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Cryptonomicon (1999)

de Neal Stephenson

Altres autors: Mira la secció altres autors.

MembresRessenyesPopularitatValoració mitjanaMencions
16,779287299 (4.2)549
Fiction. Science Fiction. Historical Fiction. HTML:

Neal Stephenson hacks into the secret histories of nations and the private obsessions of men, decrypting with dazzling virtuosity the forces that shaped this century.

In 1942, Lawrence Pritchard Waterhouse - mathematical genius and young Captain in the U.S. Navy - is assigned to Detachment 2702. It is an outfit so secret that only a handful of people know it exists, and some of those people have names like Churchill and Roosevelt. The mission of Waterhouse and Detachment 2702 - commanded by Marine Raider Bobby Shaftoe - is to keep the Nazis ignorant of the fact that Allied Intelligence has cracked the enemy's fabled Enigma code. It is a game, a cryptographic chess match between Waterhouse and his German counterpart, translated into action by the gung-ho Shaftoe and his forces.

Fast-forward to the present, where Waterhouse's crypto-hacker grandson, Randy, is attempting to create a "data haven" in Southeast Asia - a place where encrypted data can be stored and exchanged free of repression and scrutiny. As governments and multinationals attack the endeavor, Randy joins forces with Shaftoe's tough-as-nails granddaughter, Amy, to secretly salvage a sunken Nazi submarine that holds the key to keeping the dream of a data haven afloat.

But soon their scheme brings to light a massive conspiracy, with its roots in Detachment 2702, linked to an unbreakable Nazi code called Arethusa. And it will represent the path to unimaginable riches and a future of personal and digital liberty...or to universal totalitarianism reborn.

A breathtaking tour de force, and Neal Stephenson's Cryptonomicon is profound and prophetic, hypnotic and hyper-driven, as it leaps forward and back between World War II and the World Wide Web, hinting all the while at a dark day-after-tomorrow. It is a work of great art, thought, and creative daring.

.
… (més)
Afegit fa poc percastlecameron, crankybookwyrm, librarianofbabel, mbaushke, biblioteca privada, atrillox, SparkALC, gregheth, pearcare
Biblioteques llegadesLeslie Scalapino
  1. 222
    Snow Crash de Neal Stephenson (moonstormer)
  2. 152
    Gödel, Escher, Bach: An Eternal Golden Braid de Douglas R. Hofstadter (Zaklog)
    Zaklog: Cryptonomicon strikes me as the kind of book that Hofstadter would write if he wrote fiction. Both books are complex, with discursive passages on mathematics and a positively weird sense of humor. If you enjoyed (rather than endured) the explanatory sections on cryptography and the charts of Waterhouse's love life (among other, rarely charted things) you should really like this book.… (més)
  3. 100
    Pattern Recognition de William Gibson (S_Meyerson)
  4. 100
    The Codebreakers de David Kahn (grizzly.anderson)
    grizzly.anderson: A great and fairly easy to read history of much of the history and cryptography the novel is based on.
  5. 90
    The Code Book: The Science of Secrecy from Ancient Egypt to Quantum Cryptography de Simon Singh (S_Meyerson)
  6. 112
    Anathem de Neal Stephenson (BriarE)
  7. 70
    Daemon de Daniel Suarez (simon_carr)
  8. 61
    Secrets and lies : digital security in a networked world de Bruce Schneier (bertilak)
  9. 40
    Logicomix: An Epic Search for Truth de Apostolos Doxiadis (tomduck)
  10. 40
    The Gone-Away World de Nick Harkaway (ahstrick)
  11. 30
    PopCo de Scarlett Thomas (daysailor, Widsith)
    daysailor: Same kind of edgy writing, intertwining cryptography history with good story-telling
    Widsith: More cryptography and conspiracy and earnest philosophical asides (though Thomas writes women characters a lot better than Stephenson)
  12. 41
    El nom de la rosa de Umberto Eco (LamontCranston)
    LamontCranston: Weaving fact and speculation, history and fiction, mysteries within mysteries
  13. 41
    Reamde de Neal Stephenson (Usuari anònim)
  14. 53
    L'Alienista (Catalan Edition) de Caleb Carr (igorken)
  15. 11
    Enigma de Robert Harris (ianturton)
    ianturton: Another fictionalized look at Bletchly Park, shorter and with fewer Americans.
  16. 00
    Battle of Wits: The Complete Story of Codebreaking in World War II de Stephen Budiansky (Busifer)
    Busifer: Many of the events featuring in Stephenson's Cryptonomicon have actually happened and while Budiansky isn't the most eloquent author his book is an interesting companion read.
  17. 1616
    Moby Dick de Herman Melville (lorax)
    lorax: Seriously. A big fat book immersing the reader in a bizarre and alien culture, with well-written infodumps on subjects of interest to the narrator interspersed throughout the story. It's a very Stephenson-esque book.
  18. 22
    The Thousand Autumns of Jacob de Zoet de David Mitchell (psybre)
  19. 00
    Decoded de Mai Jia (hairball)
  20. 00
    Join de Steve Toutonghi (jbizroe)

