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The Penguin Book of First World War Poetry (1979)

de Jon Silkin (Editor)

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650535,498 (4.06)11
A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.
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"
The Soldier’s Death
By Anne, Countess of Winchilsea (1660–1720)

TRAIL all your pikes, dispirit every drum,
March in a slow procession from afar,
Ye silent, ye dejected men of war!
Be still the hautboys, and the flute be dumb!
Display no more, in vain, the lofty banner;
For see! where on the bier before ye lies
The pale, the fall’n, the untimely sacrifice
To your mistaken shrine, to your false idol Honour. "
  roseandisabella | Mar 18, 2022 |
My experience with poetry anthologies is limited as an adult reader. Given my pleasant experience with this volume, that is likely to change. Over the last few years while browsing poetry sections I have discovered that this anthology is near ubiquitous. I feel grateful I finally approached it. I would be curious about corresponding verse from Turkey and the Balkans.

I discovered a few new poets I’ll approach again and my estimations of Sassoon, Owen and Blunden were undoubtedly confirmed. ( )
  jonfaith | Feb 22, 2019 |
BTW the Introduction by Jon Silkin is excellent. It’s not just a couple of pages, it’s almost a third of the book (77 pages in a book of 282 pages, though that includes the indexes and the bibliography.) He talks about the issue of evaluating the war poets for their explicit ideas, even if we disagree (as to militarism, patriotism, pacifism and so on) and his schema consists of two parts:

•… an arrangement, or progression, of poets according to a developing consciousness, in relation to the war and the ‘good’ of society as a whole
•…an attempt to group poets in terms of sensibility and language.

He places the war poets in context with the preceding Romantic poets, and he identifies four stages of consciousness:

•… a passive reflection of, or conduit for, the prevailing patriot ideas, and the cant that’s contingent on most social abstract impulsions.
•…’the role of the angry prophet’, protesting against the war through the recreation of physical horror, through anger and satire, and through sardonic distancing.
•…’compassion’ – with strength of feeling
•…’an active desire for change, a change that will re-align the elements of human society in such a way as to make it more creative and fruitful.

This is a very good collection, thoughtfully arranged and inclusive of both sides of the conflict.

To see the rest of my review please visit https://anzlitlovers.com/2018/04/25/the-penguin-book-of-first-world-war-poetry-e... ( )
  anzlitlovers | Apr 25, 2018 |
The Penguin Book of First World War Poetry (Second edition) edited by Jon Silkin and David McDuff is a collection of poetry from and about the WWI. Silkin and McDuff increased the number of poems in translation included in the collection. There are poems translated from German, French, Italian, Russian, and Hebrew, and Silkin was a poet himself. As expressed in the not at the beginning, “For some, war was moral athletics; others looked forward to the experience of war as a ‘vacation from life’ — a vacation from a society disjoined by class and constrained by the rigid structures of labour.” (page 12)

Read the full review: http://savvyverseandwit.com/2012/11/the-penguin-book-of-first-world-war-poetry-s... ( )
  sagustocox | Nov 9, 2012 |
Early works – for young kids ( )
  t29 | Feb 12, 2018 |
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Reconciliation

Word over all, beautiful as the sky,
Beautiful that war and all its deeds of carnage must in time be utterly lost,
That the hands of the sisters Death and Night incessantly
softly wash again, and ever again, this soil'd world;
For my enemy is dead, a man divine as myself is dead,
I look where he lies white-faced and still in the coffin - I draw near,
Bend down and touch lightly with my lips the white face in the coffin.
--From Drum Taps, Walt Whitman
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Introduction: Even compassion must now be circumspect, for if it doesn't try to do away with, or limit, the war that causes the suffering, it's indulgent.
That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgment-day

And sat upright.
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This is the Jon Silkin selection. Please do not combine with the George Walter selection.
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Wikipedia en anglès (1)

A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.

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