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The Call-Out: A Novel in Rhyme (2022)

de Cat Fitzpatrick

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324754,342 (4.07)Cap
Anvi, Kate, Bette, Keiko, Gaia, and Day are six queer, mostly trans women surviving and thriving in Brooklyn. Visiting all the fixtures of fashionable 21st century queer society-picnics, literary readings, health conferences, drag shows, punk houses, community accountability processes, Grindr hookups-The Call-Out also engages with pressing questions around economic precarity, sexual consent, racism in queer spaces, and feminist theory, in the service of asking what it takes to build, or destroy, a marginalized community. A novel written in verse, The Call-Out recalls the Russian literary classic Eugene Onegin, but instead of 19th century Russian aristocrats crudely solved their disagreements with pistols, the participants in this rhyming drama have developed a more refined weapon, the online call-out, a cancel-culture staple. In this passionate tangle of modern relationships, where a barbed tweet can be as dangerous as the narrator's bon-mots, Cat Fitzpatrick has fashioned a modern novel of manners that gives readers access to a vibrant cultural underground.… (més)
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Es mostren totes 4
To be honest, I checked this out entirely because of the Michelle Tea blurb on the cover.

This is a novel-in-verse which “recalls” Eugene Onegin, which I have not read and know next to nothing about, so anything I was supposed to get out of that I missed entirely.

This is a book whose six main characters are all trans-women, and nearly every character appearing here is trans, and all of them LGBTQIA+. This is a very messy book of relationships and identity and politics, centering a call-out which appears about halfway through the book.

The tone of the book seemed to suggest to me that I should be taking this all very lightly, but some of the characters really made me grind my teeth in frustration, which was less fun. The verse worked for me and I liked the way the book gave such diverse snapshots of the NYC trans scene, with not just racial diversity, but characters both recently out as trans and characters who considered themselves trans elders, polya characters on grindr and couples trying to get pregnant…

What I really came away from this book with was the thought of how difficult it must be any time you are in a population where the Venn diagram of your community members and your dating pool is almost a complete overlap.

I liked it and I am glad I read it, but I was definitely left with the feeling that I would have gotten more out of it had I been more familiar with Eugene Onegin first. ( )
  greeniezona | Feb 22, 2024 |
Generally, yeah! The rhyme scheme seemed purposely kind of odd and it often doesn't scan, but you know what, it's still a fun idea and an interesting accomplishment. I should quote some of my favorite bits---the stanza about Philly Trans Health makes the cut of course---when I have it on hand. ( )
  caedocyon | Jul 18, 2023 |
this works for me on a characters & plot level, less well on a verse level
  hapax_l | Mar 19, 2023 |
2022. An utterly unique book about a group of trans women in Brooklyn. They go to clubs and parties, the trans lady picnic in Prospect Park, and the Philadelphia Trans Health Conference, but mostly they have relationships with each other. Probably the best glimpse into their lives an outsider will ever get. They are almost all white. There’s an Asian character Keiko and a cis Indian woman Aashvi. There are the usual vicissitudes. Poverty, sex work, depression, drugs, alcohol, discrimination, misogyny. I thought the ‘in verse’ part might kill it for me, but it works so seamlessly I often forgot it was verse. Basically a trans femme tour de force. ( )
  kylekatz | Jan 7, 2023 |
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Anvi, Kate, Bette, Keiko, Gaia, and Day are six queer, mostly trans women surviving and thriving in Brooklyn. Visiting all the fixtures of fashionable 21st century queer society-picnics, literary readings, health conferences, drag shows, punk houses, community accountability processes, Grindr hookups-The Call-Out also engages with pressing questions around economic precarity, sexual consent, racism in queer spaces, and feminist theory, in the service of asking what it takes to build, or destroy, a marginalized community. A novel written in verse, The Call-Out recalls the Russian literary classic Eugene Onegin, but instead of 19th century Russian aristocrats crudely solved their disagreements with pistols, the participants in this rhyming drama have developed a more refined weapon, the online call-out, a cancel-culture staple. In this passionate tangle of modern relationships, where a barbed tweet can be as dangerous as the narrator's bon-mots, Cat Fitzpatrick has fashioned a modern novel of manners that gives readers access to a vibrant cultural underground.

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