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Dark Hollow (Coronet books) de John Connolly
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Dark Hollow (Coronet books) (2000 original; edició 2000)

de John Connolly

Sèrie: Charlie Parker (2)

MembresRessenyesPopularitatValoració mitjanaMencions
1,1343412,833 (3.92)22
Still raw from the brutal slayings of his wife and daughter, and the events surrounding the capture of their killer, The Travelling Man, Charlie 'Bird' Parker retreats to the wintry Maine landscape of his childhood. By following in the steps of his beloved grandfather, Bird hopes to heal his spirit and get through the bitter anniversary of the murder. In a gruesome re-enactment of Bird's own nightmares, another young woman and child are killed, and his brief involvement in their lives impels Bird to hunt their vicious murderer. Rita Ferris's estranged husband, Billy Purdue, is the obvious suspect. But as the death toll mounts, Bird comes to realise that the true answer to the puzzle lies thirty years in the past, in a tree with strange fruit, in his own grandfather's history, and in the perverted desires of a monster incarnate - Caleb Kyle.… (més)
Membre:njgriffin
Títol:Dark Hollow (Coronet books)
Autors:John Connolly
Informació:Hodder Paperbacks (2000), Edition: New Ed, Paperback, 496 pages
Col·leccions:La teva biblioteca
Valoració:***
Etiquetes:default, to-read, irish, crime-fiction

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Dark Hollow de John Connolly (2000)

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» Mira també 22 mencions

Es mostren 1-5 de 34 (següent | mostra-les totes)
Even better than Every Dead Thing. Tighter and more focused in that the story spans the whole volume rather than being two stories and spends most of the time in basically one location with one set of characters. Louis and Angel really come into their own in this one in full comedic foils to Charlie Parker’s straight man. Dark, funny, compelling, heart-breaking, well written, beautiful and savage---sometimes at the same time. I can’t say enough about this writer and the promise that this series holds. Loved every page.

I probably won’t wait very long before reading the third installment---which I purchased on my kindle right as I was down to the last 10% of the book. I can’t imagine not having the next one already lined up.
( )
  ChrisMcCaffrey | Apr 6, 2021 |
I read the 1st Charlie Parker novel from Blind Date with a Book. I picked up this second one from the library. There are so many details which I feel could have been dropped out. But it was a good read nonetheless. I already have number 3 sitting on my shelf to read. ( )
  RavinScarface | Dec 13, 2020 |
'Dark Hollow' (Charlie Parker #2) by John Connolly - much better than book 1 - my view on The Good, The Bad and The Could Turn Into Something Great.

I had my doubts about whether the Charlie Parker series was for me when I read the first book, 'Every Dead Thing'. I was told that the series got much better and I can see that it's kept a loyal readership for twenty years so I gave 'Dark Hollow', the second book, a try.

It was indeed much better. There are still things that don't work well for me but the good parts are very good and there are a few signposts in this novel to things that could make the series a favourite, so I'll be reading the third book and then making my mind up about the rest.

I've split my review of this twenty-year-old book into three: The Good - the things that would keep me reading John Connolly; The Bad - the things that irritate or distract me that would make me set the series aside if they persist; and The Could Turn Into Something Great - the things that might set this series apart as they're developed.

The Good.

Jon Connolly's writing is rich and textured. He brings places alive, describing not just their physical experience but the shadows and scars left by their history until the places become characters in their own right.

He has a talent for drawing men well and for crafting dialogue that gives each of them a unique voice and etches their character more deeply. I particularly like the scenes between Parker, Angel and Louis. They seem real and grounded, despite the exotic trio that they make.

John Connolly can write scenes that are hard to forget. To me, this means he needs to be careful what he writes. Using a talent like that to turn a serial killer's brutality into performance art, as he did in the first book, feels like a corruption of his gift and pollutes my memory. In 'Dark Hollow', the scene that sticks with me most is Louis telling a tale from his childhood, when a young black man is lynched and burned to death by a white mob that consists of most of the small town he lives in and where the event is treated like a picnic with live entertainment. This was chilling. Yes, there was violence, terrible violence, but mostly there was a deep understanding of the hatred and fear that fuelled the violence. It made Louis an easier character to understand and it was a reminded of how fresh in the memory State-endorsed, murderous white supremacy is.

The storytelling in 'Dark Hollow' is much more accomplished than in 'Every Dead Thing'. John Connolly skillfully intertwines three storylines about violent people threatening Parker, keeping the tension high and producing a big finale, unlike the first book, which peaked part way through and then seemed to restart.

Part of what lubricates the novel is the self-deprecating way that Parker thinks. It's sort of like Philip Marlowe with a stronger sense of the absurd. Here's an example of Parker's thoughts at the end of a violent encounter where a thug cut his cheek and nearly choked him to death.

' I struggled to my feet and wiped some of the blood from my cheek. The sleeve of my jacket came back damp and stained. It was lucky my jacket was black. Although the fact that I considered that lucky said a lot about the kind of day I was having.'

One of the things I struggled with in the first book was that Parker seemed to me to be almost as monstrous as the serial killer he was hunting. He had turned himself into a remorseless killer with no thought beyond violent revenge. Parker is a drunk and it seemed to me that hunting and killing had become his sublimation of the urge to drink - another way of running away from his own guilt and shame and grief. That's not a man I'd want to be spending a lot of time with.

In 'Dark Hollow' we see Parker starting to become more self-aware, reflecting on his own darkness and trying drag himself out of its shadow. He still kills, but it's no longer his first instinct. He still hunts but not for himself anymore. He's a man who has recognised how monstrous he has become and is trying to find his way back through a form a violent atonement in the service of the weak and the wronged. To me, that still seems like a self-serving romanticism but at least it's a start and it's something I find credible from an ex-drunk, ex-murderer, ex-cop.

