|
|
S'està carregant… The Sketch Book of Geoffrey Crayon, Gent.| 1,255 | 14 | 11,273 | 
(3.79) | 42 | With these words, Washington Irving expresses the dilemma of every American artist in the nineteenth century. The Sketch-Book (1820-1) looks simultaneously towards audiences on both sides of the Atlantic, as Irving explores the uneasy relationship of an American writer to English literarytraditions. He sketches a series of encounters with the cultural shrines of the parent nation, and in two brilliant experiments with tales transplanted from Europe creates the first classic American short stories, 'Rip Van Winkle' and 'The Legend of the Sleepy Hollow'.The result was not only a hugely successful travel book; it exerted a strong formative influence on American writers from Nathaniel Hawthorne and Edgar Allan Poe to Henry James, and is well worth rediscovery in its own right today.Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader. In her introduction, Susan Manning suggests that the author forged a new idiom, the 'Literary Picturesque', to accommodate and turnto advantage his dilemma of dual literary allegiances.… (més) |
| Afegit fa poc per | Charles_Tatum, TheToadRevoltof84, CalAnderson, MelvinMyers, AlleghenyCounty, GeorgeWCarver, bookwidow, hillaryrose7 | | Biblioteques llegades | George Washington Carver, William Somerset Maugham, Edna St. Vincent Millay, Arthur Ransome, Lewis Carroll, Harry S Truman, Ralph Waldo Emerson, Emily Dickinson, USS California (Armored Cruiser No. 6), WHLibrary1963 — 4 més, Edward Estlin Cummings , John Muir, Sir Walter Scott, Ernest Hemingway |
▾Recomanacions de LibraryThing ▾Recomanacions dels membres ▾T'agradarà?
S'està carregant…
 Apunta't a LibraryThing per saber si aquest llibre et pot agradar. ▾Converses (Enllaços) No hi ha cap discussió a Converses sobre aquesta obra. » Mira també 42 mencions ▾Relacions entre sèries i obres Pertany a aquestes col·leccions editorials
|
|
| Títol normalitzat |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. | |
|
| Títol original |
|
| Títols alternatius |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. | |
|
| Data original de publicació |
|
| Gent/Personatges |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. | |
|
| Llocs importants |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. | |
|
| Esdeveniments importants |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. | |
|
| Pel·lícules relacionades |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. | |
|
| Premis i honors |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. | |
|
| Epígraf |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. I have no wife nor children, good or bad, to provide for. A mere spectator of other men's fortunes and adventures, and how they play their parts; which, methinks, are diversely presented unto me, as from a common theatre or scene. BURTON  | |
|
| Dedicatòria |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. To Sir Walter Scott, Bart., this work is dedicated, in testimony of the admiration and affection of the author. | |
|
| Primeres paraules |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. In the bosom of one of those spacious coves which indent the eastern shore of the Hudson, at the broad expansion of the river denominated by the ancient Dutch navigators the Tappan Zee, and where they always prudently shortened sail, and implored the protection of St. Nicholas when they crossed, there lies a small market-town or rural port, which by some is called Greensburg, but which is more generally and properly known by the name of Tarry Town. | |
|
| Citacions |
|
| Darreres paraules |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. | |
|
| Nota de desambiguació |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. The first edition is titled “The Sketch Book of Geoffrey Crayon, Gent.” (abbreviating “Gentleman”). Titles of later editions hyphenate “Sketch-Book,” replace “Gent.” with “Esq.” or simply shorten the title to “The Sketch Book.” The first American edition (1819-20) appeared in seven small paper-bound volumes. The first London edition (1820), in two volumes, added two 1814 magazine articles by Irving (“Traits of Indian Character” and “Philip of Pokanoket”) and a concluding “L‘Envoy.” A revised edition in 1848 added two new stories (“London Antiquities,” “A Sunday in London”) and a preface and postscript to “Rip Van Winkle.” Many abridged editions have been published; some include only the best known stories (e.g., “Rip Van Winkle,” “The Spectre Bridegroom,” “The Legend of Sleepy Hollow”) or the Christmas essays (“Christmas,” “The Stage-Coach,” “Christmas Eve,” “Christmas Day”, “Christmas Dinner”). | |
|
| Editor de l'editorial |
|
| Creadors de notes promocionals a la coberta |
|
| Llengua original |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. | |
|
| CDD/SMD canònics |
|
▾Referències Referències a aquesta obra en fonts externes.  Wikipedia en anglès
No n'hi ha cap ▾Descripcions del llibre With these words, Washington Irving expresses the dilemma of every American artist in the nineteenth century. The Sketch-Book (1820-1) looks simultaneously towards audiences on both sides of the Atlantic, as Irving explores the uneasy relationship of an American writer to English literarytraditions. He sketches a series of encounters with the cultural shrines of the parent nation, and in two brilliant experiments with tales transplanted from Europe creates the first classic American short stories, 'Rip Van Winkle' and 'The Legend of the Sleepy Hollow'.The result was not only a hugely successful travel book; it exerted a strong formative influence on American writers from Nathaniel Hawthorne and Edgar Allan Poe to Henry James, and is well worth rediscovery in its own right today.Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader. In her introduction, Susan Manning suggests that the author forged a new idiom, the 'Literary Picturesque', to accommodate and turnto advantage his dilemma of dual literary allegiances. ▾Descripcions provinents de biblioteques No s'han trobat descripcions de biblioteca. ▾Descripció dels membres de LibraryThing |
 Google Books — S'està carregant…
|
)
)
1
Early in the book, Irving offers maybe the first literary mention of throwing shade:
(talking about "great men") "I have mingled among them in my time,
and have been withered by the shade in which they cast me...."
Totally discouraged about his home country of America, the author lived in Europe
for many years, returns then rather goes on too long about visiting critics from England.
He also gets boring and silly in "Little Britain."
Back home, he writes as eloquently as he did about an English Christmas and Stratford,
yet strangely takes no notice of slavery. (