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Set in Romania at the height of Ceauescu's reign of terror, The Land of Green Plums tells the story of a group of young people who leave the impoverished province for the city in search of better prospects and camaraderie. But their hopes are ravaged, because the city, no less than the countryside, bears everywhere the mark of the dictatorship's corrosive touch. All the narrator's friends—teachers and students of vaguely dissident allegiance—betray her, do away with themselves, or both. As they do so, we see the way the totalitarian state comes to inhabit every human realm and how everyone, even the strongest, must either bend to the oppressors or resist them and thereby perish. Herta Müller, herself a survivor of Ceausescu's police state, speaks from intimate experience. Scene by scene, in language at once harsh and poetic, she constructs a devastating picture of a society and a generation ruined by fear. In simple images of hieroglyphic power—policeman filling their pockets and mouths with green plums; girls sleeping with abattoir workers for bags of offal; a docile proletariat making things no one wants—"tin sheep and wooden watermelons"—Müller anatomizes a country and its citizens and the corruption that has rotted the core of both.… (més)
Ms. Muller's vision of a police state manned by plum thieves reads like a kind of fairy tale on the mingled evils of gluttony, stupidity and brutality.
Informació del coneixement compartit en anglès.Modifica-la per localitzar-la a la teva llengua.
Everyone had a friend in every wisp of cloud that's how it is with friends where the world is full of fear even my mother said, that's how it is friends are out of the question think of more serious things. --Gellu Naum
Dedicatòria
Primeres paraules
Informació del coneixement compartit en anglès.Modifica-la per localitzar-la a la teva llengua.
When we don't speak, said Edgar, we become unbearable, and when we do, we make fools of ourselves.
Citacions
Darreres paraules
Informació del coneixement compartit en anglès.Modifica-la per localitzar-la a la teva llengua.
When we don't speak, said Edgar, we become unbearable, and when we do, we make fools of ourselves.
Set in Romania at the height of Ceauescu's reign of terror, The Land of Green Plums tells the story of a group of young people who leave the impoverished province for the city in search of better prospects and camaraderie. But their hopes are ravaged, because the city, no less than the countryside, bears everywhere the mark of the dictatorship's corrosive touch. All the narrator's friends—teachers and students of vaguely dissident allegiance—betray her, do away with themselves, or both. As they do so, we see the way the totalitarian state comes to inhabit every human realm and how everyone, even the strongest, must either bend to the oppressors or resist them and thereby perish. Herta Müller, herself a survivor of Ceausescu's police state, speaks from intimate experience. Scene by scene, in language at once harsh and poetic, she constructs a devastating picture of a society and a generation ruined by fear. In simple images of hieroglyphic power—policeman filling their pockets and mouths with green plums; girls sleeping with abattoir workers for bags of offal; a docile proletariat making things no one wants—"tin sheep and wooden watermelons"—Müller anatomizes a country and its citizens and the corruption that has rotted the core of both.
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