(Mira totes les recomanacions 26)

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Es mostren 1-5 de 287 (següent | mostra-les totes)
I love a great, long book. Despite a lot of this book being about war, which is usually not my favorite thing, Stephenson's prose made it a joy to read! ( )
  knerd.knitter | Nov 10, 2023 |
This book was quite a read, and I really liked it a lot. Then again, put Alan Turing in any story and I will probably feel very enthusiastic about it.
While over a thousand pages, I didn't feel like I was wading through any filler chapters. In my experience every page was either dedicated to character development, explanation of a (cryptographic) concept or progressing the story. While I spent almost 4 months reading Cryptonomicon, it never felt like work, which can often be the case with such large books. It did sometimes look like the story was being led around so that Stephenson could cram in another cryptography concept, which did make the main story feel superficial at times, but in my opinion the strength of this book lies in these concepts, so it rarely bothered me.
What did bother me was Randy "Freaking" Waterhouse.
At first, Randy gets built up as the ultra rational nerd-hero, which I quite liked. Even the slightly misplaced rant he gives at the pretentious friends of his girlfriend was quite amusing and did indeed illustrate the disconnect that exists between humanities- and computer-science people. But not long after that Randy goes off the rails. One of the main annoyances was relating éverything to computers, coding, etc. Like atheism as being devoid of having a kind of Unix-handbook. Combined with his view on the women in his life, Randy gets thoroughly annoying towards the middle of the book.
Given that more of his characters do not view the world in the same way, I guess I don't think Stephenson holds the same view, but my annoyances with Randy did deter from my enthusiasm about this book somewhat.
The only other thing that was somewhat disappointing was the absence of Elizebeth and William Friedman, whom I had recently read about, but this is hardly a criticism.
All in all, I really liked this tome and I am actually very curious towards the Baroque Cycle. Also, after reading Snow Crash, I was hardly enthusiastic about Neal Stephenson, but this book was very impressive and I do not doubt that I will be reading more of his books.
( )
1 vota bramboomen | Oct 18, 2023 |
This book has had almost as many superlatives thrown at it as the authour put into it, and it deserves almost all of them.

It's got math, computer geek humour, cryptography, war history and commentary on everything from academia to the Far East - and all of it done in an over the top, you gotta be there to believe it style that's fun and entertaining. It's a slow read, because you just don't want to miss anything, and everything including the kitchen sink shows up on almost every page. Don't blink!

Once I was a couple of hundred pages into this book I knew I'd love it. At around the five hundred page mark it was shaping up to be one of my top ten favourites of all time. Funny thing happened on the way to the finish though - it got close to being a little too much.

It could be that my reading was in much smaller chunks for the last couple hundred pages, but for whatever reason it lost some of it's sparkle. It finishes strong, but stumbled just enough to end up a solid four and a half stars instead of an all out five. And that's only because I don't give up fives easily. Heck, maybe on re-reading I'll bump it that half point.

Make sure you read it, and see just how high up the chart you'll rate it. ( )
  furicle | Aug 5, 2023 |
It was too damn long! There were some interesting bits in there, mostly in the WWII storyline. However, there were just too many asides and tangents to the point of bogging down the plot into a slog through molasses. Also, I'm sick of the words "d*ck", "hard", & "f*ck". Not that I absolutely hated this it was just too long. By the latter half, I was checked out and just wanted it to end. I would never have finished this if I had not listened to it on audiobook. Would I recommend this book to anyone? Probably not. ( )
  Ranjr | Jul 13, 2023 |
little long for the amount of story told I thought ( )
  sgsmitty | Jun 14, 2023 |
Es mostren 1-5 de 287 (següent | mostra-les totes)
You'd think such a web of narratives would be hard to follow. Certainly, it's difficult to summarize. But Stephenson, whose science-fiction novels Snow Crash (1992) and The Diamond Age (1995) have been critical and commercial successes despite difficult plotting, has made a quantum jump here as a writer. In addition to his bravura style and interesting authorial choices (Stephenson tells each of his narratives in the present tense, regardless of when they occur chronologically), the book is so tightly plotted that you never lose the thread.

But Stephenson is not an author who's content just to tell good stories. Throughout the book, he takes on the task of explaining the relatively abstruse technical disciplines surrounding cryptology, almost always in ways that a reasonably intelligent educated adult can understand. As I read the book I marked in the margins where Stephenson found opportunities to explain the number theory that underlies modern cryptography; "traffic analysis" (deriving military intelligence from where and when messages are sent and received, without actually decoding them); steganography (hiding secret messages within other, non-secret communications); the electronics of computer monitors (and the security problems created by those monitors); the advantages to Unix-like operating systems compared to Windows or the Mac OS; the theory of monetary systems; and the strategies behind high-tech business litigation. Stephenson assumes that his readers are capable of learning the complex underpinnings of modern technological life.
afegit per SnootyBaronet | editaReason, Mike Godwin (Feb 20, 1999)
 

