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Clockwork Angel (The Infernal Devices) de…
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Clockwork Angel (The Infernal Devices) (2010 original; edició 2010)

de Cassandra Clare (Autor)

MembresRessenyesPopularitatValoració mitjanaMencions
8,183363804 (4.09)167
When sixteen-year-old orphan Tessa Fell's older brother suddenly vanishes, her search for him leads her into Victorian-era London's dangerous supernatural underworld, and when she discovers that she herself is a Downworlder, she must learn to trust the demon-killing Shadowhunters if she ever wants to learn to control her powers and find her brother.… (més)
Membre:kaykayyyyy
Títol:Clockwork Angel (The Infernal Devices)
Autors:Cassandra Clare (Autor)
Informació:Margaret K. McElderry Books (2010), 496 pages
Col·leccions:La teva biblioteca
Valoració:
Etiquetes:No n'hi ha cap

Informació de l'obra

Clockwork Angel de Cassandra Clare (2010)

  1. 80
    The Mortal Instruments Series (Books 1-3) de Cassandra Clare (TomWaitsTables)
  2. 70
    A Great and Terrible Beauty de Libba Bray (fyrefly98)
    fyrefly98: Both are darker YA Victorian fantasies.
  3. 20
    Goliath de Scott Westerfeld (LAKobow)
  4. 20
    Neverwhere de Neil Gaiman (souci)
    souci: Also set in London's past, with a supernatural connection
  5. 31
    Soulless de Gail Carriger (macart3)
    macart3: This book is steampunk, the humor is dry, and deals with the supernatural.
  6. 10
    Faelorehn de Jenna Elizabeth Johnson (magelet87)
    magelet87: The authors write citing stories and lovable characters. The worlds are so fantastical you never want to leave.
  7. 10
    The Inventor's Secret de Andrea Cremer (LAKobow)
  8. 10
    Marina de Carlos Ruiz Zafón (Friederike.Geissler)
  9. 10
    Bloodhound de Tamora Pierce (magelet87)
    magelet87: Not only do both have fantasy elements, they are written by authors who are wonderful and brilliant. They write strong female characters who are kick-@ss; who dont need saving. They do a most of the saving, in fact. Also, both books are GLBT inclusive. Magic, wonderful creatures, strong, independent young women who dont accept the hand they are dealt in life, so they set about to change their place in the world. In fact, this description can work for any book by either author.… (més)
  10. 10
    A Spy in the House de Y. S. Lee (kathleen.morrow)
    kathleen.morrow: While Lee doesn't include paranormal elements, the tales are similar in their suspenseful nature, their realistic Victorian setting, and their strong female characters.
  11. 11
    The Extraordinary and Unusual Adventures of Horatio Lyle de Catherine Webb (HatsForMice)
    HatsForMice: Henry fan? Victorian-London-set-fantasy fan? Brilliant things fan? Horatio Lyle.
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» Mira també 167 mencions

Anglès (360)  Italià (2)  Alemany (1)  Totes les llengües (363)
Es mostren 1-5 de 363 (següent | mostra-les totes)
3.5
I enjoyed this! very much felt the angst of this and just regressed back to middle school YA me. Reading this as an adult though, was still exciting. I think the grief affected me more. Like these aren't just characters that have gone through things but I don't connect to it, these are people that have experienced major loss, and especially Tessa and the whole plot point with her brother really affected me. I think that some of the interactions and dialogue are very scripted and meant to incite excitement in young people reading about love and connection and passion (and I will not lie that glove scene made me feel things), but none of it I think truly captured love for me? It captured like and attraction, but then again that's why there's two more books. Which I am excited to read, but not quite right now. I'm not that gripped that I have to keep reading, but again I did enjoy this book. ( )
  AldaLyons | Nov 4, 2021 |
3.5 stars. ( )
  Sara_Lucario | Oct 19, 2021 |
Cassandra Clare is an author whos books I d0n't exactly enjoy but who I cannot seem to stop reading. Everything aobut her stories, characters, and writing style should appeal to me and yet something about it just doesn't work. I have tried them as physical books, e-books, and audios and they don't really hold my interest and still I soldier on hoping I will enjoy them... ( )
  KateKat11 | Sep 24, 2021 |
It is so funny rereading these after so many years. I loved them long ago when I first read them, and I still love them years later. One of the great things about it being so long between my reading this the first time and reading it now is that I had forgotten most of what was in all of these books, and this gets to feel almost like I am reading it for the first time all over again. I think Cassandra Clare is just brilliant! So this book is the 1st book in The Infernal Devices series, but it is still part of the shadowhunter world that we are introduced to in The Mortal Instruments series. This series however is set in 1878 in London.

