Tom Barczak

Awakening Evarun by Tom Barczak
S.E. rating: 5 of 5 stars

Thaumaturgy is associated with deep incantation of magic, and Tom Barczak is an expert at such language-delivered-necromancy. I had the pleasure of interviewing him on the topic of Beauty in Weird fiction.

Weird fiction pioneer Clark Ashton Smith once wrote: "My own conscious ideal has been to delude the reader into accepting an impossibility, or series of impossibilities, by means of a sort of verbal black magic, in the achievement of which I make use of prose-rhythm, metaphor, simile, tone-color, counter-point, and other stylistic resources, like a sort of incantation."

Tom Barczak's poetic style is as mesmerizing like Clark Ashton Smith's style, but produces fiction laced with both (a) total grimness and (b) hopeful redemption. His work is compact Sword & Sorcery for the serious reader, with undertones of spirituality. This is not like C.S. Lewis's approach to Young Adult fantasy fiction; Barczak writes for a mature reader who wants to explore ruins filled with ghosts and meet evil face-to-face. Here is an excerpt:

"A little boy stared back at him with living eyes. Dark, deep, and soul filled eyes, eyes that hadn’t begun to carry the scars of the loss of everything around them, eyes that didn’t hide behind a veil, behind a promise made to be broken. His eyes were familiar. The boy’s eyes weren’t afraid. They were hungry.

Talus threw himself backwards, fumbling with his cloak. He thrust the small blade of his trembling knife towards the boy. The new light of day settled upon it like blood.

The boy scrambled away, but his dark eyes held like ice. He raised his hand to a growing red scar just let upon his cheek. A supplicant’s smile stretched his lips. He placed the back of his hand against his face."

There are six short stories in the Awakening, a set that is a prequel to Veil of the Dragon (which I enjoyed of course). They are very short... but the amount of impact per word is very high. This type of work is best served in limited doses (i.e. like espresso). Unpolished illustrations from the author are a nice touch; they are fitting since the author is an artists/architect, but they are bonus material to complement the experience.

The Awakening Evarun is highly recommended.… (més)

“…all seemed like a ghost that he could scarcely remember…”

There is a lot to like in Tom Barczak’s Veil of the Dragon. Barczak is an artist/architect who delivers a splendid adventure with interesting characters, a beautiful style, and a haunting medieval setting. Veil of the Dragon is well-done, angelic warfare. Occasional sketches by the author are a nice touch, but they are not finished or abundant enough to affect the read. Barczak’s dreamy style carries the story well enough on its own (see excerpts below). Expect a poetic read, with lots of combat with demons, ghosts, and angels.

The two primary characters are neatly designed and paired: “Al-Aaron”, a young priest-warrior, serves as a teacher of sorts to the older “Chaelus,” a prince dragged into a battle for redemption. The child leads the adult in a believable, interesting way. They battle a disembodied evil (the titular Dragon), and those it has corrupted: the wraith-like Remnants. Chaelus is haunted by a former love, the loss of a mother, and a deadly relationship with his father.

Christianity is not overtly identified, but readers will detect its influence given the inclusion of:
1) Ever present themes of redemption
2) Lots of resurrection
3) A magic system based on blind faith
4) A medieval milieu with priest-warriors (Crusaders): these are the white robed, chain mailed Servian Knights, adorned with red, prostrate crosses on their chests. They are equipped with cloth covered swords and vowed to use their weapons only against intangible demons
5) Angelic warfare between a merciful Creator/Giver and a Dragon/Serpent who assumes shadowy form that can poison souls (arguably a more effective dark-force than Tolkien’s Sauron)

Keeping this nice work from a 5-star rating is its unique strength: the dreamy style was so constant and intense that I often got lost in the trips. As a reader I really felt the character’s struggle to discern reality from fantasy: “…all seemed like a ghost that he could scarcely remember…” An overabundance of the following words proved distracting: veil, shadow, azure flame, cenotaph, and happas. Veil of the Dragon offers more than it can resolve in one novel, which should motivate readers to track down the prequels (Awakening Evarun, a serial of six parts). I look forward to reading more artsy, grim Sword & Sorcery from Barczak.

