Ellen UmanskyRessenyes

This novel moves between two storylines - one in World War II Europe and the other 2000s LA - that are interconnected and centered around a piece of artwork: The Bellhop by Chaim Soutine. The painting dubiously changed hands during the war and subsequently, forming the driving force of this novel's plot. It makes for a compelling story, but it felt very similar to the many other books I've read with these themes set in this era.

Dual timeline story about two women with ties to the same famous painting. In 1939, with war looming in Europe, Rose Zimmer and her brother, Gerhard, are sent by their parents from Austria to England on Kindertransport. Rose retains memories of the painting, The Bellhop by Chaim Soutine, hanging in her mother’s bedroom. The second timeline is set in Los Angeles in 2000’s. Lizzie Goldstein is attending her father’s funeral, where she meets Rose, and the two form a friendship. Lizzie’s father had later owned the same painting, and it had been stolen. We gradually learn the backstories of both characters as well as what happened to the painting.

The chapters alternate between World War II times and present-day. While the painting is the common link between the two stories, it is much more focused on the lives of the characters. Rose’s story is one of devastating loss, and how the painting becomes the focus of finding a link to her past. Lizzie’s story cannot possibly equal Rose’s, but the two are blended well.

I liked the premise of this book in tying together two stories to a piece of art that had been stolen more than once. It takes a while to get the groundwork established, and the second half is much more compelling than the first. This book is quiet and reflective. The poignant scenes of separation and loss are well done and believable. It contains an emotional depth of feeling, especially in bringing to life the gut-wrenching decision to send your children away without knowing what would happen to them. It is a strong debut.

There have been a number of "Lost Painting" books in the past few years. In most of them the search for the painting merges with the soul searching of the protagonist. "The Fortunate Ones" is no different in this respect. However, Rose's WWII trauma and the Nazi theft of art in the possession of Jews juxtaposed with more recent art scandals is entirely new. Umansky pulls off a psychological thriller with a bonus whodunnit.
The one problem I had with this novel was the composition. Even though the jumps in time and point of view were announced at the beginning of a chapter, the flashbacks within the text made it sometimes confusing.

"The Fortunate Ones' centers on an intriguing painting stolen from an Austrian family during the Nazi's World War II occupation of that country. Storylines intertwine as the painting's owners, old and new, recognize the significance of the artwork and the personal relationships attached to it.

There are already many excellent novels that reflect the generational human cost of World War II as well as non-fiction works about the wartime theft of artwork from Jewish families. "The Fortunate Ones," although readable, does not contribute to this rich genre of World War II fiction and non-fiction. Not recommended.

Note: I received my free copy of "The Fortunate Ones" through LibraryThing's Early Reviewer program.½

2.5 stars. I kept waiting for something exciting to happen - for the painting to be found, to discover why it was so important, etc. The characters seemed a little flat, and at times, the switching between Vienna and current day was confusing.

*I received this book for free in exchange for an honest review.*

The Fortunate Ones is a brilliant debut that spans decades, through pre-war, WW I & II to present days; and has brought two women of different worlds and generations together. And the common factor that made this happen is a piece of stolen painting Bellhop by Chaim Soutine.

The story tells of the escape of 11-year-old Rose and her brother Gerhard , without their parents, from the war-invaded Vienna to England. It is learned that a lot of paintings have been stolen or missing after the war. Grief-striken, lonely, and home-sick, Rose is always on the search of her mother’s most cherished painting Bellhop as in finding a piece of her childhood with her parents, in order to comfort and soothe her feeling.

In Los Angeles 2006-2008, Lizzie is also searching for the Bellhop which she blames that it is her fault the painting was stolen. At her father’s funeral, Rose and Lizzie have bonded an unusual friendship, and together they try to hunt down the missing Bellhop. Are they able to recover the painting? The ending has an unexpected twist that reveals the long-kept secrets and truths.
Lots of time, we tend to escape or run away from our problems and responsibilities. Nonetheless, we also grateful that we are living ; and we are the fortunate ones.

I enjoy reading this historical novel and would recommend to anyone who loves historical fiction and goodreads.

