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S'està carregant… Claim to Fame (edició 2010)de Margaret Peterson Haddix (Autor)
Informació de l'obraClaim to Fame de Margaret Peterson Haddix
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Apunta't a LibraryThing per saber si aquest llibre et pot agradar. No hi ha cap discussió a Converses sobre aquesta obra. The novel Claim to Fame by Margaret Haddix is both intriguing and mysterious. This teen fiction book is for those who like the super-natural and believe there are things that science just can’t explain. With its links to transcendentalism and its jaw dropping conclusion, it is truly a thought provoking work I would recommend this book to a teen girl who enjoys mystery and fiction books. The story starts when Lindsey Scott, a retired child star, is kidnapped from her home in Springfield Indiana by two teenage boys. Luckily, they mean her no harm, but they believe she is being held in her home by her crazy father because of a tabloid. It claims her father pulled her out of show-business and now forces her to study all day, but in reality Lindsey’s breakdown and canceled show was caused by her gift and she is now living alone.
Lindsay's transformation, especially her tranquil, strong, take-on-the-world-on-her-own-terms state at the end, is a bit far-fetched and too quickly realized. However, teens will like the brush with fame and her unique gift and will relate to her feelings of isolation and the need for others' help to spur on the maturation necessary to realize that one isn't always the center of the world; that others need our care.
Sixteen-year-old Lindsay, a former child star whose career ended when she developed the ability to hear what anyone, anywhere says about her and apparently suffered a nervous breakdown, comes to see this as an asset when, after her father's death, she learns that she is not alone. No s'han trobat descripcions de biblioteca. |
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Google Books — S'està carregant… GèneresClassificació Decimal de Dewey (DDC)272Religions History, geographic treatment, biography of Christianity PersecutionsLCC (Clas. Bibl. Congrés EUA)ValoracióMitjana:
Ets tu?Fes-te Autor del LibraryThing. Recorded BooksUna edició d'aquest llibre ha estat publicada per Recorded Books. |
I'm in a bit of a review-writing slump right now. I've been so busy in my personal life lately that blogging has had to go on the back-burner. Speaking of busy, my capstone project in AP English is a speech about Richard III. I've been really swamped researching it - and by swamped, I mean "my floor has been devoured by history books" - but it's been incredibly fascinating learning so much about a period I never really knew much about. I piled all of my research books up and took a picture. I've got quite a stash, haven't I? [note: go to my original review here to see the picture of my research books!]
But I digress. I'm not supposed to be talking about Richard III, am I? I'm supposed to be talking about Lindsay Scott. As I sit here typing, trying really hard to stay focused but not succeeding very well, it occurs to me that on the surface Richard and Lindsay are so different there is literally no real comparison that can be made between them that would segue into the review at hand. They're just about polar opposites, completely different in so many respects - most noticeably in the fact that Richard was a real person, and Lindsay is not. Also, they would have lived 500 years apart.
Actually, the more I think about it the more similarities I see between them. Being king of England 500 years ago was a lot like being a TV-star today: you were rich, famous, powerful, and under constant public scrutiny. Most striking in this (slightly ridiculous, I know) comparison is the fact that both kings and TV-stars are subject (pun intended!) to some serious double-talking. A king's subjects pretend to adore him so much, then turn around and curse him behind his back. A TV-star's costars and fans may offer her nothing but smiles and roses on set - but then go home and privately rant about how much they hate her. It takes a thick hide to live surrounded by such duplicity. Well, a thick hide or complete innocence about the vindictiveness of human nature.
And this is where I manage to segue into talking about the book at hand! Lindsay is an ex-TV-star. She was at the top of her game, a queen in her own court by the time she was eleven. She had that innocence that goes with childhood, and honestly believed that the entire world adored her. Then one day she was able to hear everything that was said about her, everywhere. Her naivety was shattered, her trust broken, and her confidence destroyed. Unable to cope with the stress of hearing exactly what everyone around said about her, she became a virtual recluse. She moved halfway across the country to a new house, one that somehow blocks her debilitating ability - though how, she had no idea. And didn't really care.
The book follows Lindsay five years after moving to Springdale as she is forced to come to terms with everything that has happened to her and learn how to function in the real world. She unearths some very hard truths about her relationship with her (newly deceased) father and the fate of the mother she never knew, even as she forges new relationships and decides whether she will spend her life hiding from the world, or will go out and actually live her life. Haddix introduces a lot of deep themes in Claim to Fame, and it's a very grabbing/thought-provoking read. The book's biggest flaw in my eyes is actually that it doesn't dig as deep as it could into these themes. I suppose that's just a sign that I'm past the target age, though - the first time I read Claim to Fame, I thought it was perfect.
It's not perfect. I can see that now. But it's still very good, and raises a lot of interesting points about everything from transcendentalism to parent-child communication in a manner that just about anyone can digest. If anything I've said about the book interests you, then I highly recommend it. ( )