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The Roberts

de Michael Blumlein

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Robert Fairchild is a genius. He is also lonely. Dubbed "the one-eyed architect,” Robert and his innovative buildings are praised to the skies. Suddenly his masterpiece, a dome made from a living membrane, collapses in on its inhabitants. Meanwhile his relationships disintegrate as he chooses his work over his lovers. Reeling from failure and paralyzed by self-doubt, what Robert needs is inspiration. Robert needs Grace. Unable to find someone to love, Robert decides to craft his perfect woman. But creating a woman is far more complicated than creating a building. Although Robert adores the lovely and compassionate Grace, he finds himself once again subsumed by his work. Their attempt at compromise has entirely unforeseen consequences. Suddenly trapped in a game of passion and jealousy, Robert is forced to confront all that is dearest to him: his work, his love for Grace, and, hardest of all, himself.… (més)
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I've liked some of Michael Blumlein's work, but The Roberts was a chore to get through. I picked it up in the Dealers Room at Potlatch, with relatively high expectations because it is published by Tachyon. (I hadn't realized it was originally published in F&SF, or might have given it closer scrutiny before purchasing it.) It's a merger of the story of Pygmalion (though not Shaw's) with the story of Narcissus. All about a "genius," Robert, who after a spectacular failure and the loss of an eye, no longer finds women beautiful, and so creates, as his muse, Grace, who is not only beautiful, but also made to want only Robert's happiness, Robert's love, and to not be hurt when Robert, busy with More Important Affairs (the result of his genius) ignores her for weeks or even months on end. (The other women he'd loved had all been hurt and left him because he forgot, while he was thrashing about in the throes of genius, that they existed.) But Robert then goes a step further-- and creates a second Robert ("Robert's Robert") to keep Grace company at home while he's busy out in the world. And Grace, at the same time, creates another Robert, too (Robert No. 3). Genius Robert is (inevitably) devastated with jealousy when he learns that Robert's Robert is having sex with Grace. But not to worry. All ends happily ever after.

At one time this story would have filled me with rage. Now I just find it pathetically fatuous (with a bit of an ick factor, since all the created humans have adult bodies with "infant" minds). Oh, and incidentally, it totally fails the Bechdel Test. ( )
  ltimmel | Nov 4, 2011 |
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Robert Fairchild is a genius. He is also lonely. Dubbed "the one-eyed architect,” Robert and his innovative buildings are praised to the skies. Suddenly his masterpiece, a dome made from a living membrane, collapses in on its inhabitants. Meanwhile his relationships disintegrate as he chooses his work over his lovers. Reeling from failure and paralyzed by self-doubt, what Robert needs is inspiration. Robert needs Grace. Unable to find someone to love, Robert decides to craft his perfect woman. But creating a woman is far more complicated than creating a building. Although Robert adores the lovely and compassionate Grace, he finds himself once again subsumed by his work. Their attempt at compromise has entirely unforeseen consequences. Suddenly trapped in a game of passion and jealousy, Robert is forced to confront all that is dearest to him: his work, his love for Grace, and, hardest of all, himself.

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