IniciGrupsConversesMésTendències
Cerca al lloc
Aquest lloc utilitza galetes per a oferir els nostres serveis, millorar el desenvolupament, per a anàlisis i (si no has iniciat la sessió) per a publicitat. Utilitzant LibraryThing acceptes que has llegit i entès els nostres Termes de servei i política de privacitat. L'ús que facis del lloc i dels seus serveis està subjecte a aquestes polítiques i termes.
Hide this

Resultats de Google Books

Clica una miniatura per anar a Google Books.

The Secret Agent (Penguin Popular Classics)…
S'està carregant…

The Secret Agent (Penguin Popular Classics) (edició 2010)

de Joseph Conrad (Autor)

MembresRessenyesPopularitatValoració mitjanaMencions
5,749951,357 (3.63)256
In turn-of-the-century London, an undercover, counter-revolutionary mole provokes a radical group he has penetrated into an act of violence that will bring about its own destruction.
Membre:dfontde
Títol:The Secret Agent (Penguin Popular Classics)
Autors:Joseph Conrad (Autor)
Informació:Penguin Books, Limited (UK) (2010), Edition: Reprint., 256 pages
Col·leccions:La teva biblioteca
Valoració:
Etiquetes:No n'hi ha cap

Detalls de l'obra

L'Agent secret de Joseph Conrad

S'està carregant…

Apunta't a LibraryThing per saber si aquest llibre et pot agradar.

No hi ha cap discussió a Converses sobre aquesta obra.

» Mira també 256 mencions

Es mostren 1-5 de 94 (següent | mostra-les totes)
Some aspects of this novel seemed lamentably contemporary. A bomb goes off. A terrorist attack? On the surface, apparently so. But the man who carried it off was the secret agent of a foreign government. That country is never named, but the agent’s handler is named Vladimir, so we probably can’t go too far wrong were we to guess its identity. That government despises the nonchalant way the British government deals with its domestic anarchists, who, in turn, are dreamily ineffectual. The aim of the foreign government: to shock the British into a repressive stance. If the public is alarmed, so the reasoning goes, it will more readily accept a reduction in its civil liberties.
Sound familiar?
This novel is not as well known as Conrad’s works with colonial or maritime settings, and it met with a mixed reception when it came out. I thoroughly enjoyed it, though. The characters are well-drawn and the plot is well-constructed, departing from a strictly linear account to allow the narration to follow first this person, then that. This allows Conrad to show them pursuing individual agendas, often at cross-purposes. There is even a good dose of humor, particularly the hilarious portrayal of an imperious state secretary of venerable lineage.
Adepts of spy fiction will not fail to read this, said to be the book that created the genre, but I believe this would appeal to general readers as well. ( )
  HenrySt123 | Jul 19, 2021 |
I can't say I liked this book. The prose was overly descriptive and oddly repetitive. The story was dreary and only got darker as it progressed. The narrative - and the fact that there was a narrative - had me confused. I could not get invested in any of the characters.

Perhaps those interested older English works might be interested in this. But only if they're also interested in anarchism, politics, Marxist arguments, and societal discussions. ( )
  sraazad | Jul 1, 2021 |
A classic novel of terrorism, I picked it up on a high school friend's recommendation. I hadn't read any Conrad since our 12th grade English class had included Heart of Darkness. You're guaranteed to hate most books you're forced to read for school, having to wring all sorts of contrived themes and subtexts out of your mandatory tomes, but I enjoyed Heart of Darkness, and of course the movie Apocalypse Now, which we also watched because why not.

I didn't really dig The Secret Agent quite as much though, a least at first. The main terrorism plot is the highlight: Conrad is very adept at creating a terrorist group, the Future of the Proletariat, which is both plausible in its aims and actions, and ridiculous in how cartoonish the individual members Verloc, Yundt, Ossipon, and Michaelis are. I'm positive real terrorist groups have their members who strongly resemble the buffoons in the FOP, and I'm sure that their meetings are just as full of irritating speeches. Achmed, stop clowning around, we're trying to finish Phase XVII of Operation Death to the Great Satan! Similarly, the police working against them also have their own personalities and personal issues, and real counter-terrorism work is probably just as full of politicking and feuding.

However, Conrad put in an annoying subplot about Stevie, the main character Verloc's wife's brother, who is autistic and does nothing interesting for the entire first half of the book. It was only later that he became important, and even though his only real relevant action happened offscreen, the way the Verloc "family" dealt with it was pretty interesting. Though Conrad is a little too verbose sometimes, the psychological interaction between Verloc and his wife Winnie was great, as was the ending part with Winnie and Comrade Ossipon. Very satisfying ending overall. Since the book was based on a very similar real-life attempted act of terrorism, it's only fitting in a way that it ended up being a favorite of Ted Kaczynski. Ted was smart though - wives will only mess you up! Conrad knew best all along. ( )
1 vota aaronarnold | May 11, 2021 |
The story-telling is masterly. I was totally gripped in the chapter where Verloc wanted to console his wife after Stevie was accidentally killed but he misunderstood her totally. The perspective shifts subtly from Verloc to Winnie, so subtly you hardly realized it. This chapter by itself added another star to my rating of the book. Also note-worthy is the politicking in the police force, which can still ring true even in today's context. ( )
1 vota siok | May 9, 2021 |
Grew on me - first half hard to get in to but gripping in the last part
  MiriamL | Apr 27, 2021 |
Es mostren 1-5 de 94 (següent | mostra-les totes)

