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S'està carregant… Tròpic de Càncer (1934)de Henry Miller, Renate Gerhardt, Kurt Wagenseil (Traductor)
  
Favourite Books (214) » 28 més 20th Century Literature (241) 1,001 BYMRBYD Concensus (214) 1930s (68) French Books (68) Unread books (358) Banned Books Week 2014 (178) Erotic Fiction (6) to get (19) No hi ha cap discussió a Converses sobre aquesta obra. I don't like stream of consciousness books. (  ) blueskygreentrees | Jul 30, 2023 |  While I am glad that I finally read this classic, it really wasn't my sort of book. Miller seems to be fixated on sex and the decay of death (and by that I mean all the physical grossness of it - all the disgusting details of putrefaction). (  ) leslie.98 | Jun 27, 2023 | you know what? just because generation after generation of pedantic adolescents hype the shit out of a book doesn't mean that the book isn't any good...unless that book is pretty much anything by Henry Miller. ( ) alison-rose | May 22, 2023 | 8402067069 archivomorero | May 21, 2023 | Third time through, caved in and finally listened to my first audiobook. Ian McShane does a tremendous job bringing out the humour and lyricism of Miller that my Beckett-esque mental voice tends to miss. Has this ruined my personal relationship with the book? Maybe.... but a literary ménage à trois doesn’t seem like the worst thing in the world. Second time reading and still remains my favourite work, does writing get any better than this? ‘Things are happening elsewhere. Things are always happening. It seems wherever I go there is drama. People are like lice - they get under your skin and bury themselves there. You scratch and scratch until the blood comes, but you can't get permanently deloused. Everywhere I go people are making a mess of their lives. Everyone has his private tragedy. It's in the blood now - misfortune, ennui, grief, suicide. The atmosphere is saturated with disaster, frustration, futility. Scratch and scratch, until there's no skin left. However, the effect upon me is exhilarating. Instead of being discouraged or depressed, I enjoy it. I am crying for more and more disasters, for bigger calamities, grander failures. I want the whole world to be out of whack, I want every one to scratch himself to death.’ (  ) theoaustin | May 19, 2023 |
 How shocking Tropic of Cancer was when I got hold of a smuggled copy in the late thirties; how merely charming it is now, redolent of a Paris in which the coffee and Gauloises were alike more aromatic than they’ve been since the war, a genuine vie de bohème, the physical act of love as fresh as if the French had just invented it. Miller unbuttoned the fly and tore open the placket with a fiercer gust than Lawrence (who was still mother’s boy) or Joyce (who let language get in the way). Today’s naked generation has learned nearly everything from him – everything, that is to say, except his bookishness, his capacity for recapturing innocence, his sense of wonder, his sense of words. What Cancer uniquely possesses is a coherent, animating vision of life—one that justifies the book's disjunctions of form, binds together its stark literalism and its reverie, and spares Miller's adventures the drabness of mere anecdote. The vision is of manic nihilism, of hunger for experience combined with scorn for the cowardly, illusion-drugged human race, which has to dream of miracles while "all the while a meter is running inside and there is no hand that can reach in there and shut it off." Miller has given up on value—and, along with it, any obligation to steel his narrative manner against the ironic fates or to tease meaning from the world with modernist devices of myth and symbol. He is simply talking, much as he will talk through thousands of subsequent pages, but with the difference that here the talk is an act of liberation, a registering of the discovery that no care need be taken to seek order, make discriminations, or check one's impulses. "If I am a hyena I am a lean and hungry one: I go forth to fatten myself." Tropic of Cancer is a good piece of writing; and it has also a sort of historical importance. It is the epitaph for the whole generation of American writers and artists that migrated to Paris after the war... It has frequently been characteristic of the American writers in Paris that they have treated pretentious subjects with incompetent style and sordid feeling. Mr. Miller has done the opposite: he has treated an ignoble subject with a sure hand at color and rhythm. He is not self-conscious and not amateurish. And he has somehow managed to be low without being really sordid.  Twenty-eight years have gone by since Tropic of Cancer was first published. Since then its form has become the most fashionable in modern literature. We are being overwhelmed in a pandemic of récits — especially French ones... There is only one trouble with all this stuff. It is soaked in unfathomable solemnity and pompous rhetoric. In all Genêt or Kerouac there is nothing to compare with Miller’s Hindu and the bidet, or the Imaginary Rich Girl. I’m sorry. I just don’t believe Henry when he expands and augments Count Keyserling, or recommends a Dream Book, or worries at breakfast over the astrology column in the morning paper. He’s having us all on — maybe himself included — but behind the deep thoughts from Bughouse Square, there is always, however faint, the steady rumble of low-down mockery. Henry Miller—probably the funniest American writer since Mark Twain... is the closest an American has come to Rabelais... Tropic of Cancer had a liberating spirit, because it seemed totally without hypocrisy... Miller sees friends in terms of the possible meal or bed he can cadge from them, women in terms of their sexual possibilities. Miller seems to bring us closer to "reality," seems to bring art closer to truth. But when we're reading him we don't think of his sexual hyperbole as objective description; we don't assume, for example, that all the women Miller meets are sexy sluts visibly painting for what he can give them... The hero is amazing because he takes such joy in the diversity of possible pleasures; one imagines him as a mild little man with all-embracing tastes, a man eager to try whatever he can get, being excited by even the most unlikely ladies... Miller, one of the great characters in American literature—Huck Finn as a starving expatriate—is... a joyful coward who will always sneak away rather than face an unpleasant scene. Pertany a aquestes col·leccions editorialsBiblioteca Folha (8) — 11 més Contingut aTé l'adaptacióHa inspiratTé un estudi
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 Google Books — S'està carregant…GèneresClassificació Decimal de Dewey (DDC)813.52Literature English (North America) American fiction 20th Century 1900-1944LCC (Clas. Bibl. Congrés EUA)ValoracióMitjana: (3.63)
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