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Emotionally Weird: A Novel de Kate Atkinson
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Emotionally Weird: A Novel (2000 original; edició 2001)

de Kate Atkinson (Autor)

MembresRessenyesPopularitatValoració mitjanaMencions
1,7174310,050 (3.49)117
Effie, a college student, and her mother bond in a remote Scottish house.
Membre:Jen_Fox-Williams
Títol:Emotionally Weird: A Novel
Autors:Kate Atkinson (Autor)
Informació:Picador (2001), Edition: 1st, 343 pages
Col·leccions:La teva biblioteca, Llegint actualment, Llista de desitjos, Per llegir, Llegit, però no el tinc, Preferits
Valoració:****
Etiquetes:ebooks

Informació de l'obra

Emotionally Weird de Kate Atkinson (2000)

  1. 10
    Sóc la Charlotte Simmons de Tom Wolfe (Usuari anònim)
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» Mira també 117 mencions

Es mostren 1-5 de 43 (següent | mostra-les totes)
It's cheating to say I read this book, but Goodreads doesn't have a way of taking it off my Reading shelf without calling it Read. So, I read about 80 pages of this and abandoned it. I was never drawn in and I actively avoided reading it. Disappointing, as I count some of Kate Atkinson's books among the best I've ever read. Oh well, onward.
  karenchase | Jun 14, 2023 |
While I read a lot of reviews that didn't care for this book, I found the interspersing of post-modern analysis, university-life literary analysis, strange male characters who aren't a threat, and a backstory the mother doesn't want to reveal to be a lot of fun, and very interesting. Easy to put down and pick back up, I was able to keep track of all the characters because they were so vivid. Really enjoyed it. ( )
  lisahistory | Dec 12, 2022 |
This is a book of stories: The stories we tell ourselves. The stories we tell each other. The stories we create to entertain. I think this is the last of Atkinson's novels, so far, that I hadn't yet read, and I wonder what I would've thought about it had I read it before her more recent efforts. She has a way with words, especially metaphors and similes, both on full display here. And it feels, to me, like a precursor for her more complex storytelling of Life After Life (which for some reason I didn't review here -- at least, I can't find a review for it here), which explored alternate versions of reality.

The stories here are the ones Effie and her mother, Nora (who isn't her mother), tell while holed up in a creaky old house on a remote island off the coast of Scotland in the 1970s. Effie is telling the story of her recent college exploits, while Nora reluctantly tells of their family history. There are other stories, too, including the mystery novel Effie is writing, as well as excerpts from books being written by other characters, both professors and fellow students.

Effie's story provides the backbone of the book, and the chance to rewrite reality when Nora doesn't like some detail, or when Effie feels like embellishing something. But at its essence, the truth of Effie's story is only what Effie can provide via her limited perspective, the richer story revealed as Nora's story, and more, are woven into Effie's. Thankfully, the use of multiple fonts makes this sufficiently easy to follow. I hope I don't have a long wait for Atkinson's next novel. ( )
  ShellyS | May 15, 2022 |
Kate Atkinson is not afraid of experimenting. She is not content with following conventional forms, although she writes in those forms very well.

Emotionally Weird is a story told by a mother and daughter, Nora and Effie, who are holed up on an inhospitable island off the coast of Scotland, an island that has been "in the family" for generations. What that family is, who is actually in it, is a big question in Effie's mind. Her mother hints that she isn't really her mother but she is reluctant to say exactly where Effie came from.

The two choose to tell stories. Effie offers her story, fiction, in large doses. Nora will only take tiny steps with her true story. In between, Effie offers parts from the fiction detective story she is writing for class, and even bits of other assignments. It's a little confusing. Atkinson differentiates among the different voices by the use of different fonts. I wonder how a book like this would be read aloud.

Nora complains that Effie's story "doesn't go anywhere". It is true that things happen but there is no central conflict or motivating force moving Effie's fictional self from place to place. I had to agree with Nora. I got tired of all the activity that was like a hamster wheel. It seemed like writing exercises. I had a funny feeling that Atkinson was throwing all these exercises in one book and adding transitions. Up to a point, anyway.

Effie dwells on her time in college, her interactions with other students, her time in class - tutorials, the adventures the students go on instead of studying. Nora talks about her parents and their parents and her siblings.

In the end it does wrap up and there really is a story. I was gratified by this and became absorbed more toward the end than I had been through much of the rest. I'd love to hear how others thought of this book. ( )
  slojudy | Sep 8, 2020 |
An appropriate title for this book I fear. Whilst there is considerable humour in the writing, the style I found inaccessible and not to my taste, unlike the author's Brodie books. There are three interlocking stories, although at the end two seemed to be the same character, very confusing. There are also many characters to get to grips with and remembering who was who was challenging, especially after a delay in reading. The main character appears to be reading her novel to her mother and within that novel the main character is also writing a novel... ( )
  edwardsgt | Aug 3, 2019 |
Es mostren 1-5 de 43 (següent | mostra-les totes)
Emotionally Weird'' is really two intertwining stories that make for one gangly comic novel. As the book opens, Effie and her mother, Nora, have sequestered themselves in Nora's large, dank family home off the coast of Scotland, where they've decided to wrap themselves in shawls and blankets and tell each other stories. Effie regales her mother with a semi-surreal adventure about her life as a student at Dundee; her narrative includes an array of oddball teachers, a yellow dog that's hit by a car only to be miraculously brought back to life, and a hapless stoner boyfriend named Bob, for whom the Klingons on ''Star Trek'' are as real as ''the French or the Germans, more real certainly than, say, Luxembourgers.'' The madcap tale she spins is made even more mysterious by the fact that someone just may be following her, and she has no idea why.

Nora's story is more gothic, more tragic, and it involves a series of secrets about Effie's past. It's darker and more conventional than Effie's story, but it's also more engaging, perhaps because it's much more economical. Effie's story, on the other hand, goes on. And on.
 
While the narrators' constant backtalk can be tiresome, Atkinson's clever and sophisticated prose preserves the voices' sparkling energy. Readers may guess the family secret before it is revealed, but that doesn't steal any thunder from the unsettling and utterly original denouement.
 
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For Lesley Denby, nee Allison, with love.
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Inspector Jack Gannett drove into Saltsea-on-Sea along the coast road.
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Maggie Mackenzie's long iron-gray hair began each day anchored or plaited or rolled in a variety of vaguely Victorian styles but by lunchtime it had begun to work its way free of restraints and encumbrances and by midafternoon she had the appearance of someone leading a tribe of ancient Britons into battle, a gnarled warrior queen bearing grudges.
Andrea was a grammar-school girl from the middle echelons of North Yorkshire Society.... she was studying to be a witch.... Chewing suggestively on the end of her Biro, Andrea hitched up her pioneer-woman skirt and slowly crossed her legs.
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Effie, a college student, and her mother bond in a remote Scottish house.

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