» Afegeix-hi altres autors (54 possibles)

Nom de l'autorCàrrecTipus d'autorObra?Estat
Conrad, Josephautor primaritotes les edicionsconfirmat
Adell, AlbertoTraductorautor secundarialgunes edicionsconfirmat
Adlerberth, RolandTraductorautor secundarialgunes edicionsconfirmat
Affinati, Eraldoautor secundarialgunes edicionsconfirmat
Ambrosini, Richardautor secundarialgunes edicionsconfirmat
Bassi, AnnagraziaTraductorautor secundarialgunes edicionsconfirmat
Danehl, GüntherÜbersetzerautor secundarialgunes edicionsconfirmat
De Logu, PietroTraductorautor secundarialgunes edicionsconfirmat
Doctorow, E. L.Introduccióautor secundarialgunes edicionsconfirmat
Eisler, GeorgIl·lustradorautor secundarialgunes edicionsconfirmat
Epstein, HughIntroduccióautor secundarialgunes edicionsconfirmat
Freißler, Ernst W.Traductorautor secundarialgunes edicionsconfirmat
Giacobelli, FrancescoEditorautor secundarialgunes edicionsconfirmat
Gorey, EdwardDissenyador de la cobertaautor secundarialgunes edicionsconfirmat
Grimshaw, John AtkinsonAutor de la cobertaautor secundarialgunes edicionsconfirmat
Hibbert, A.Traductorautor secundarialgunes edicionsconfirmat
Karl, Frederick R.Introduccióautor secundarialgunes edicionsconfirmat
Kivivuori, KristiinaTraductorautor secundarialgunes edicionsconfirmat
Mallios, Peter LancelotEditorautor secundarialgunes edicionsconfirmat
Mauro, WalterIntroduccióautor secundarialgunes edicionsconfirmat
Mosley, FrancisIl·lustradorautor secundarialgunes edicionsconfirmat
Newton, MichaelEditorautor secundarialgunes edicionsconfirmat
Saraval, LuisaTraductorautor secundarialgunes edicionsconfirmat
Serpieri, AlessandroEditorautor secundarialgunes edicionsconfirmat
Seymour-Smith, MartinIntroduccióautor secundarialgunes edicionsconfirmat
Silva, HéctorTraductorautor secundarialgunes edicionsconfirmat
South, AnnaEpílegautor secundarialgunes edicionsconfirmat
Theroux, PaulIntroduccióautor secundarialgunes edicionsconfirmat
Threlfall, DavidNarradorautor secundarialgunes edicionsconfirmat
Tittle, WalterAutor de la cobertaautor secundarialgunes edicionsconfirmat
Ward, ColinIntroduccióautor secundarialgunes edicionsconfirmat
Waterfield, Robinautor secundarialgunes edicionsconfirmat
Watts, CedricEditorautor secundarialgunes edicionsconfirmat
Wilde, Barbara deDissenyador de la cobertaautor secundarialgunes edicionsconfirmat
Zanzotto, AndreaIntroduccióautor secundarialgunes edicionsconfirmat
Has d'iniciar sessió per poder modificar les dades del coneixement compartit.
Si et cal més ajuda, mira la pàgina d'ajuda del coneixement compartit.
Títol normalitzat
Títol original
Títols alternatius
Data original de publicació
Gent/Personatges
Llocs importants
Esdeveniments importants
Pel·lícules relacionades
Premis i honors
Epígraf
Dedicatòria
Primeres paraules
Citacions
Darreres paraules
Nota de desambiguació
Editor de l'editorial
Creadors de notes promocionals a la coberta
Llengua original
Informació del coneixement compartit en castellà. Modifica-la per localitzar-la a la teva llengua.
CDD/SMD canònics
LCC canònic

Referències a aquesta obra en fonts externes.

Wikipedia en anglès (3)

In turn-of-the-century London, an undercover, counter-revolutionary mole provokes a radical group he has penetrated into an act of violence that will bring about its own destruction.

No s'han trobat descripcions de biblioteca.

Descripció del llibre
Sumari haiku

Cobertes populars

Dreceres

Valoració

Mitjana: (3.63)
0.5
1 16
1.5 6
2 62
2.5 20
3 236
3.5 88
4 276
4.5 40
5 148

Ets tu?

Fes-te Autor del LibraryThing.

Penguin Australia

Penguin Australia ha publicat 2 edicions d'aquest llibre.

Edicions: 0141441585, 0141199555

Tantor Media

Una edició d'aquest llibre ha estat publicada per Tantor Media.

» Pàgina d'informació de l'editor

Urban Romantics

Urban Romantics ha publicat 2 edicions d'aquest llibre.

Edicions: 1909175994, 1909438006

 

Quant a | Contacte | LibraryThing.com | Privadesa/Condicions | Ajuda/PMF | Blog | Botiga | APIs | TinyCat | Biblioteques llegades | Crítics Matiners | Coneixement comú | 163,107,301 llibres! | Barra superior: Sempre visible