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(4.1) | 1 / 1140 | Richard Mayhew's life is forever changed after he rescues a young girl named Door and finds himself living in a city of monsters, saints, murderers, and angels, and he must help Door on her mission to save this strange underworld kingdom from destruction. |
▾Recomanacions de LibraryThing  ▾Recomanacions dels membres 22 2 American Gods de Neil Gaiman (WilliamPascoe)WilliamPascoe: Phenominally brilliant fantasy . 16 0 Anansi Boys de Neil Gaiman (elbakerone) 25 10 The Hitchhiker's Guide to the Galaxy de Douglas Adams (souloftherose)souloftherose: Although Neverwhere and The Hitchhiker's Guide (THHG) are different genres (the first is urban fantasy, the second comic science-fiction) I felt there was a lot of similarity between the characters of Richard Mayhew (in Neverwhere) and Arthur Dent (in THHG). Both are a kind of everyman with whom the reader can identify and both embody a certain 'Britishness'. And they're both stonkingly good books by British authors.… (més) 12 1 Un Lun Dun de China Miéville (elbakerone, ahstrick) 11 1 Kraken de China Miéville (fugitive)fugitive: Another urban fantasy vision of London. 10 0 Rivers of London de Ben Aaronovitch (riverwillow)riverwillow: Both 'Neverwhere' and 'Rivers of London' (US title 'Midnight Riot') evoke a magical fairy tale London which sometimes feels more authentic then any real life guide to the city. 9 1 The Ocean at the End of the Lane de Neil Gaiman (riverwillow) 8 0 Alice's Adventures in Wonderland, Through the Looking-Glass and Alice's Adventures Under Ground de Lewis Carroll (sturlington)sturlington: Neverwhere is a lot like a grown-up's Wonderland, and the two stories have a similar, surrealistic feel. 8 4 Storm Front de Jim Butcher (Polenth) 4 0 Gloriana de Michael Moorcock (ed.pendragon)ed.pendragon: Both fantasy titles explore the seedy underbelly of London, one in Tudor times, the other more recently in London Below. 4 0 Whispers Underground de Ben Aaronovitch (Jannes)Jannes: For all your "supernatural secrets in the London underground"-needs. 5 1 Something from the Nightside de Simon R. Green (Phantasma)Phantasma: The nightside novels are a little darker, but if you like the ideas presented in Neverwhere, you'll most likely enjoy the Nightside (actually, I prefer the Nightside and it's gritty dark humor). 3 0 Metro 2033 de Dmitry Glukhovsky (Navarone) 3 0 The Secret History of Moscow de Ekaterina Sedia (elbakerone, parasolofdoom) 2 0 The Mysteries de Lisa Tuttle (ehines)ehines: Regular guy stumbles into the secret realm. In Neverwhere this secret realm is very much a London one; in the Mysteries it is decidedly an old Celtic one. Also Never where turns into a full-blown fantasy adventure, while the Mysteries stays mostly realistic. 2 0 The Water Room de Christopher Fowler (benfulton)benfulton: Explorations of the hidden parts of London. 3 1 The Amulet of Samarkand de Jonathan Stroud (Steveh15) 2 0 Gog de Andrew Sinclair (ed.pendragon)ed.pendragon: Fantasy mixing late 20th century London with fairytale, myth and menace. 4 2 The Good Fairies of New York de Martin Millar (themephi) 2 0 The Book of Lost Things de John Connolly (Headinherbooks_27, Headinherbooks_27)
(Mira totes les recomanacions 45) ▾T'agradarà?
