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Pastoralia de George Saunders
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Pastoralia (2000 original; edició 2001)

de George Saunders

MembresRessenyesPopularitatValoració mitjanaMencions
2,055465,836 (4)88
Named by The New Yorker as one of the Twenty Best American Fiction Writers Under Forty, George Saunders has been recognised as a visionary storyteller with a hypnotic style. Critics have place him in the tradition of Mark Twain, Thomas Pynchon and Kurt Vonnegut - 'wildly funny, pure, generous - all that a great humorist should be' said Garrison Keillor.… (més)
Membre:onymous
Títol:Pastoralia
Autors:George Saunders
Informació:Riverhead Trade (2001), Edition: Reissue, Paperback, 208 pages
Col·leccions:La teva biblioteca
Valoració:
Etiquetes:No n'hi ha cap

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Pastoralia de George Saunders (2000)

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» Mira també 88 mencions

Es mostren 1-5 de 46 (següent | mostra-les totes)
The characters and the stories are interesting, but there is nothing compelling about them. The characters all end up pretty much where they started. Its as if each story is the first chapter in a book. ( )
  grandpahobo | Jun 14, 2021 |
Hilarious, original short stories. ( )
  stephkaye | Dec 14, 2020 |
Funny. ( )
  mbeaty91 | Sep 9, 2020 |
Uneven collection, but two of the stories made me laugh so much, I have to say it's well worth it. Refreshingly zany and original voice. ( )
  Misprint | Aug 31, 2020 |
"...Morse, a smug member of the power elite in this conspiratorial Village, one of the league of oppressive oppressors who wouldn't know the lot of the struggling artist if the lot of the struggling artist came up with great and beleaguered dignity and bit him on the polyester ass."

I found all of the stories in this book heelarious. The reason I didn't give it 5 out of 5 is that every characters thinks in the exact same way that Saunders writes. Other than a couple "straight men", there weren't really any distinct voices. ( )
  katebrarian | Jul 28, 2020 |
Es mostren 1-5 de 46 (següent | mostra-les totes)
Here it is, revisited for our entertainment in George Saunders’ second collection of satirical short stories, the new-look land of the free: themed up, dumbed down and laid out ready for embalming. Saunders has been compared to Pynchon and Vonnegut, yet the disgust that fuels his world recalls Nathaniel West. He shares too West’s taste for grotesquery yet these stories are raised above the level of mordant masterpieces by an extra dimension: hope.
 
Saunders specialises in giving losers - the ugly, the weak, the self-absorbed - a flicker of appeal or delusional hope. We meet them in motivational seminars, drivers' education courses, walking home from dead-end jobs. We follow them to places like Sea Oak, with "no sea and no oak, just 100 subsidised apartments and a rear view of FedEx". Inside those apartments, the tenants are watching TV: "How My Child Died Violently is hosted by Matt Merton, a six-foot-five blond who's always giving the parents shoulder rubs and telling them they've been sainted by pain."

 
There are six stories in this collection. Four of them are very good, and the other two are at least good -- a success average that is highly unusual for a short-story collection. If, like your humble reviewer, you had to regularly review short-story collections, you would soon discover that they almost always suck -- tinseling suburban dullness with some distant derivative of the Joycean epiphany until you want to scream: Basta! That Saunders stories are on such a high level is close to miraculous.

 
Saunders's extraordinary talent is in top form in his second collection, in which his vision of a hellishly (and hopefully) exaggerated dystopia of late capitalist America is warmed and impassioned by his regular, irregular and flat-out wacky characters.
These characters may not have much, but they do possess the author's compassion, and so are enigmas of decency enshrouded in dark, TV-hobbled dumbness. Saunders, with a voice unlike any other writer's, makes these losers funny, plausible and absolutely winning.
afegit per steevohenderson | editaPublishers Weekly (May 1, 2000)
 
The freakish, cowed characters filling Saunders's acclaimed debut, CivilWarLand in Bad Decline (1995), have spawned a new crop of unhappy, scabrously comic campers in these six stories, as the struggle among them to be happy and do the right thing continues.

Being inside the teeming heads of these folks is amusing and enlightening. So accurately are they rendered, in all their flawed glory, that they appear not only perfectly human but familiar.

afegit per steevohenderson | editaKirkus Reviews (Apr 1, 2000)
 

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I have to admit I'm not feeling my best. Not that I'm doing so bad. Not that I really have anything to complain about. Not that I would actually verbally complain if I did have something to complain about. No. Because I'm Thinking Positive/ Saying Positive. I'm sitting back on my haunches, waiting for people to poke in their heads. Although it's been thirteen days since anyone poked in their head and Janet's speaking English to me more and more, which is partly why I feel so, you know, crummy.
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Named by The New Yorker as one of the Twenty Best American Fiction Writers Under Forty, George Saunders has been recognised as a visionary storyteller with a hypnotic style. Critics have place him in the tradition of Mark Twain, Thomas Pynchon and Kurt Vonnegut - 'wildly funny, pure, generous - all that a great humorist should be' said Garrison Keillor.

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