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lquilter: This work was rewritten to tell the other side of Gone With the Wind, the story that Mitchell elided with her romanticized view of racism and slavery and its "happier when they were slaves" survivors.
The Mitchell estate chose to sue for copyright infringement, but lost because the court recognized that this work is an important critical commentary on Gone with the Wind, and the beliefs that animated the original.… (més)
lquilter: Jubilee is the true story of the author's great grandmother, a woman born to slavery as the daughter of a slave and a white slave-owner. She acted as servant to her white sister, and was a witness to antebellum life, the Civil War, and Reconstruction.
A.D.Morel: There's this feeling of longing, that she will not quite get there, yet we are passionately rooting for the main character, we go through her travails with her.
theshadowknows: These books share a similar epic, sweeping feel in bringing to life a lost and fading ideal (the American frontier in Heart of the West and the old, genteel south in Gone with the Wind.)
fulner: The amount of similarities between the girls of antebellum South in Gone with the Wind and the Indian girls in Erotic Stories for Punjabi widows is striking.
En la hisjtoria de amor de Scarlett O'Hara y Rhett Butler, ambientada en la época de la Guerra de Secesión de Estados Unidos, la aventura sentimental .en la que se conjugan romanticismo, pasión y dolor- y la epopeya de los combates configuran una reflexión sobre el heroísmo y el honor. Singular obra maestra, ganadora del Premio Pulitzer, esta novela constituye uno de los mayores éxitos editoriales de todos los tiempos. Fue llevada al cine por Victor Fleming, en una película inolvidable protagonizada por Vivien Leigh y Clark Gable.
An old fashioned, romantic narrative with no Joycean or Proustian nonsense about it, the novel is written in a methodical style which fastidious readers may find wearying. But so carefully does Author Mitchell build up her central character of Scarlett O'Hara, and her picture of the times in which that wild woman struggled, that artistic lapses seem scarcely more consequential than Scarlett's many falls from grace.
The historical background is the chief virtue of the book, and it is the story of the times rather than the unconvincing and somewhat absurd plot that gives Miss Mitchell's work whatever importance may be attached to it.
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Ein Mensch ist in seinem Leben wie Gras/er blühet wie eine Blume auf dem Felde;/wenn der Wind darüber geht, so ist sie nimmer da,/ und ihre Stätte kennet sie nicht mehr. Psalm 103
Dedicatòria
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To J. R. M.
Primeres paraules
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Scarlett O'Hara was not beautiful, but men seldom realized it when caught by her charm, as the Tarleton twins were.
Citacions
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As God is my witness, I'll never be hungry again. (Scarlett)
I don't know nothin' 'bout birthin' babies. (Prissy)
After all, tomorrow is another day.
My dear, I don't give a damn.
Darreres paraules
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This LT work is for Margaret Mitchell's original 1936 novel, Gone with the Wind. Please distinguish it both from partial copies of the work (one or another volume from a 2, 3 or 4-volume set) and from the 1939 movie version of the same name. Thank you.
Editor de l'editorial
Creadors de notes promocionals a la coberta
Llengua original
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Fue llevada al cine por Victor Fleming, en una película inolvidable protagonizada por Vivien Leigh y Clark Gable.