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The Unbearable Lightness of Being: A Novel…
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The Unbearable Lightness of Being: A Novel (1984 original; edició 1999)

de Milan Kundera

MembresRessenyesPopularitatValoració mitjanaConverses / Mencions
20,231236149 (4.01)2 / 371
Interweaves story and dream, past and present, and philosophy and poetry in a sardonic and erotic tale of two couples--Tomas and Teresa, and Sabina and her Swiss lover, Gerhart.
Membre:dreamsrundeep
Títol:The Unbearable Lightness of Being: A Novel
Autors:Milan Kundera
Informació:Harper Perennial Modern Classics (1999), Paperback, 320 pages
Col·leccions:La teva biblioteca
Valoració:
Etiquetes:2008

Detalls de l'obra

La insostenible lleugeresa del ser de Milan Kundera (1984)

Afegit fa poc perleesgenootschap, JamesF44, biblioteca privada, 29Tobyhanna, SarahCardus
Biblioteques llegadesTerence Kemp McKenna, Eeva-Liisa Manner, Walker Percy
  1. 30
    El guepard de Giuseppe Tomasi di Lampedusa (Eustrabirbeonne)
  2. 10
    Hopscotch de Julio Cortázar (olonec)
    olonec: I'd call this one The Unbearable Heaviness of Being
  3. 21
    Sophie's Choice de William Styron (rretzler)
  4. 00
    El perfum : història d'un assassí de Patrick Süskind (sturlington)
  5. 00
    Darkness at Noon de Arthur Koestler (charlie68)
    charlie68: Similar themes
  6. 11
    El gust amarg de la cervesa de Stephen Vizinczey (soylentgreen23)
    soylentgreen23: The perfect companion piece, since it deals with a lot of sex, women, affairs, and surviving in Communist Eastern Europe.
  7. 00
    Love de Angela Carter (Ludi_Ling)
    Ludi_Ling: Both treatments on the intricacies of love and romantic/sexual relationships. Kundera's is the more readable of the two, but the themes running through them are very similar.
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Anglès (191)  Castellà (14)  Francès (9)  Neerlandès (6)  Italià (4)  Alemany (2)  Portuguès (1)  Suec (1)  Romanès (1)  Català (1)  Danès (1)  Àrab (1)  Portuguès (Portugal) (1)  Hebreu (1)  Hongarès (1)  Totes les llengües (235)
Història d'amor entre dos txecs, Teresa i Tomàs, i d'una país després de la guerra mundial. Amb moltes referències filosòifiques i reflexions que donen molt de suc, un llibre excel·lent. Una dura crítica al comunisme rus, a determinats moviments intel·lectuals de l'època i al comportament humà en general.

Teresa, una dona que només conèixer Tomàs es planta a casa seva. Tomàs, reputat cirurgià, s'enamora d'ella tot d'una, tot i no poder evitar ser infidel repetidament. El context, la Praga de després de la II Guerra Mundial. ( )
  jaumejulia | Nov 9, 2010 |
This is a book to bring home how parochial and inward looking most fiction written in the English language is. There is no possible way that The Unbearable Lightness Of Being could have been written by a British or US author, or indeed any other anglophile. The mind set, the life experiences and especially the history it is written from are all too different. While the thrust of this book is by no means the same, I was reminded by its sensibility of the work of Bohumil Hrabal – not surprisingly also a Czech author.

The book is unusual in another sense – it breaks most of the rules that aspiring writers are advised to adhere to. A lot of the action is told to us rather than shown, Kundera addresses the reader directly, inserts his opinions into the narrative, tells us his interpretations of the characters. He also messes with chronology (admittedly not a major drawback, if one at all) and parenthetically gives us important information about some characters in sections which ostensibly deal with others. In parts, especially in the author’s musings on kitsch as the denial of the existence of crap - in all its senses - in the world, it reads as a treatise rather than an exploration of the human condition. That is, at times it is not fiction at all.

Kundera is highly regarded, so is this the essence of high art in fiction? That, as well as dealing with “important” subjects - or perhaps being considered to be circumscribed yet still endeavouring to tell truth to power (whatever truth may be) - the author should step beyond the bounds of narrative; of story?

