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The origins of knowledge and imagination de…
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The origins of knowledge and imagination (1978 original; edició 1978)

de Jacob Bronowski

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311383,559 (4.19)Cap
"A gem of enlightenment. . . . One rejoices in Bronowski's dedication to the identity of acts of creativity and of imagination, whether in Blake or Yeats or Einstein or Heisenberg."--Kirkus Reviews "According to Bronowski, our account of the world is dictated by our biology: how we perceive, imagine, symbolize, etc. He proposes to explain how we receive and translate our experience of the world so that we achieve knowledge. He examines the mechanisms of our perception; the origin and nature of natural langua≥ formal systems and scientific discourse; and how science, as a systematic attempt to establish closed systems one after another, progresses by exploring its own errors and new but unforeseen connections. . . . A delightful look at the inquiring mind."--Library Journal "Eminently enjoyable to read, with a good story or 'bon mot' on every page."--Nature "A well-written and brilliantly presented defense of the scientific enterprise which could be especially valuable to scientists and to teachers of science at all levels."--AAAS Science Books & Films Contents 1. The Mind as an Instrument for Understanding 2. The Evolution and Power of Symbolic Language 3. Knowledge as Algorithm and as Metaphor 4. The Laws of Nature and the Nature of Laws 5. Error, Progress, and the Concept of Time 6. Law and Individual Responsibility… (més)
Membre:rickheidi
Títol:The origins of knowledge and imagination
Autors:Jacob Bronowski
Informació:New Haven : Yale University Press, c1978.
Col·leccions:La teva biblioteca
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The Origins of Knowledge and Imagination de Jacob Bronowski (1978)

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This book was written as a series of six lectures by the author. It was written around 50 years ago. The lofty title of the book seems inappropriate for the somewhat blase information provided. I am not confident that there was anything said that was of ocnsequence. The author describes our perception of the world as a function of our senses. He indicates that science is a limited description of reality, since all of reality is interrelated while scince tends to compartmentalize analysis and theory. He describes the use of language and symbols to describe the world. He finishes with a discussion of science being productive due to the honesty of the process and that while the theories change over time, they do so because new truths are incorporated into the theory. ( )
  GlennBell | Dec 5, 2015 |
The best kind of book on science, full of wit and erudition, asking questions instead of making declarations. Bronowski celebrates and encourages keen wonder and the human drive to understand, while reminding us that science, which rests on its own kinds of faith, incompleteness and paradox, is only one version of knowledge and understanding.

Shiner Bock
Otter Creek Citra Mantra Pils
  MusicalGlass | May 2, 2015 |
It isn't clear how Jacob Bronowski came to be delivering the Silliman lectures for 1967 at Yale University, but in doing so he delivered a marvellous and, apparently, criminally overlooked book which many of today's leading popular science writers might do well to read. Bronowski was by training an academic algebraic geometrist (I'm not sure that there is any other kind), but by inclination a polymath, working in a remarkably eclectic range of fields from operations research to biology to anthropology to poetry, and as he did so taking time to publish an acclaimed biography of William Blake and write and produce a well-received BBC anthropology series, The Ascent of Man.

The Silliman foundation at Yale is dedicated to "illustrating the presence and providence of God, as demonstrated in the natural and moral world", so it made an odd choice in selecting Bronowski, a non-religious scientist, to present its 1967 lectures, but the choice was an inspired one, for instead of banging on sanctimoniously about how only science and mathematics can bring us to a true understanding of the universe, Bronowski the polymath instead put these endeavours in their human, social and - literally - literal context.

Bronowski's view is that our sciences contantly evolve and that they are a function of our favoured modes of observation (primarily visual) and means of description (wholly linguistic - in the sense that we can only theorise what we can commit to some formal symbolic system or other). Not just pure mathematics but any science - or language, for that matter - is a closed symbolic system, and is subject to the formal limitations of such systems which have been explained by mathematicians (such as Goedel's undecidability), practical limitations, and epistemological limitations. Even ignoring the formal limitations, practically we never have anything like enough evidence to soundly make a "true" theory - that would involve all data in the universe. But curiously, even if we had this, the theory wouldn't tell us anything interesting anyway, since we'd be able to deduce all possible consequences as a matter of logic - the empirical theory wouldn't add anything, in the same way that repeatedly rolling dice won't tell you anything you couldn't work out anyway about probability theory). In a fascinating chapter entitled "knowledge as algorithm and as metaphor" Bronowski charts this inevitable trade-off between theoretical completeness and practical usefulness and makes the (quite unexpected, but undeniable) observation that the very very incompleteness of a theory is what gives it its power.

Curiously, Bronowski speaks in terms of thorough reductionism - he says "I believe that the world is totally connected: that is to say, that there are no events anywhere in the universe that are not tied to every other event in the universe" but in contrast to writers like Dawkins reaches a surprisingly pragmatist conclusion: since it is not just practically but *conceptually* impossible to gather all data in the universe (which is what you would need to truthfully explain any single one of these events) we should resign ourselves to an imperfect solution which we must always remember is contingent and subject to improvement or change. This argument, like Quine's as to the dogmas of empiricism, is arrived at from a purely traditional, analytic approach, and is relatively immune to charges of woolly postmodernism. But in every other way it resonates far more closely with anti-essentialists like Richard Rorty, Thomas Kuhn and Paul Feyerabend than it does with the latter day Dawkinses.

The final chapter strays off brief into political and moral matters, and suffers because of it: Bronowski makes an unconvincing attempt to rebut Hume's statement of the naturalistic fallacy that you can't convert an 'is' to an 'ought', and ends up saying (and immediately regretting) things like "once you know that there are two sexes, then certain behaviour becomes pointless". My guess is he wasn't talking about fishing. Leaving aside the quaint value-judgments this seems to imply, it also seems to have abandoned the idea, forcefully argued in the first five lectures, that these "truths" we know are contingent anyway and that behaviour which seems ridiculous from one perspective might have a perfectly sensible utility described from another: there's no priority of perspective, after all.

Nonetheless, these final comments aren't anything like enough to detract from the quality of this overall book, which I recommend warmly to all inquiring minds. ( )
4 vota JollyContrarian | Jun 13, 2008 |
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"A gem of enlightenment. . . . One rejoices in Bronowski's dedication to the identity of acts of creativity and of imagination, whether in Blake or Yeats or Einstein or Heisenberg."--Kirkus Reviews "According to Bronowski, our account of the world is dictated by our biology: how we perceive, imagine, symbolize, etc. He proposes to explain how we receive and translate our experience of the world so that we achieve knowledge. He examines the mechanisms of our perception; the origin and nature of natural langua≥ formal systems and scientific discourse; and how science, as a systematic attempt to establish closed systems one after another, progresses by exploring its own errors and new but unforeseen connections. . . . A delightful look at the inquiring mind."--Library Journal "Eminently enjoyable to read, with a good story or 'bon mot' on every page."--Nature "A well-written and brilliantly presented defense of the scientific enterprise which could be especially valuable to scientists and to teachers of science at all levels."--AAAS Science Books & Films Contents 1. The Mind as an Instrument for Understanding 2. The Evolution and Power of Symbolic Language 3. Knowledge as Algorithm and as Metaphor 4. The Laws of Nature and the Nature of Laws 5. Error, Progress, and the Concept of Time 6. Law and Individual Responsibility

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