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S'està carregant… A Confederacy of Dunces (1980)de John Kennedy Toole
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Virtually impossible to put down, once you get into the rhythm of the dialogue and start to hear the language with the right ear for the time and place. Ignatius Reilly is one of the great comic creations, but all the characters are perfectly formed. Their are basically 5 interlocking plots weaved into the narrative. 1) The enormous, pompous, grotesque Ignatius, overflowing with ideas, gas, fat and invective is forced to try to find work at the advanced age of 30, whilst engaging in long distance badinage with his friend Myrna Minkoff, who’s libertarian behaviour purports to shock but actually attracts him. A job as a hot dog vendor merely adds to his enormous girth, for easily discernible reasons 2) His long suffering, somewhat alcoholic mother falls into a friendship with Santa Battaglia who schemes to get her married off, and Ignatius sent to a psychiatric ward 3) The vissitudes of the Levy family, owners of Levy Pants, a downwardly mobile concern unwise enough to employ Ignatius for a short period 4) The Night of Joy a down at heel bar / cathouse that includes the funniest Blonde + Cockatoo strip act in literature and the ascerbic Burma Jones, forced to work at the Night to avoid charges of vagrancy and 5) Patrolman Mancuso forced by his vengeful Sergeant to patrol the French Quarter in ever more ridiculous costumes to try to entrap homosexuals. Any one of these 5 plot threads could have been a novel of its own. Each plot thread intersect with each other as Ignatius attempts to find salvation. One of the criticisms of the book that hindered its original publication is that the book “isn’t really about anything” and is little more than a panorama of early sixties New Orleans. There is some truth to this perhaps, but so perfect are the characters that it doesn’t matter. If you haven’t read it - and it took me a long while to get to it - please do so Funny. Great dialogue, everyone in the book uses funny expressions and is very individual, but I don’t think any two characters are alike, even in the way they speak. Ignatius, the main character,is deliciously awful. El protagonista es uno de los personajes más memorables de la literatura norteamericana: Ignatius Reilly, una mezcla de Oliver Hardy delirante, Don Quijote adiposo y Santo Tomás de Aquino perverso, reunidos en una persona, que a los treinta años aún vive con su estrafalaria madre, ocupado en escribir una extensa y demoledora denuncia contra nuestro siglo, tan carente de teología y geometría, como de decencia y buen gusto; un alegato desquiciado contra una sociedad desquiciada. Por una inesperada necesidad de dinero, se ve catapultado en la fiebre de la existencia contemporánea, fiebre a la que Ignatius añadirá unos cuantos grados más. 8447300064
1981 John Kennedy Toole La conjuration des imbéciles traduit de l'américain par J.-P. Carasso, Laffont «Drôle de livre, énorme dans la bouffonnerie et la satire, énorme comme son personnage principal, une sorte d'Ubu dévastateur qui lance des anathèmes sur un monde en décomposition.» (Lire, décembre 1981) A pungent work of slapstick, satire and intellectual incongruities - yet flawed in places by its very virtues. Ultimately, Ignatius is simply too grotesque and loony to be taken for a genius; the world he howls at seems less awful than he does. Pratfalls can pass beyond slapstick only if they echo, and most of the ones in this novel do not. They are terribly funny, though, and if a book's price is measured against the laughs it provokes, A Confederacy of Dunces is the bargain of the year. This is the kind of book one wants to keep quoting from. I could, with keen pleasure, copy all of Jones's dialogue out and then get down to the other characters. Apart from being a fine funny novel (but also comic in the wider sense, like Gargantua or Ulysses), this is a classic compendium of Louisiana speech. What evidently fascinated Toole (a genuine scholar, MA Columbia and so on) about his own town was something that A.J. Liebling noted in his The Earl of Louisiana: the existence of a New Orleans city accent close to the old Al Smith tonality, 'extinct in Manhattan', living alongside a plantation dialect which cried out for accurate recording. El protagonista de esta novela es uno de los personajes más memorables de la literatura norteamericana: Ignatus Reilly -una mezcla de Oliver Hardy delirante, Don Quijote adiposo y santo Tomás de Aquino, perverso, reunidos en una persona-, que a los treinta años aún vive con su estrafalaria madre, ocupado en escribir una extensa y demoledora denuncia contra nuestro siglo, tan carente de teología y geometría como de decencia y buen gusto, un alegado desquiciado contra una sociedad desquiciada. Por una inesperada necesidad de dinero, se ve 'catapultado en la fiebre de la existencia contemporánea', embarcándose en empleos y empresas de lo más disparatado. Pertany a aquestes col·leccions editorials
El protagonista d?aquesta novel?la és un dels personatges més memorables de la literatura nord-americana: l?Ignatius J. Reilly ?un còctel d?Oliver Hardy delirant, Quixot adipós i Tomàs d?Aquino pervers?, que amb trenta anys encara viu amb la seva estrafolària mare mentre escriu una denúncia demolidora contra el segle XX, tan mancat de «teologia i geometria» com de «gust i decència»; un al?legat trastornat contra una societat trastornada. A causa d?una inesperada necessitat de diners, es veu catapultat «al mig del desori de l?existència contemporània» i embarcat en feines d?allò més absurdes. Els personatges secundaris són tan exòtics (i neuròtics) com els d?una pel?lícula dels germans Marx: la Darlene, la ballarina d?estriptis que prepara un número amb una cacatua; en Jones, el primmirat porter negre del Night of Joy, regentat per la rapaç Lana Lee, que complementa els seus ingressos com a model de fotos porno; l?agent Mancuso, el policia més incompetent de Nova Orleans; la Myrna Minkoff, la catastròfica estudiant contestatària; la senyoreta Trixie, l?octogenària enfurida perquè no la jubilen... Una confabulació d?imbècils, que presentem traduïda de nou al català per Xavier Pàmies, és l?obra mestra pòstuma de John Kennedy Toole, reconegut unànimement com un autor imprescindible en la tradició de Cervantes, Fielding, Swift, Rabelais i Dickens. No s'han trobat descripcions de biblioteca. |
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![]() GèneresClassificació Decimal de Dewey (DDC)813.54 — Literature English (North America) American fiction 20th Century 1945-1999LCC (Clas. Bibl. Congrés EUA)ValoracióMitjana:![]()
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There is nothing interesting about this book besides from the humor. If it wasn't a pretty funny book, it probably never would've made a splash. The characters are basically all one-dimensional stereotypes, the social commentary is honestly confused at best, and there's less tension than you'd find on the back of a cereal box. I don't know. I didn't love it, but it was good enough that I at least finished it and enjoyed the ride. That's a very low bar, though, and one that this book barely manages to clear. (