Tessa Gray crosses the ocean to join her brother after her Aunt Harriet has passed away. Upon arriving in London, she is kidnapped by the Dark Sisters and learns that she has the ability to transform which the Dark Sisters force her to do repeatedly in order to prepare her for the Magister. Rescued by the shadowhunters, she agrees to help them with a problem they have if they will help her save her brother. ( )
  Completely_Melanie | Sep 10, 2021 |
I loved the new steampunk historical fiction take on the Shadowhunter series. This one felt a bit more subdued compared to The Mortal Instruments, but I'm still looking forward to more! ( )
  Nikki_Sojkowski | Aug 26, 2021 |
Es mostren 1-5 de 363 (següent | mostra-les totes)
Following the untimely death of her aunt, twice-over orphaned Tessa Gray sets out from New York to London to live with her older brother. Virtually penniless, having spent every last cent to pay for the funeral services, Tessa makes the trip across the Atlantic with her hopes high, for at least she and Nate will be reunited again.

Upon reaching England, however, she is greeted not by her older brother but by two crones that introduce themselves as Mrs. Dark and Mrs. Black, bearing a letter written in Nate’s hand. Though Tessa is reluctant to leave with the “Dark Sisters” (as Nate refers to them in his letter), she trusts in her brother’s wishes, only to find herself trapped in a nightmare. The Dark Sisters, in fact warlocks, claim to have abducted Nate and threaten to kill him unless Tessa complies with their strange demands. Soon, Tessa learns that she is no ordinary human, but possesses the power to transform herself into another person—dead or alive. Even more unique, however, is Tessa’s ability to touch the minds of those whose forms she assumes—recalling a dead girl’s last thoughts and a vampiress’s secrets, amongst others. The Dark Sisters, finally deeming Tessa “ready,” have plans to marry her off to their master, the mysterious “Magister” of the Pandemonium Club, and all hope seems lost for young Tessa…

That is, until a mysterious, handsome young Shadowhunter comes to Tessa’s rescue. Soon she is swooped away again into a new world, seeking refuge with the Shadowhunters—a society of nephilim (that is, the offspring of angels and humans) charged with the duty of protecting humanity from Downworlders (that is, demons, warlocks, vampires, etc) at any cost. Tessa and her brother are keys to a much larger conspiracy, as the Shadowhunters soon discover the Pandemonium Club and its Magister have hatched a plot to rid the world of Shadowhunters altogether, by means nefarious, and mechanical.

Of course, in the midst of all this gloom and doom, Tessa finds time to fall in love with not one but TWO gorgeous Shadowhunters, who (of course!) find Tessa irresistible. Besides trying to save the world and her brother, Tessa also must come to terms with the dictates of her heart.

Clockwork Angel, published by Margaret K. McElderry Books (Simon & Schuster), is the first book I have read from Cassandra Clare (I have been assured that the Mortal Instruments trilogy is not a necessary prerequisite to reading Clockwork Angel), and as an introduction, I must say that I am somewhat… underwhelmed. Ms. Clare’s writing is certainly readable and entertaining, but in the way of bad reality television or MTV shows.

The overarching story—that of the mystery of the Pandemonium Club, the identity of The Magister, and their plans to overthrow the Shadowhunters—lacks complexity and tends towards the hyperdramatic and predictable, but for all that is generally well-paced, fun stuff. Though the quality of the prose and general flow of the novel lacks any sort of writerly finesse in its blunt simplicity and affinity for the cheesiest dialogue I have read in a very long time (i.e. Tessa to The Magister, expressing terror at his desire to marry her: “But why? You don’t love me. You don’t know me. You didn’t even know what I looked like! I could have been hideous!”), the story in itself isn’t bad. That’s not where the brunt of my disappointment with the novel lies.

No, what I take issue with is the novel’s unconvincing period setting, its ridiculous characterizations, and above all, the same Twilightified-Mary Sue heroine meets two superhawt supernatural dudes that fall for her trope.

First, the setting and period. Purportedly, Clockwork Angel is a steampunk novel, although the only real steampunkish thing about it is the time period (set in Victorian London) and the presence of a slew of killer automatons. To me, this does not a true steampunk novel make, as Clockwork Angel lacks either necessary quality (the centrality of steam-powered aesthetic/technology, or the socio-economic critique) to be truly considered a work of the steampunk subgenre. Furthermore, the character dialogue feels as though an American author is trying—unsuccessfully—to write in the Victorian period. In truth, this novel could have taken place in any other time period, in any other country, and it still would have been the same book.

