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S'està carregant… Arms of Nemesis (1992)de Steven Saylor
![]() Cap No hi ha cap discussió a Converses sobre aquesta obra. Much better than the first Gordanius novel, this book takes us inside Crassus' villa and makes us root for his slaves. The mystery was well thought out; I could not figure it out before it came to the conclusion, which is a good thing. I have read some reviews that found the presence of Eco annoying, but I enjoyed Gordanius having a sidekick. I'll be looking forward to the 3rd book in this series. Nada es lo que parece a primera vista en el segundo caso de la serie de misterio de la antigua Roma. La desconsolada viuda del poderoso Marco Craso, el hombre más rico de Roma, desciende al barrio más impresentable de Roma para que el ahora famoso y sagaz detective Gordiano el Sabueso investigue un extraño crimen cometido en una de las villas de su difunto esposo. Pero nada es lo que parece. I thoroughly enjoyed this historical murder mystery; perhaps more for the history than for the mystery. An ancient 'detective' or finder is charged with finding the truth about a murder within a few days and thus might succeed in cancelling the slaugher of every slave in the victim's household. Set against the backdrop of the Spartacan Slave Revolt, this book was thoroughly researched and managed to bring history alive in a most entertaining way. I was so impressed in the epilogue about the sources the author used. I give it high marks within the mystery genre too. It had a strong, well-structured plot with a forceful conflict, and interesting characters. A few times I felt the physical desciptions of landscapes and background overtook the plot and while the resolution might have been predictable and the solution more by circumstances than by the detective's wit, overall the book was a real page turner. I eagerly look forward to reading more of Saylor's books. Not quite up to the first one. Thought Crassus in particular was not well defined. But loved the Baiae details. I was confused about the series sequence: this one was the second written but then he wrote two more that occur in the time between this one and the first (Roman Blood). So I am satisfied with the order I'm reading them in. Sense ressenyes | afegeix-hi una ressenya
Pertany a aquestes sèries
Fiction.
Mystery.
"A compulsively entertaining whodunit.".
HTML: South of Rome on the Gulf of Puteoli stands the splendid villa of Marcus Crassus, Rome's wealthiest citizen. When the estate overseer is murdered, Crassus concludes that the deed was done by two missing slaves, who have probably run off to join the Spartacan Slave Revolt. Unless they are found within five days, Crassus vows to massacre his remaining ninety-nine slaves. To Gordianus the Finder falls the fateful task of resolving this riddle from Hades. In a house filled with secrets, the truth is slow to emerge. And as the hour of the massacre approaches, Gordianus realizes that the labyrinthine path he has chosen may just lead to his own destruction. .No s'han trobat descripcions de biblioteca. |
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![]() GèneresClassificació Decimal de Dewey (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LCC (Clas. Bibl. Congrés EUA)ValoracióMitjana:![]()
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The author is a classist who loves to give his readers a view of the Roman world. This is an important quality of the books but it also becomes a bit of weakness, as the protagonist Gordianus becomes more a wandering witness, a historical travel guide, than someone whose actions propel the story forward. In fact Gordianus blunders about quite a bit while he guides us through a long series of interesting locations and events (a trireme, an underground temple, a private bathhouse, a temporary arena, a funeral, a seashore cave, and a rich villa, in no particular order). It is all fun and the scenery is great, but the scenery can overwhelm the story.
The ending is a bit unsatisfactory to me. The denouement of the plot is presented in conversation by Marcus Crassus, while the culprit vanishes from the scene into a closed room (and a violent death). I think this comes about because, in defiance of the conventions of the genre, the criminal turns out to be a fundamentally uninteresting person. (