Janssen, SusanTraductorautor secundarialgunes edicionsconfirmat
Li, CherlynneDissenyador de la cobertaautor secundarialgunes edicionsconfirmat
Liona, VictorTraductorautor secundarialgunes edicionsconfirmat
Meyer, FredIl·lustradorautor secundarialgunes edicionsconfirmat
Meyers, JeffreyEditorautor secundarialgunes edicionsconfirmat
Muller, FrankNarradorautor secundarialgunes edicionsconfirmat
Murakami, HarukiTraductorautor secundarialgunes edicionsconfirmat
Niiniluoto, MarjaTraductorautor secundarialgunes edicionsconfirmat
Olzon, GöstaTraductorautor secundarialgunes edicionsconfirmat
Pivano, FernandaTraductorautor secundarialgunes edicionsconfirmat
Prigozy, RuthEditorautor secundarialgunes edicionsconfirmat
Reynolds, GuyIntroduccióautor secundarialgunes edicionsconfirmat
Robbins, TimNarradorautor secundarialgunes edicionsconfirmat
Schürenberg, WalterPrefaciautor secundarialgunes edicionsconfirmat
Scourby, AlexanderNarradorautor secundarialgunes edicionsconfirmat
Siegel, HalIl·lustradorautor secundarialgunes edicionsconfirmat
Sloan, SamPròlegautor secundarialgunes edicionsconfirmat
Soosaar, EnnTraductorautor secundarialgunes edicionsconfirmat
Tanner, TonyIntroduccióautor secundarialgunes edicionsconfirmat
Tournier, JacquesTraductorautor secundarialgunes edicionsconfirmat
Tredell, NicolasEditorautor secundarialgunes edicionsconfirmat
Wolff, Lutz-W.Traductorautor secundarialgunes edicionsconfirmat

Contingut a

Refet a

Té la seqüela (no dins una sèrie)

Té l'adaptació

Ha inspirat

Té una guia de referència/complement

Té un estudi

Té una concordança

Té una guia d'estudi per a estudiants

Té una guia del professor

Has d'iniciar sessió per poder modificar les dades del coneixement compartit.
Si et cal més ajuda, mira la pàgina d'ajuda del coneixement compartit.
Títol normalitzat
Títol original
Títols alternatius
Data original de publicació
Gent/Personatges
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
Llocs importants
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
Esdeveniments importants
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
Pel·lícules relacionades
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
Premis i honors
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
Epígraf
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
Then wear the gold hat, if that will move her;
      If you can bounce high, bounce for her too,
Till she cry "Lover, gold-hatted, high-bouncing lover,
      I must have you!"
—Thomas Parke D'Invilliers
Dedicatòria
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
ONCE AGAIN
TO
ZELDA
Primeres paraules
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since.
Citacions
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
Let us learn to show our friendship for a man when he is alive and not after he is dead.
All right ... I'm glad it's a girl. And I hope she'll be a fool—that's the best thing a girl can be in this world, a beautiful little fool.
This is a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens, where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud which screens their obscure operations from your sight.
"Whenever you feel like criticizing any one," he told me. "just remember that all the people in this world haven't had the advantages that you've had."
I rented a house ... on that slender riotous island which extends itself due east of new york -- where there are, among other natural curiosities, two unusual formations of land. Twenty miles from the city a pair of enormous eggs, identical in contour and seprated only by a courtesy bay, jut out into the most domesticated body of salt water in the Western hemisphere, the great wet barnyard of Long Island Sound. They are not perfect ovals ... but their physical resembalnce must be a source of perpetual wonder to the gullsthat fly overhead.
Darreres paraules
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
(Clica-hi per mostrar-ho. Compte: pot anticipar-te quin és el desenllaç de l'obra.)
Nota de desambiguació
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
This work is the book.
Wordsworth Classics publication of "The Great Gatsby" by F. Scott Fitzgerald, KS3 Success Workbook Maths Levels 5-8, and "Driving Democracy: Do Power-Sharing Institutions Work?" by Norris, Pippa were falsely combined. This seemed to be driven by the ISBNs.
Editor de l'editorial
Creadors de notes promocionals a la coberta
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
Llengua original
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua.
CDD/SMD canònics
After the Great War, the mysterious Jay Gatsby, a self-made millionaire, pursues wealth, riches and the lady he lost to another man with stoic determination. He buys a mansion across from her house and throws lavish parties to entice her. When Gatsby finally does reunite with Daisy Buchanan, tragic events are set in motion. Told through the eyes of his detached and omnipresent neighbour and friend, Nick Carraway, Fitzgerald's succinct and powerful prose hints at the destruction and tragedy that awaits.

No s'han trobat descripcions de biblioteca.

Descripció del llibre
Sumari haiku

Dreceres

Cobertes populars

Valoració

Mitjana: (3.86)
0.5 38
1 418
1.5 70
2 1147
2.5 187
3 3563
3.5 648
4 5506
4.5 582
5 5326

Penguin Australia

Penguin Australia ha publicat 7 edicions d'aquest llibre.

Edicions: 0141182636, 0140007466, 0141023430, 0141037636, 024195147X, 1922079553, 0734306865

Urban Romantics

Urban Romantics ha publicat 2 edicions d'aquest llibre.

Edicions: 1907832564, 1907832572

GenreThing

Ets tu?

Fes-te Autor del LibraryThing.

 

Quant a | Contacte | LibraryThing.com | Privadesa/Condicions | Ajuda/PMF | Blog | Botiga | APIs | TinyCat | Biblioteques llegades | Crítics Matiners | Coneixement comú | 160,483,434 llibres! | Barra superior: Sempre visible