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In Fact: The Best of Creative Nonfiction de…
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In Fact: The Best of Creative Nonfiction (edició 2004)

de Lee Gutkind (Editor), Annie Dillard (Introducció), Lee Gutkind (Introducció), John Edgar Wideman (Col·laborador), Charles Simic (Col·laborador)6 més, Diane Ackerman (Col·laborador), Philip Gerard (Col·laborador), Floyd Skloot (Col·laborador), Andrei Codrescu (Col·laborador), Francine Prose (Col·laborador), Phillip Lopate (Col·laborador)

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Creative nonfiction, also known as narrative nonfiction, liberated journalism by inviting writers to dramatize, interpret, speculate, and even re-create their subjects. Lee Gutkind collects twenty-five essays that flourished on this new ground, all originally published in the journal he founded, Creative Nonfiction, now celebrating its tenth anniversary. Lauren Slater is a therapist in the institution where she was once a patient. John Edgar Wideman reacts passionately to the unjust murder of Emmett Till. Charles Simic tells of wild nights with Uncle Boris. John McPhee creates a rare, personal, album quilt. Terry Tempest Williams speaks on the decline of the prairie dog. Madison Smartt Bell invades Haiti. Many of the writers are crossing genres--from poetry and fiction to nonfiction--symbolic of Creative Nonfiction's scope and popularity. A cross section of the famous and those bound to become so, this collection is a riveting experience highlighting the expanding importance of this dramatic and exciting new genre. A tenth anniversary collection of twenty-five narrative essays originally published in the journal, Creative Nonfiction, includes Lauren Slater's discussion of her work as a therapist at an institution where she was once a patient, John Edgar Wideman's passionate reaction to the murder of Emmett Till, and John McPhee's personal album quilt.… (més)
Membre:sprucely
Títol:In Fact: The Best of Creative Nonfiction
Autors:Lee Gutkind (Editor)
Altres autors:Annie Dillard (Introducció), Lee Gutkind (Introducció), John Edgar Wideman (Col·laborador), Charles Simic (Col·laborador), Diane Ackerman (Col·laborador)5 més, Philip Gerard (Col·laborador), Floyd Skloot (Col·laborador), Andrei Codrescu (Col·laborador), Francine Prose (Col·laborador), Phillip Lopate (Col·laborador)
Informació:W. W. Norton & Company (2004), Edition: 1, Paperback, 480 pages
Col·leccions:La teva biblioteca, Bibliography: Memoir Medical, Writing, Bibliography: Gimpalicious-SexySick (inactive), Resource: GimpThis! (inactive), Per llegir, Preferits
Valoració:
Etiquetes:Creative Nonfiction, Anthology, Best of, Lee Gutkind, Essays, Literature, Non-fiction, On Writing, How-to, Writing Resource, Parameters - Creative, Parameters - Ethical, National Book Award, Journalism, Memoir, Cross-genre, Creative Nonfiction Magazine, Poetry, Fiction, Annie Dillard, John Edgar Wideman, Murder, Justice, Therapists, Patient, Charles Simic, Family, John McPhee, University of Pittsburgh, Norton, American Literature, Prose, 20th C, 21st C, Diane Ackerman, Language, Celestial, Judaism, Divorce, Brain, Brain injury, Research, Bibliography, Floyd Skloot, Cognitive Science, Andrei Codrescu, Francine Prose, Philip Lopate, Hospitals, Medicine, Pain Killers, Giving Birth, Relationships, Nature, Writing Process, Writers on Writing, Writing - Beginnings, Essays - from poems, Memory, Science, Neuroscience, Death - Remembering the dead, Immunological memories, Neurological Disorders, Vision of the dead, Phantom memories, Immunity & Memory, Amputation & Vision, The Senses and The Dead, Creative Nonfiction - Author Definitions of, Metaphors, Creative Nonfiction - & human experiences, Remembering, Revision, Reliving, Setting, Place, Real Time, Genocide, Hairi, Foreign policy, Politics, Slavery, Revolutions, Freedom, Cognitive im pairment, Brain and Mind - damage, Neurology & the Brain - Bibliographies, Descarte, Philosophy, Defining Self, Thought & Identity, Identity, Thought Processes, Favorites, Literature I see myself In, Traumatic Brain Injury, Aphasia, Memory Loss, Emptiness, Best Essay on the Brain Award Winner, Health, Sickness & Relationships, Disability, Medical, Process

Informació de l'obra

In Fact: The Best of Creative Nonfiction de Lee Gutkind

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I loved several of the essays and will reread those again, but as is typical with a collection like this, I found several essays uninteresting even if well written. ( )
  StefanieBrookTrout | Feb 4, 2017 |
Skimmed this, a few really great pieces. ( )
  alycias | Apr 4, 2013 |
It took me a while to get exactly what creative nonfiction (or narrative nonfiction) means. but now I do understand it and plan to incorporate it into my writing. In some ways, I already have. Most of the selections here are engaging and illustrative of different styles. Among the memorable ones for me are: Looking at Emmett Till, Shunned, The Brown Study, Killing Wolves, and Finders Keepers. ( )
  jpsnow | May 25, 2008 |
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Creative nonfiction, also known as narrative nonfiction, liberated journalism by inviting writers to dramatize, interpret, speculate, and even re-create their subjects. Lee Gutkind collects twenty-five essays that flourished on this new ground, all originally published in the journal he founded, Creative Nonfiction, now celebrating its tenth anniversary. Lauren Slater is a therapist in the institution where she was once a patient. John Edgar Wideman reacts passionately to the unjust murder of Emmett Till. Charles Simic tells of wild nights with Uncle Boris. John McPhee creates a rare, personal, album quilt. Terry Tempest Williams speaks on the decline of the prairie dog. Madison Smartt Bell invades Haiti. Many of the writers are crossing genres--from poetry and fiction to nonfiction--symbolic of Creative Nonfiction's scope and popularity. A cross section of the famous and those bound to become so, this collection is a riveting experience highlighting the expanding importance of this dramatic and exciting new genre. A tenth anniversary collection of twenty-five narrative essays originally published in the journal, Creative Nonfiction, includes Lauren Slater's discussion of her work as a therapist at an institution where she was once a patient, John Edgar Wideman's passionate reaction to the murder of Emmett Till, and John McPhee's personal album quilt.

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