EXCERPTS:

Ethereal Haunts
”Behind him, a bitter sigh resounded through the bent and broken wood. The forest was speaking. Behind him, the path he’d only just cleared had gone. From the trees, shadows bled like oil, folding down amidst the branches.”

“His breath held like a vapor. The Dragon’s whisper splintered across the frozen air.”

“The stones trembled as they changed, melting away like ice upon spring water. The passage closed in ahead of him.”

"Illuminating from beneath the water like a fallen angel, ghostlike in her glow, a girl child lay drawn in upon herself. Her head was shaven and her skin was bare. Ebony spandrels laced out from the black spots that covered her. Her lips moved faintly upon her upturned face. Her gray eyes flickered. A shadow turned in the water beside her, matching the one within.”

Demonic Creatures:

”The spirits’ breath hung like a black vapor in tendrils about them. Armored veils hid all but the abyss of their eyes. Beneath them, their acrid laughter shrilled out amidst the grinding clatter of their teeth. Yet it wasn’t laughter. No; it was a desperate sound, one of anticipation, the kind that a starving cur utters for carrion."

"The demons drew closer beyond the wall of shadow, their armored veils now torn aside. The terror of their empty eyes was bettered only by their ghoulish maws beneath, filled with beast-like teeth meant for the consumption of souls, the corpses of the Khaalish, torn and cast away beneath them. Unsated, they howled at the ones who had retreated from them."

"…a black and bloodied claw emerged, grasping at its edge. Sand clung to its wet, skinless flesh. The creature pulled its body up, pushing its way past the heavy bones that had caged it. It clambered until it stood, stooped and broken, naked in the rawness of its gray flesh.”… (més)

*Giveaway Bonus*

If you would like the opportunity to win a Kindle copy of Awakening Evarun (Part I of VI) by January 27th, 2012, just visit the blog (http://fuisti.blogspot.com/2012/01/awakening-evarun-part-i-of-vi-by-thomas.html).

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The world Talus inhabits is a dark one full of death. Wizards and dragons, both ferocious in their own right, made it that way. You can hear them coming from miles away, what with the sounds of drumbeats and cries announcing their arrival. Even if you can't see them, they can see you through the eyes of the dead.

In a world full of death, there's really nowhere to hide.

Still, Talus tries. At first he seems like he is just a poor man surviving on the smallest of threads, but there is much more to him than what readers initially see in chapter one, just like there is much more to the little boy who tells Talus that the wizards have found him.

Hiding is no longer an option.

Awakening Evarun's uniqueness in format is what attracted me to the book. It's a six part serial novel, meaning that each part is relatively short, with a beautiful sketch before each chapter. This isn't a route many authors or publishers take. Thomas Barczak wrote the story, drew the sketches, and self-published it. In all, he's one hell of a one man team, and I can't help but respect that.

Barczak's writing is lyrical at times yet simple and easy to understand. However, there were at least two instances where a lyrical description went over my head even when I reread the sentence. I liked the amount of white space as well. Exposition never seemed unnecessary, which is sometimes a problem in fantasy books.

When reading fantasies, I always take note of the terminology in the hopes that I'll learn more later (also so that I won't lose track). Fortunately, there wasn't an overwhelming amount of terms to keep up with, but there were enough to convince me that the world is definitely a place developed enough to feel separate from our own. The only time I felt this separation was shaky was near the end, when I couldn't help but think of Christianity.

If you like fantasy, art, and a short read (it took me less than an hour to finish and I was taking notes), I don't see why you shouldn't try Awakening Evarun (Part I of VI). I know I'm looking forward to reading the other five parts.… (més)