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Screening Scripture: Intertextual Connections Between Scripture and Film

de George Aichele

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Screening Scripture offers a unique new perspective on religion and film. The book proposes that there is no natural connection between scripture and film-even for those movies that seem to have an obvious relationship to religious text. It is only the viewer that makes this connection. From this perspective, Screening Scripture opens up new possibilities for viewing these movies and reading these texts with each other.The contributors to this volume serve as creative viewers who make these connections for some of today's most popular and provocative films. The scriptures discussed include not only the Bible, but apocryphal, heretical, and non-Western scriptures. In the hands of these writers, the films provide fresh insights into the scriptures. Contributors to this volume: George Aichele (Adrian College) on PleasantvilleRoland Boer (Monash University) on Total RecallRalph Brabban (Chowan College) on Midnight CowboyFred Burnett (Anderson University) on Lethal WeaponCarl Dyke (Methodist College) on The Life of BrianJulie Kelso (University of Queensland) on David and BathshebaNeal McCrillis (Columbus State University) on The Giant BehemothTina Pippin (Agnes Scott College) on DraculaJennifer Rohrer-Walsh (Methodist College) on The Prince of EgyptMark Roncace (Emory University) on Sling BladeErin Runions (Barnard College) on Boys Don't CryJeffrey Staley (Seattle University) on Patch AdamsRichard Walsh (Methodist College) on End of DaysGeorge Aichele is Professor of Philosophy and Religion at Adrian College in Adrian, Michigan and is the author of The Control of Biblical Meaning.Richard Walsh is Professor of Religion, co-director of the Honors Program, and Assistant Academic Dean at Methodist College, Fayetteville, North Carolina, and is the author of Mapping the Myths of Biblical Interpretation… (més)
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Screening Scripture offers a unique new perspective on religion and film. The book proposes that there is no natural connection between scripture and film-even for those movies that seem to have an obvious relationship to religious text. It is only the viewer that makes this connection. From this perspective, Screening Scripture opens up new possibilities for viewing these movies and reading these texts with each other.The contributors to this volume serve as creative viewers who make these connections for some of today's most popular and provocative films. The scriptures discussed include not only the Bible, but apocryphal, heretical, and non-Western scriptures. In the hands of these writers, the films provide fresh insights into the scriptures. Contributors to this volume: George Aichele (Adrian College) on PleasantvilleRoland Boer (Monash University) on Total RecallRalph Brabban (Chowan College) on Midnight CowboyFred Burnett (Anderson University) on Lethal WeaponCarl Dyke (Methodist College) on The Life of BrianJulie Kelso (University of Queensland) on David and BathshebaNeal McCrillis (Columbus State University) on The Giant BehemothTina Pippin (Agnes Scott College) on DraculaJennifer Rohrer-Walsh (Methodist College) on The Prince of EgyptMark Roncace (Emory University) on Sling BladeErin Runions (Barnard College) on Boys Don't CryJeffrey Staley (Seattle University) on Patch AdamsRichard Walsh (Methodist College) on End of DaysGeorge Aichele is Professor of Philosophy and Religion at Adrian College in Adrian, Michigan and is the author of The Control of Biblical Meaning.Richard Walsh is Professor of Religion, co-director of the Honors Program, and Assistant Academic Dean at Methodist College, Fayetteville, North Carolina, and is the author of Mapping the Myths of Biblical Interpretation

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