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Lesbian Pulp Fiction: The Sexually Intrepid World of Lesbian Paperback Novels 1950-1965 (2005)

de Katherine V. Forrest (Editor)

Altres autors: Fay Adams (Col·laborador), Ann Bannon (Col·laborador), Sloane Britain (Col·laborador), Brigid Brophy (Col·laborador), Paula Christian (Col·laborador)14 més, Joan Ellis (Col·laborador), Jill Emerson (Col·laborador), Miriam Gardner (Col·laborador), March Hastings (Col·laborador), Anne Herbert (Col·laborador), Dorcas Knight (Col·laborador), Della Martin (Col·laborador), Kay Martin (Col·laborador), Vin Packer (Col·laborador), Randy Salem (Col·laborador), Artemis Smith (Col·laborador), Valerie Taylor (Col·laborador), Tereska Torres (Col·laborador), Shirley Verel (Col·laborador)

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Long before the rise of the modern gay movement, an unnoticed literary revolution was occurring between the covers of the cheaply produced lesbian pulp paperbacks of the post - World War II era. In 1950, publisher Fawcett Books founded its Gold Medal imprint, inaugurating the reign of lesbian pulp fiction. These were the books that small-town lesbians and prurient men bought by the millions - cheap, easy to find in drugstores, and immediately recognizable by their lurid covers. For women leading straight lives, here was confirmation that they were not alone and that darkly glamorous, "gay" places like Greenwich Village existed. Some - especially those written by lesbians - offered sympathetic and realistic depictions of "life in the shadows," while others (no less fun to read now) were smutty, sensational tales of innocent girls led astray. In the overheated prose typical of the genre, this collection documents the emergence of a lesbian subculture in postwar America.… (més)
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This anthology (lesbian paperback fiction from 1950 – 1965) is worth reading both for its historical value and, often, for the writing itself. I came out in the 80s, so I missed all this, and it was quite fascinating to become acquainted with such famous characters as Beebo Brinker. I was mesmerized.

Prevailing social beliefs are revealed – and you can see how they change in the fifteen years that are represented – but the characters themselves are motivated by love and desire. Even when they are terribly wounded by the attitudes of the times, they break through the taboos and find each other. ( )
  astrologerjenny | Apr 25, 2013 |
This anthology (lesbian paperback fiction from 1950 – 1965) is worth reading both for its historical value and, often, for the writing itself. I came out in the 80s, so I missed all this, and it was quite fascinating to become acquainted with such famous characters as Beebo Brinker. I was mesmerized.

Prevailing social beliefs are revealed – and you can see how they change in the fifteen years that are represented – but the characters themselves are motivated by love and desire. Even when they are terribly wounded by the attitudes of the times, they break through the taboos and find each other. ( )
  astrologerjenny | Apr 24, 2013 |
Lesbian pulp fiction intrigues me. There's something...different...about these books from the fifties and sixties. Some of them are poorly written, and many of them have unrealistic parts to them, but still, the books are important to our queer history and culture. They're like mini-time capsules, and every time I finish reading one, I find myself thankful that I live in the present.

Katherine V. Forrest's introduction is worth the price of the book alone, in my opinion. I am queer in a rural area, but I have the internet, and online bookstores, and e-readers to find community and literature. Forrest didn't have any of that. I do know, however, what it feels like to discover that one isn't alone, that there are other women out there like us, and how nerve-wracking it is to march up to a counter and purchase a book like that (usually with somewhat suggestive covers - mine was Ann Bannon's "Odd Girl Out" with two women kissing in silhouette).

And the excerpts themselves are interesting, as well. There are some real pulp gems, and I added a few different pulps to my "to be read" pile because of this book.

Altogether, recommended - not necessarily for the literary value (although some of the excerpts, even today, are pretty good), but for historical/cultural value. ( )
  schatzi | Mar 28, 2013 |
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Nom de l'autorCàrrecTipus d'autorObra?Estat
Forrest, Katherine V.Editorautor primaritotes les edicionsconfirmat
Adams, FayCol·laboradorautor secundaritotes les edicionsconfirmat
Bannon, AnnCol·laboradorautor secundaritotes les edicionsconfirmat
Britain, SloaneCol·laboradorautor secundaritotes les edicionsconfirmat
Brophy, BrigidCol·laboradorautor secundaritotes les edicionsconfirmat
Christian, PaulaCol·laboradorautor secundaritotes les edicionsconfirmat
Ellis, JoanCol·laboradorautor secundaritotes les edicionsconfirmat
Emerson, JillCol·laboradorautor secundaritotes les edicionsconfirmat
Gardner, MiriamCol·laboradorautor secundaritotes les edicionsconfirmat
Hastings, MarchCol·laboradorautor secundaritotes les edicionsconfirmat
Herbert, AnneCol·laboradorautor secundaritotes les edicionsconfirmat
Knight, DorcasCol·laboradorautor secundaritotes les edicionsconfirmat
Martin, DellaCol·laboradorautor secundaritotes les edicionsconfirmat
Martin, KayCol·laboradorautor secundaritotes les edicionsconfirmat
Packer, VinCol·laboradorautor secundaritotes les edicionsconfirmat
Salem, RandyCol·laboradorautor secundaritotes les edicionsconfirmat
Smith, ArtemisCol·laboradorautor secundaritotes les edicionsconfirmat
Taylor, ValerieCol·laboradorautor secundaritotes les edicionsconfirmat
Torres, TereskaCol·laboradorautor secundaritotes les edicionsconfirmat
Verel, ShirleyCol·laboradorautor secundaritotes les edicionsconfirmat
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For Ann Bannon

with gratitude that has no bounds

nor adequate words
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Wikipedia en anglès (3)

Long before the rise of the modern gay movement, an unnoticed literary revolution was occurring between the covers of the cheaply produced lesbian pulp paperbacks of the post - World War II era. In 1950, publisher Fawcett Books founded its Gold Medal imprint, inaugurating the reign of lesbian pulp fiction. These were the books that small-town lesbians and prurient men bought by the millions - cheap, easy to find in drugstores, and immediately recognizable by their lurid covers. For women leading straight lives, here was confirmation that they were not alone and that darkly glamorous, "gay" places like Greenwich Village existed. Some - especially those written by lesbians - offered sympathetic and realistic depictions of "life in the shadows," while others (no less fun to read now) were smutty, sensational tales of innocent girls led astray. In the overheated prose typical of the genre, this collection documents the emergence of a lesbian subculture in postwar America.

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