The problem with such an approach is that it tends to undermine suspension of disbelief. The characters become too obviously constructs; the reader is in danger of losing sympathy, or empathy, with them; or indeed to care. It is a fine line to tread.

Where The Unbearable Lightness Of Being is not unusual is in its treatment of those novelistic eternals love, sex and death. Indeed at times it seems to be fixated on sex.

While the exigencies of living in a totalitarian state do colour the narrative, the treatment is matter of fact, oblique, almost incidental. The choices the characters make merely fall within the constraints of such a system. It is true, however, that something similar could be said for characters in any milieu. There are constraints on us all.

What I did find disappointing was that rather than finish, the book just seemed to stop. While the fates of the characters Kundera leaves us with are already known, this hardly seemed fair. "Leave them wanting more" may be an old showbiz adage but in the context of a one-off novel might be thought to be a failing.
afegit per jackdeighton | editaA Son Of The Rock, Jack Deighton (Jan 17, 2011)
 
The world, and particularly that part of the world we used to call, with fine carelessness, eastern Europe, has changed profoundly since 1984, but Kundera's novel seems as relevant now as it did when it was first published. Relevance, however, is nothing compared with that sense of felt life which the truly great novelists communicate.
afegit per Ludi_Ling | editaThe Guardian, John Banville (May 1, 2004)
 
The mind Mr. Kundera puts on display is truly formidable, and the subject of its concern is substantively alarming.
 
Moments of Olympian distance, in which the author shows his mortals ignorantly creeping toward oblivion, alternate with passages of stirring intimacy, with the novelist playing cheerleader, urging victories for everyone.
afegit per Shortride | editaTime, Paul Gray (Apr 16, 1984)
 
''The Unbearable Lightness of Being'' is a fairly straightforward inquiry into the intertwined fates of two pairs of lovers. The fact that it aspires to be a more conventional novel accounts for both its virtues and its flaws. If ''Lightness'' demonstrates a new capacity, on Mr. Kundera's part, to create sympathetic characters and sustain a lyrical story, the increased formality of its narrative design also tends to throw a harsher light on his penchant for philosophical digression.
 

» Afegeix-hi altres autors (31 possibles)

Nom de l'autorCàrrecTipus d'autorObra?Estat
Kundera, Milanautor primaritotes les edicionsconfirmat
Barbato, AntonioTraductorautor secundarialgunes edicionsconfirmat
de Valenzuela, FernandoTraductorautor secundarialgunes edicionsconfirmat
Heim, Michael HenryTraductorautor secundarialgunes edicionsconfirmat
Marcellino, FredAutor de la cobertaautor secundarialgunes edicionsconfirmat
Oliver, JonathanNarradorautor secundarialgunes edicionsconfirmat
Roth, SusannaTraductorautor secundarialgunes edicionsconfirmat
Siraste, KirstiTraductorautor secundarialgunes edicionsconfirmat
Valenzuela, Fernando deTraductorautor secundarialgunes edicionsconfirmat
Zgustová, MonikaTraductorautor secundarialgunes edicionsconfirmat
Шульгина, НинаTraductorautor secundarialgunes edicionsconfirmat
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The idea of eternal return is a mysterious one, and Nietzsche has often perplexed other philosophers with it: to think that everything recurs as we once experienced it, and that the recurrence itself recurs ad infinitum! What does this mad myth signify?
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When the heart speaks, the mind finds it indecent to object.
Tomas did not realize at the time that metaphors are dangerous. Metaphors are not to be trifled with. A single metaphor can give birth to love.
...vertigo is something other than the fear of falling.  It is the voice of the emptiness below us which tempts us and lures us, it is the desire to fall, against which, terrified, we defend ourselves.
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Interweaves story and dream, past and present, and philosophy and poetry in a sardonic and erotic tale of two couples--Tomas and Teresa, and Sabina and her Swiss lover, Gerhart.

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Mitjana: (4.01)
0.5 11
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1.5 20
2 255
2.5 47
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