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S'està carregant… A Brush Full of Colour: The World of Ted Harrisonde Margriet Ruurs
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Premis
Now in an updated edition with revised back matter, the quintessential picture-book biography of Ted Harrison (1926-2015) Ted Harrison's brightly coloured and wildly imaginative paintings set in the Yukon have become synonymous with the North. His instantly-recognizable images of the land of the midnight sun hang in galleries and private collections around the world. But how did a boy who grew up in a drab mining town in northeast England become one of Canada's most beloved and decorated artists? A Brush Full of Colour is the story of a boy whose passion for learning would save him from a life in the coalmines. The books by the American writer Jack London and Canadian poet Robert Service fired his imagination with scenes of the wilderness and the Klondike Gold Rush. He trained as an artist, and a stint in the British Intelligence Service allowed him to travel. But Ted never stopped dreaming of the North, and when he saw an advertisement for teachers in Northern Alberta, he jumped at the chance to emigrate to Canada, where the biggest adventure of his life would begin. Margriet Ruurs and Katherine Gibson trace the life of Ted Harrison and the influences that would lead to his unique style as an artist. Filled with full-colour examples of his vivid art, and with a foreword written by Ted Harrison himself, this nonfiction picture book will provide inspiration for a new generation of budding artists. No s'han trobat descripcions de biblioteca. |
Debats actualsCap
Google Books — S'està carregant… GèneresClassificació Decimal de Dewey (DDC)759.11The arts Painting History, geographic treatment, biography United States and Canada CanadaLCC (Clas. Bibl. Congrés EUA)ValoracióMitjana:
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I love this artist’s work. I hadn’t remembered that he’d designed the Yukon Pavilion for the Expo ’86 World’s Fair in Vancouver. I spent a lot of time at that Fair and remember loving the Yukon exhibit. There is a photo in this book of the entrance to that exhibit, beautifully and creatively designed & painted by this artist. I recognized it right away.
I like that the artist wrote a short Foreword for this book. He is an interesting person and has contributed a lot, especially through his art and his teaching. I enjoyed reading about his loving and supportive family of origin and about his travels and about the family he created. His wife is also remarkable with her accomplishments in the field of education.
I love that he was so observant and noticed how much sadness in the world and appreciated that he made a deliberate choice that “his paintings would show only positive images.” His quote: “There’s enough sadness and misery in the world without hanging it on our walls.” And a related quote: “We should all try to spread a little happiness wherever we may be."
This is a text heavy book but there are plenty of paintings and photos included.
I love all of his art, from everywhere he was, and his Yukon art in particular. I smile when looking at the colors and shapes of his paintings done in the Yukon. I love the subject matter that he chose.
I applaud his quote: “Art must be part of every child’s education. Painting is the last great freedom. You can paint what you like.”
At the back of the book there is a page of Sources & Resources and there is also a one page Index.
I shelved this on August 30 but I can’t remember how I found it. None of my Goodreads friends have this book shelved. I was motivated enough to read it that I ordered it from my library’s LINK+ program, a free service where I can borrow books that my library doesn’t have from most other public and university libraries in California and Nevada. Even though the books are free to borrow I’m anxious when I have one at home. They have to be returned to the desk and handed to a library staff member, if late the late fee is $1.00 a day, and if lost there is a $115.00 charge. I use the service only very occasionally. It was worth it for this book and I’m grateful that I could read it. Highly recommended!
ETA: The one thing about the book I didn't love was how the reader is invited to notice things about the art. It's instructional. It might be great for some readers but I wanted to look at the art on my terms and being asked to notice certain things (which might be appealing for many!) took me away from what I was viewing. ( )