Clica una miniatura per anar a Google Books.
S'està carregant… Hourmasterde Christophe Bataille
Cap S'està carregant…
Apunta't a LibraryThing per saber si aquest llibre et pot agradar. No hi ha cap discussió a Converses sobre aquesta obra. Sense ressenyes | afegeix-hi una ressenya
In his palace in a city vanquished by the years, the Duke Gonzaga lives consumed by his passion for young girls and his deep boredom. Time passes as marked by the more than two hundred clocks situated throughout the palace. When the old hourmaster and his successor both disappear, Gonzaga employs Arturo who becomes the new keeper of the palace's timepieces. Arturo -- called Gog -- also becomes the Duke's friend and for a time alleviates Gonzaga's boredom as they share the nightly clock-keeping rounds. There seems to be the beginning of new life in the realm. The hourmaster marries happily and fathers a daughter. But the Duke's restlessness and ennui return and when the hourmaster vanishes -- for reasons the reader is to discover -- time again stands still. In the words of the translator Richard Howard, Christophe Bataille's third novel "is a remarkable, even triumphant little book." No s'han trobat descripcions de biblioteca. |
Debats actualsCapCobertes populars
Google Books — S'està carregant… GèneresClassificació Decimal de Dewey (DDC)843.914Literature French French fiction Modern Period 20th Century 1945-1999LCC (Clas. Bibl. Congrés EUA)ValoracióMitjana:
Ets tu?Fes-te Autor del LibraryThing. |
Unfortunately, I think I've decided that I was really unimpressed by it.
Why? The writing is lyrical and beautiful, with a mythological, fairy-tale cadence to it. The author won a prize for his debut novel, Annam (which I have not read). It kind of seems like there ought to be something significant to take away from this brief novel - like it ought to be symbolic - or at least have something to say.
But it doesn't.
Other reviewers have described it as a "fable without a moral."
But not only does it not have a "moral," it doesn't have a proper plot structure, and it doesn't give any feeling of satisfaction.
In 17th century Europe, the duke Gonzaga employs an hourmaster to wind and repair his castle's many clocks. The first hourmaster mysteriously disappears - foul play? Another is hired. He leaves after getting beat up one night. Is someone out to assure that Gonzaga has no hourmaster? We never find out. A third man is hired for the job, Arturo, and most of the book deals with this character, and his relationship to the duke. There seems to be no point at all to the early incidents in the book.
The book ends with a tragic crime being committed - but since it happens to a character who was just introduced a few pages before, the emotional impact is very limited. I suppose we are supposed to see it as a betrayal of friendship, rather than as the crime against the individual - but I don't think it really works.
There's also a narrator who is none of the characters in the story - there are some few insights into his personality, but why? Who he is doesn't reflect on the events or themes of the book at all. (Which main theme seems to be: 'the rich and powerful are selfish and untrustworthy.' Not too earthshaking a proclamation.)
Overall, this story reminded me of something one might find in a somewhat pretentious college literary magazine which was attempting (poorly) to emulate the 19th century salons of Paris. ( )