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El miedo del portero al penalti de Peter…
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El miedo del portero al penalti (1970 original; edició 2019)

de Peter Handke (Autor)

MembresRessenyesPopularitatValoració mitjanaMencions
7242024,445 (3.15)55
The first of Peter Handke's novels to be published in English,The Goalie's Anxiety at the Penalty Kickis a true modern classic that "portrays the...breakdown of a murderer in ways that recall Camus'sThe Stranger" (Richard Locke,The New York Times).The self-destruction of a soccer goalie turned construction worker who wanders aimlessly around a stifling Austrian border town after pursuing and then murdering, almost unthinkingly, a female movie cashier is mirrored by his use of direct, sometimes fractured prose that conveys "at its best a seamless blend of lyricism and horror seen in the runes of a disintegrating world" (Bill Marx,Boston Sunday Globe).… (més)
Membre:jhodar
Títol:El miedo del portero al penalti
Autors:Peter Handke (Autor)
Informació:ALFAGUARA (2006), Edition: 001, 144 pages
Col·leccions:La teva biblioteca, Per llegir
Valoració:
Etiquetes:Cap

Informació de l'obra

La Por del porter davant del penalty de Peter Handke (1970)

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» Mira també 55 mencions

Anglès (15)  Castellà (2)  Suec (1)  Alemany (1)  Francès (1)  Totes les llengües (20)
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This book is efficient and ugly in style. Handke, a German author who published The Goalie’s Anxiety at the Penalty Kick in the 1970s. Its staccato narration, a stream of consciousness complete with aborted thoughts and sudden interjection of sensory details, makes this novella a textbook example of the avant-garde movement. By page 20, Handke’s main character, Bloch, has strangled a woman, and the rest of the book spirals through his mental states, eccentrically orbiting the themes of justice, alarm, and the context of human behavior. The abrupt style of prose, a very intimate third person narration consisting almost entirely of simple subject-verb-noun sentences, fits this analysis of character well.
The efficiency of Goalie’s Anxiety is in its comparison of Bloch’s sensations to what we would consider normal. There is a constant exchange between what Bloch is doing and what he thinks he should be doing or saying, providing a critique of social interaction by viewing it slightly askew. Though I can’t say it was enjoyable to read, and in fact took me three different efforts to gather enough motivation to finish, it was more effectively thought-provoking because of this lack of fluidity. ( )
  et.carole | Jan 21, 2022 |
Like my book buying, my reading has always been impulsive, without a premeditated plan, but as my aim is now to finish reading what I already have (TBR) and haven't bought any large number of books since 2014, I decided to turn to Peter Handke. Due to the increasingly repressive Internet restrictions here, I had missed the news that Handke has won the Nobel Prize for Literature. Peter Handke is one of my favourite authors, although I find his later work brooding and obscure, missing the brio of the earlier work. Last month, I read In einer dunklen Nacht ging ich aus meinem stillen Haus, and a volume of literary criticism about his early work by Rainer Nägele & Renate Vois (in Beck's series Autorenbuecher).

In my mind, Handke's Langsame Heimkehr has always been a quintessential work. The observation of geology, of rocks, least involves subjectivity. The landscape, stripped from time, names, each detail having no greater importance than another, one pebble no greater significance than the other. Ultimately, we are detached from our surroundings. We can enter into a relation with our surroundings by caring. Depicting, turning observations into interpretations involves subjectivity, as shown in Handke's other early novel Die Lehre der Sainte-Victoire.

Die Angst des Tormanns beim Elfmeter is a psychological novel. The murder by Bloch is mentioned as casually as any other detail, on his short journey. The murder is not the cause of his journey, it happens, casually, without intent, on the way. Bloch is an outsider. He has no fixed relations, neither to people, nor to any place. He is not only detached from his surroundings, but even from his own actions. In effect, the reader is disinclined to judge him for those actions. He never really seems a murderer, he isn't on the run. ( )
  edwinbcn | Dec 11, 2021 |
Todo el relato gira en torno a la distancia que Josef Bloch, un antiguo portero de fútbol, siente que hay entre la realidad y lo que él percibe, tanto las imágenes como, sobre todo, las palabras. Cada vez más, el ex-portero no ve escenas completas o discursos coherentes, sino meras figuras y palabras o expresiones sueltas cuyo significado no entiende. Parece querer decir que, si las palabras sueltas no tienen sentido, no es posible de ahí obtener lógica de una argumentación o de un diálogo. En ese contexto mental, es lógico que primero le despidan (aunque, siguiendo a Kafka, en realidad nadie le despide), después se meta en peleas y acabe matando a alguien. Y estos son los que mandan en Europa. ¡Señor! ( )
  caflores | Jun 12, 2020 |
I liked very much to book, I believe it's one of his best novels. His hero Bloch, an ex goalkeeper, jobless and divorced is walking at the streets of Vienna without any intention. Everything around is hostile and threatens him, even the words are hiding something evil and harmful. The objects around him are in deterioration, rotten or dead. Dead flies are everywhere even under the pillow, the dead butterflies at the castle, the dead boy in the water. It's a dying world, who doesn't accept him full of unreasonable violence . Bloch is wildly beat or attracts to people. Only at the cinema is escaping for a while from this sick environment reminding Kafka's novels. At the pick of this odyssey he kills the cashier of the cinema he uses to go, a young woman and escape at a village near the borders, but there he learns that there are minefields at the borders preventing people to cross them and everyday from the papers he is learning that the police is approaching him. Finally in this hostile world only art and beauty could offer some tranquility (cinema, paintings at the church). The translation in Greek from Alexandros Issaris is excellent, a very good book. ( )
  dimi777 | Jan 3, 2020 |
El protagonista, antiguo portero de fútbol, cuya percepción errática y fragmentaria, alimentada por su aislamiento y la hostilidad de un mundo que no comprende, lo lleva finalmente al crrimen. ( )
  pedrolopez | Nov 8, 2019 |
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» Afegeix-hi altres autors (16 possibles)

Nom de l'autorCàrrecTipus d'autorObra?Estat
Handke, Peterautor primaritotes les edicionsconfirmat
Bussink, GerritTraductorautor secundarialgunes edicionsconfirmat
Fontcuberta I Gel, JoanTraductorautor secundarialgunes edicionsconfirmat
Janus, PetrTraductorautor secundarialgunes edicionsconfirmat
Ohlbaum, IsoldeFotògrafautor secundarialgunes edicionsconfirmat
Roloff, MichaelTraductorautor secundarialgunes edicionsconfirmat
Wolf, EberhardDissenyador de la cobertaautor secundarialgunes edicionsconfirmat
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Dem Monteur Josef Bloch, der früher ein bekannter Tormann gewesen war, wurde, als er sich am Vormittag zur Arbeit meldete, mitgeteilt, daß er entlassen sei.
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"The men are shouting much too much," Bloch said. "A good game goes very quietly."
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The first of Peter Handke's novels to be published in English,The Goalie's Anxiety at the Penalty Kickis a true modern classic that "portrays the...breakdown of a murderer in ways that recall Camus'sThe Stranger" (Richard Locke,The New York Times).The self-destruction of a soccer goalie turned construction worker who wanders aimlessly around a stifling Austrian border town after pursuing and then murdering, almost unthinkingly, a female movie cashier is mirrored by his use of direct, sometimes fractured prose that conveys "at its best a seamless blend of lyricism and horror seen in the runes of a disintegrating world" (Bill Marx,Boston Sunday Globe).

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