With regard to characterizations, Ms. Clare’s cast in Clockwork Angel similarly leaves much to be desired. Heroine Tessa is nothing if she isn’t a sickening hybrid self-insertion blank page heroine Mary Sue—she’s so very understanding of others’ faults (at one pivotal point in the book, for example, “Tessa felt a wave of frustrated anger, but pushed it back. Sophie had just had a friend die in her arms; she could hardly be blamed for forgetting a key”), mindlessly devoted to her beloved brother (no matter how terribly he has wronged her), generally pretty and tall, with the only drawback to her appearance being how thin and pale she is, and how her hair is brown. Most importantly, Tessa is SUPER!POWERFUL. No one knows what exactly her shapeshifting powers are or what they mean, except that the Magister wants her as his bride and that her abilities have never been seen before. Of course, the Magister isn’t the only one after Tessa—so too is best friend Shadowhunter Will (the dark, sexy, tempestuous bad boy) and Jem (the light, tempered and sensitive good guy). Neither of these boys have any real reason to fall in love with Tessa, but of course they both do, sparking a huge debate in Ms. Clare’s formidable fanbase to the cries of “Team Will!” or “Team Jem!” To that end, I will say that both Will and Jem are decently developed characters with a lot of potential; Will, with his clearly troubled and guarded past, and Jem with his own terminal illness. Both Will and Jem are passably crushworthy, if a reader is so inclined to form literary crushes and fly the Team Will/Jem flag.

The point, however, is that Tessa, the supposed heroine of this story, is not worth rooting for in the slightest. With all the personality of industrial paint, Tessa is as “blank page heroine” as you can get. As YA author Sarah Rees Brennan describes the phenomenon:

[The Blank Page Heroine] is in a lot of books—I don’t mean to pick on romance, because sadly I have seen her in every genre, including my own—and sometimes she seems to be there as a match for the hero who won’t bother him with things like “hobbies” and “opinions.” Sometimes she is carefully featureless (still missing those pesky hobbies and opinions) so that, apparently, the reader can identify with her and slot their own personalities onto a blank page. As I don’t identify with blank pages, I find the whole business disturbing.

What is it about this particular type of heroine, that she keeps popping her nondescript head into genre fiction novels? (O, Stephanie Meyer, what hast thou wrought!?) I prefer characters that are flawed, challenging, and engaging—not soppy, uninspired, oh-so-desirable-for-no-discernable-reason stand-ins.

Doubtless, there are many fans of this book, the series, and the trope that will disagree with me. But in this reader’s opinion? Clockwork Angel, though not without its entertainment value and high points, left me cold and unimpressed.
afegit per susieimage | editaTor.com, Thea James (Sep 9, 2010)
 
3.5 out of 5 stars! This story, being based in 1878, was sooo interesting to read how much things were different for them "back-in-the-day" compared to how the Shadowhunters and the Downworlders were living during the The Mortal Instruments Series. Plus ... the added bonus of trying to see whom is the ancestor of whom. This novel is everything that I could have hoped for ... and love triangle between Tessa and two great guys (and best friends) Will and Jem (James), along with mystery and then major plot twists at the end. And, so far, except for Tessa, everyone really isn't who they seem. I can't wait to see what will happen in the nest book called the "Clockwork Princess" coming out in 2012!!

Read more of this review and a TEASER here: https://frommetoyouvideophoto.blogspot...
 

» Afegeix-hi altres autors (3 possibles)

Nom de l'autorCàrrecTipus d'autorObra?Estat
Clare, Cassandraautor primaritotes les edicionsconfirmat
Ehle, JenniferNarradorautor secundarialgunes edicionsconfirmat
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"But the books are behind bars!" she said. "Like a literary prison!"

Will grinned. "Some of these books bite," he said. "It's wise to be careful."

"One must always be careful of books," said Tessa, "and what is inside them, for words have the power to change us."

(quote taken from ARC, page 87, and may be different from final edition)
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When sixteen-year-old orphan Tessa Fell's older brother suddenly vanishes, her search for him leads her into Victorian-era London's dangerous supernatural underworld, and when she discovers that she herself is a Downworlder, she must learn to trust the demon-killing Shadowhunters if she ever wants to learn to control her powers and find her brother.

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