» Afegeix-hi altres autors (5 possibles)

Nom de l'autorCàrrecTipus d'autorObra?Estat
Stephenson, Nealautor primaritotes les edicionsconfirmat
Bonnefoy, JeanTraductorautor secundarialgunes edicionsconfirmat
Dufris, WilliamNarradorautor secundarialgunes edicionsconfirmat
Gräbener-Müller, JulianeTraductorautor secundarialgunes edicionsconfirmat
Pannofino, GianniTraductorautor secundarialgunes edicionsconfirmat
Peck, KellanDissenyadorautor secundarialgunes edicionsconfirmat
Stingl, NikolausTraductorautor secundarialgunes edicionsconfirmat
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"There is a remarkably close parallel between the problems of the physicist and those of the cryptographer. The system on which a message is enciphered corresponds to the laws of the universe, the intercepted messages to the evidence available, the keys for a day or a message to important constants which have to be determined. The correspondence is very close, but the subject matter of cryptography is very easily dealt with by discrete machinery, physics not so easily." —Alan Turing
This morning [Imelda Marcos] offered the latest in a series of explanations of the billions of dollars that she and her husband, who died in 1989, are believed to have stolen during his presidency.
"It so coincided that Marcos had money," she said. "After the Bretton Woods agreement he started buying gold from Fort Knox. Three thousand tons, then 4,000 tons. I have documents for these: 7,000 tons. Marcos was so smart. He had it all. It's funny; America didn't understand him." —The New York Times, Monday, 4 March, 1996
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To S. Town Stephenson,
who flew kites from battleships
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Two tires fly. Two wail.
A bamboo grove, all chopped down.
From it, warring sounds.
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He is disappointed because he has solved the problem, and has gone back to the baseline state of boredom and low-level irritation that always comes over him when he's not doing something that inherently needs to be done, like picking a lock or breaking a code.
The ineffable talent for finding patterns in chaos cannot do its thing unless he immerses himself in the chaos first.
This conspiracy thing is going to be a real pain in the ass if it means backing down from casual fistfights.
LET’S SET THE existence-of-God issue aside for a later volume, and just stipulate that in some way, self-replicating organisms came into existence on this planet and immediately began trying to get rid of each other, either by spamming their environments with rough copies of themselves, or by more direct means which hardly need to be belabored. Most of them failed, and their genetic legacy was erased from the universe forever, but a few found some way to survive and to propagate. After about three billion years of this sometimes zany, frequently tedious fugue of carnality and carnage, Godfrey Waterhouse IV was born, in Murdo, South Dakota, to Blanche, the wife of a Congregational preacher named Bunyan Waterhouse. Like every other creature on the face of the earth, Godfrey was, by birthright, a stupendous badass, albeit in the somewhat narrow technical sense that he could trace his ancestry back up a long line of slightly less highly evolved stupendous badasses to that first self-replicating gizmo—which, given the number and variety of its descendants, might justifiably be described as the most stupendous badass of all time. Everyone and everything that wasn’t a stupendous badass was dead.
Randy is a little bit turned around, but eventually homes in on a dimly heard electronic cacophony—digitized voices prophesying war—and emerges into the mall’s food court.
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Cap

Fiction. Science Fiction. Historical Fiction. HTML:

Neal Stephenson hacks into the secret histories of nations and the private obsessions of men, decrypting with dazzling virtuosity the forces that shaped this century.

In 1942, Lawrence Pritchard Waterhouse - mathematical genius and young Captain in the U.S. Navy - is assigned to Detachment 2702. It is an outfit so secret that only a handful of people know it exists, and some of those people have names like Churchill and Roosevelt. The mission of Waterhouse and Detachment 2702 - commanded by Marine Raider Bobby Shaftoe - is to keep the Nazis ignorant of the fact that Allied Intelligence has cracked the enemy's fabled Enigma code. It is a game, a cryptographic chess match between Waterhouse and his German counterpart, translated into action by the gung-ho Shaftoe and his forces.

Fast-forward to the present, where Waterhouse's crypto-hacker grandson, Randy, is attempting to create a "data haven" in Southeast Asia - a place where encrypted data can be stored and exchanged free of repression and scrutiny. As governments and multinationals attack the endeavor, Randy joins forces with Shaftoe's tough-as-nails granddaughter, Amy, to secretly salvage a sunken Nazi submarine that holds the key to keeping the dream of a data haven afloat.

But soon their scheme brings to light a massive conspiracy, with its roots in Detachment 2702, linked to an unbreakable Nazi code called Arethusa. And it will represent the path to unimaginable riches and a future of personal and digital liberty...or to universal totalitarianism reborn.

A breathtaking tour de force, and Neal Stephenson's Cryptonomicon is profound and prophetic, hypnotic and hyper-driven, as it leaps forward and back between World War II and the World Wide Web, hinting all the while at a dark day-after-tomorrow. It is a work of great art, thought, and creative daring.

.

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