The Bad

What is this obsession with the mafia and such an old-fashioned clichéd mafia? Ok, Parker comments that times have changed since the kind of Dom that shows up in 'The Godfather' but they still seem to be alive and well and talking to Parker. The scenes weren't badly written but I hope we won't do this mafia dance time after time.

Why does Parker always have to play alpha male, even when he's relatively powerless? It seems to be a ritualised testosterone fest, designed to show how hard Parker is, to big-up the bad guys and to promise grudge-led bloodshed later. It doesn't do anything for me.

Parker and women. I didn't believe in any of the women in 'Every Dead Thing'. They where shallow plot devices that Parker didn't seem able to relate to and John Connolly didn't seem able to bring to life. Things are a little better in 'Dark Hollow' but the women still mainly function as medieval Ladies handing out tokens for jousting knights to wear. They don't seem real and I'm unconvinced in Parker's interest in them. Parker gets on much better with Angel and Louis than with any of the women. I hope Parker eventually encounters women who are central to the plot because of who they are, what they want or what they're willing to do rather than being there to be rescued, avenged, mourned, or protected.

That was it? Talk about an anticlimax. We had three Big Bads in this story: the rogue mafia guys, the vicious assassin torturer duo and the semi-mythical Caleb Kane. We spent a lot of the book hearing about the things they'd done that made them people to be feared and hated, people who even Parker should lose sleep over. Then, each of them disappeared in a puff of anti-climatic violence that barely left Parker with a scratch. Kinda like crime versions of the Bond villains. I hope this gets better.

The could turn into something great.

Parker's ability to see the dead and their ability to find him. This is very well done. It's not a saccharine 'Ghost Whisperer' kind of thing, nor is it typical of the Urban Fantasy treatment of speaking to the dead. It's presented not as a power that Parker has but as an extension of his journey into grief and killing. His experiences have done something to his mind that enables him to see and apparently be seen by the dead. I like that this so far has not been explained or even verified. It could just be in Parker's head but it probably isn't and even if it is, it affects what he does. This could be a great way of distinguishing this series.

Parker's growing sense of self-awareness and his need for some kind of mission other than revenge. Linked to the I-see-dead-people thing is Parker's search for a reason to be the kind of man that he is. He's already obtained a PI license but I don't see him doing divorce work. It's his route to being a white knight. I think that opens a lot of possibilities and makes Parker easier to live with.

Parker living in Maine. Parker seems much more at home in Maine than he was in New Orleans, although it could be that I know Maine a little and New Orleans not at all, but Maine as a setting seemed less like a stage set and more like a context for the action than New Orleans did. New Orleans seemed like a backdrop that John Connolly wasn't entirely comfortable in. Maine feels like home. ( )
  MikeFinnFiction | Dec 6, 2020 |
Wow. Not too much to say. Connolly breathes life into a detective story with the strong supernatural elements. I loved Charlie Parker and his quest for not only redemption, but to help the dead find peace.

“Dark Hollow” follows Charlie after the events of the first book. He found out who murdered his wife and daughter and is now in an in between state. Living in his grandfather’s home in Maine Charlie is trying to come to some sort of peace. However Charlie takes on a client looking to get some money from her dead beat ex. When the woman and her small son end up dead, Charlie starts investigating whether her ex had something to do with it. His current case gets wrapped up in a past case that haunted his grandfather.

Charlie is one of the best fictional characters I have read in some time. He walks alone now and thinks of the honeycomb world he inhabits. He thinks of his former lover Rachel (Every Dead Thing) but wonders if he’s meant to be happy. Having his friends Louis and Angel along for the ride in this one is great. I love that we have two people who will stand by him no matter what. The three of them make an unlikely group, but they work.

I loved how he tied together. I loved the atmospheric writing. And I loved the ending. That’s all I got. ( )
  ObsidianBlue | Jul 1, 2020 |
Charlie Parker, known as Bird, is literally haunted by the ghosts of murder victims, including his own wife and daughter. A serial murderer who was active more than 30 years earlier while Charlie's grandfather was still an active policeman, haunts the his search for Billy Purdue, a violent young man, the husband of his client, who has money the mob wants and is being searched for by the police for the murder of that young woman and her son. The characters and the mood of winter Maine are the main positives of Dark Hollow, and the brisk pace of the book. More than one nasty serial killers shows up, including Bird's friend Louis, the hitman of bad dudes. The elements of this story are well integrated in comparison to Every Dead Thing. ( )
1 vota quondame | Sep 1, 2018 |
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Nom de l'autorCàrrecTipus d'autorObra?Estat
Connolly, Johnautor primaritotes les edicionsconfirmat
Bortolussi, StefanoTraductorautor secundarialgunes edicionsconfirmat
Vastbinder, MiekeTraductorautor secundarialgunes edicionsconfirmat
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Alone, alone, about a dreadful wood
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Still raw from the brutal slayings of his wife and daughter, and the events surrounding the capture of their killer, The Travelling Man, Charlie 'Bird' Parker retreats to the wintry Maine landscape of his childhood. By following in the steps of his beloved grandfather, Bird hopes to heal his spirit and get through the bitter anniversary of the murder. In a gruesome re-enactment of Bird's own nightmares, another young woman and child are killed, and his brief involvement in their lives impels Bird to hunt their vicious murderer. Rita Ferris's estranged husband, Billy Purdue, is the obvious suspect. But as the death toll mounts, Bird comes to realise that the true answer to the puzzle lies thirty years in the past, in a tree with strange fruit, in his own grandfather's history, and in the perverted desires of a monster incarnate - Caleb Kyle.

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