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Gustav Metzger: Decades 1959-2009 de Julia…
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Gustav Metzger: Decades 1959-2009 (edició 2009)

de Julia Peyton-Jones, Hans-Ulrich Obrist, Norman Rosenthal

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This title is published to accompany the Serpentine Gallery's major exhibition of work by the influential artist and activist Gustav Metzger, examining his life-long exploration of politics, ecology and the destructive powers of 20th-century society. Metzger's career has spanned over 60 years and this is the most extensive survey of his work to be shown in the UK. Decades draws together the themes and methodologies that have informed the London-based artist's practice from 1959 until the present day. The broad cross-section of works on view include Metzger's auto-destructive and auto-creative works of the 1960s, such as his pioneering liquid crystal projections; the ongoing Historic Photographs series, which responds to major events and catastrophes; and later works exploring ecological issues, globalisation and commercialisation. Film footage of seminal performances and actions are exhibited, as well as a new, participative installation using the archive of newspapers Metzger has been collecting since 1995.… (més)
Membre:CCS_Library
Títol:Gustav Metzger: Decades 1959-2009
Autors:Julia Peyton-Jones
Altres autors:Hans-Ulrich Obrist, Norman Rosenthal
Informació:Buchhandlung Walther Konig (2009), Paperback, 96 pages
Col·leccions:La teva biblioteca
Valoració:
Etiquetes:Arts Bibliographic 053567

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Gustav Metzger: Decades 1959-2009 de Norman Rosenthal

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This title is published to accompany the Serpentine Gallery's major exhibition of work by the influential artist and activist Gustav Metzger, examining his life-long exploration of politics, ecology and the destructive powers of 20th-century society. Metzger's career has spanned over 60 years and this is the most extensive survey of his work to be shown in the UK. Decades draws together the themes and methodologies that have informed the London-based artist's practice from 1959 until the present day. The broad cross-section of works on view include Metzger's auto-destructive and auto-creative works of the 1960s, such as his pioneering liquid crystal projections; the ongoing Historic Photographs series, which responds to major events and catastrophes; and later works exploring ecological issues, globalisation and commercialisation. Film footage of seminal performances and actions are exhibited, as well as a new, participative installation using the archive of newspapers Metzger has been collecting since 1995.

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