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 Apunta't a LibraryThing per saber si aquest llibre et pot agradar. » Afegeix-hi altres autors (11 possibles) Nom de l'autor | Càrrec | Tipus d'autor | Obra? | Estat | Gaiman, Neil | — | autor primari | totes les edicions | confirmat | Althoff, Gerlinde | — | autor secundari | algunes edicions | confirmat | Berggren, Hans | — | autor secundari | algunes edicions | confirmat | Braiter, Paulina | Traductor | autor secundari | algunes edicions | confirmat | D'Alessandro, Jaime | Epíleg | autor secundari | algunes edicions | confirmat | Fabry, Glenn | Il·lustrador | autor secundari | algunes edicions | confirmat | Faerna, Mónica | Traductor | autor secundari | algunes edicions | confirmat | Gaiman, Neil | Narrador | autor secundari | algunes edicions | confirmat | Halperin, Amy | Dissenyador de la coberta | autor secundari | algunes edicions | confirmat | Hohl, Tina | Traductor | autor secundari | algunes edicions | confirmat | Kivimäki, Mika | Traductor | autor secundari | algunes edicions | confirmat | Marcel, Patrick | — | autor secundari | algunes edicions | confirmat | Mcginnis, Robert | Autor de la coberta | autor secundari | algunes edicions | confirmat | McKean, Dave | Il·lustrador | autor secundari | algunes edicions | confirmat | Osyczka, Dan | Endpaper map | autor secundari | algunes edicions | confirmat | Pék, Zoltán | Traductor | autor secundari | algunes edicions | confirmat | Rijsewijk, Erica van | — | autor secundari | algunes edicions | confirmat | Villa, Elisa | Traductor | autor secundari | algunes edicions | confirmat | Vojtková, Ladislava | Traductor | autor secundari | algunes edicions | confirmat |
▾Relacions entre sèries i obres Pertany a aquestes sèriesPertany a aquestes col·leccions editorialsContingut aTé l'adaptacióEstà ampliat aHa inspiratTé un suplement
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Epígraf |
Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. I have never been to St. John's Wood. I dare not. I should be afraid of the innumerable night of fir trees, afraid to come upon a blood red cup and the beating of the wings of the Eagle. – The Napoleon of Notting Hill, G. K. Chesterton  If ever though gavest hosen or shoon Then every night and all Sit thou down and put them on And Christ receive thy soul
This aye night, this aye night Every night and all Fire and fleet and candlelight And Christ receive thy soul
If ever thou gavest meat or drink Then every night and all The fire shall never make thee shrink And Christ receive thy soul
– The Lyke Wake Dirge (traditional)  | |
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Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. For Lenny Henry, friend and colleague, who made it happen all the way; and Merrilee Heifetz, friend and agent, who makes everything good.  | |
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Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. The night before he went to London, Richard Mayhew was not enjoying himself.  She had been running for four days now, a harum-scarum tumbling flight through passages and tunnels.  | |
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Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. "It starts with doors."  "You've a good heart," she told him. "Sometimes that's enough to see you safe wherever you go." Then she shook her head. "But mostly, it's not."  There are four simple ways for the observant to tell Mr. Croup and Mr. Vandemar apart: first, Mr. Vandemar is two and a half heads taller than Mr. Croup; secnod, Mr. Croup has eyes of a faded china blue, while Mr. Vandemar's eyes are brown; third, while Mr. Vandemar fashioned the rings he wears on his right hand out of the skulls of four ravens, Mr. Croup has no obvious jewelry; fourth, Mr. Croup likes words, while Mr. Vandemar is always hungry. Also, they look nothing at all alike.  He continued, slowly, by a process of osmosis and white knowledge (which is like white noise, only more useful)...  It was a good place, and a fine city, but there is a price to be paid for all good places, and a price that all good places have to pay.  Richard had noticed that events were cowards: they didn't occur singly, but instead they would run in packs and leap out at him all at once.  Richard began to understand darkness: darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring: gliding through his mind. It slipped into his lungs, behind his eyes, into his mouth...  "I have always felt," he said, "that violence was the last refuge of the incompetent, and empty threats the final sanctuary of the terminally inept."  "As old as my tongue," said Hunter, primly, "and a little older than my teeth."  So the day became one of waiting, which was, he knew, a sin: moments were to be experienced; waiting was a sin against both the time that was still to come and the moments one was currently disregarding.  "With cities, as with people, Mister Vandemar," said Mr. Croup, fastidiously, "the condition of the bowels is all-important."  "Have you ever got everything you ever wanted? And then realized it wasn't what you wanted at all?"  "I thought I wanted a nice, normal life. I mean, maybe I am crazy. I mean, maybe. But if this is all there is, then I don't want to be sane. You know?"  | |
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Informació del coneixement compartit en anglès. Modifica-la per localitzar-la a la teva llengua. This is main work for the book Neverwhere. It should not be combined with the TV series on which it is based.  | |
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▾Referències Referències a aquesta obra en fonts externes. Wikipedia en anglès (2)
▾Descripcions del llibre Richard Mayhew's life is forever changed after he rescues a young girl named Door and finds himself living in a city of monsters, saints, murderers, and angels, and he must help Door on her mission to save this strange underworld kingdom from destruction. ▾Descripcions provinents de biblioteques No s'han trobat descripcions de biblioteca. ▾Descripció dels membres de LibraryThing
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El més atraient del llibre és, sens dubte, el dibuix que fa del Londres subterrani, un món invisible al nostres ulls, però al mateix temps tan proper; on els noms de carrers i parades de metro que actualment no tenen cap sentit per nosaltres, esdevenen profundament literals.
El protagonista i el seu viatge de descobriment de final tan previsible, acaben sent una simple excusa i això pesa en el desenvolupament del llibre. La veritat és que mai arribem a empatitzar amb ell, ni semblen creïbles moltes de les coses que li passen.
Més que una novel·la, un exercici d'escapisme. (