Great historical fiction about the Kinder-transport & stolen art from Vienna. Read it in one day.

In this debut novel, Ellen Umansky tells the story of two women, one of them living in 1930s Vienna, one of them living in modern Los Angeles, and their connection to a Chaim Soutine painting. Spanning decades and continents, this is a heart-wrenching tale of secrets and forgiveness.

I have always been drawn to books set in the WWII and Holocaust time period. That's why I chose this book to read. Knowing what happened in the big picture is atrocious and mind numbing; it is in the individual stories that we see effects on actual people, how they felt, how they coped, how they survived, or how they went to their deaths. It makes it all more 'real' and helps us understand history through the eyes of those who lived it. And hopefully to prevent it from happening again.
This books jumps between the time period of WWII and the present....the link in the stories being a painting stolen by the Nazis from a Jewish family during the war. The two main characters are women who have been drawn to the painting since childhood because their mothers loved the painting, and both lost their mothers at a young age, making the painting a cherished connection to their mothers. Since both girls were young at the time of losing their moms, and the changes in their lives so dramatic, they both have trouble remember specifics about the time, and have a child's view of the events, colored by their immaturity, and the abrupt changes in their lives. They both gain insights as memories are triggered, and they see things more as they really were, and gain a new understanding of the situations that shaped their lives.
I have to say I found the story line of Rose (from the WWII era) much more interesting than the story line of the modern day Lizzie. Lizzie is a rather unsettled person, from a 'broken' family , who seems to have trouble with relationships. She doesn't seem to know what she wants, and her relationship with her father (recently deceased) has been a rocky one. Rose, who was close to her family, was sent to England on the Kindertransport along with her brother, to safety, away from the coming war. Her parents weren't able to get out, but they selflessly sent their children away. What a heartbreaking time in history!!
The weaving of the story between time periods was interesting, and the friendship that develops between Lizzie and Rose is, too . Both have regrets for past behaviors and decisions, but both are survivors. I do wish the character development had been a bit stronger, so you could have gotten a better feel for 'who' these women were.....but overall it was a good read!
( I received this book through Library Thing free in return for my unbiased review. )

While I find no particular flaw in Umansky's writing, this book was just not quite my cup of tea. It seemed to move with glacial slowness. The characters, while well drawn, were not likable or compelling. If I met them in person, I would categorize them as simply boring. The interaction between Rose and Lizzie was mildly interesting, particularly in view of the meaning of the Soutine painting for each of them. All in all, however, I would hesitate to recommend this book to a prospective reader without express reservations about the tediousness of the book.

This book was not what I expected based on the title. It is about two women, Rose and Lizzie, who bond over a lost piece of art. I feel Rose's story is definitely more interesting than Lizzie's, but I liked how you were able to see similarities in the two even though they are so different.

The book was more about relationships than finding lost art. Also, I found the ending abrupt. The book did not hold my attention as long as I thought it would, but more than other similar type books.

I expected something different, based on the synopsis for this book. It took me forever to finish it. Usually I become so engaged with a novel, I finish it fairly quickly. This one took weeks longer than usual. I wasn't as engaged as I though I would be.

This book is more about relationships than about finding missing art. I liked some of the elements in the novel. Of the two women featured, I felt like Rose had more of a story to tell. Lizzie's story seemed more about relationships and family. The thing that kept me reading was the mystery of the stolen art, but in the end, I found the resolution a bit underwhelming.

I did love the part that covers Rose and her family at the train station, as she and her brother leave on the kindertransport. I felt the terror and grief both from the perspective of the children, and the sorrow and loss from the parent's side, too. An absolutely haunting segment.

Just another chick lit book. There really isn't anything about this one to set it apart from any other.

Rose Zimmer is sent away to England on a "kindertransport" train for her own safety during the early days of WWII. Her brother is also sent away, but the siblings are separated. After the war, Rose's parents are lost, but Rose decides to hunt for a Chaim Poutine painting ("The Bellhop") that hung in their apartment.
Decades later, Lizzie Goldstein's father Joseph dies in a car wreck, and Lizzie comes home to his house to settle his affairs. Twenty years earlier, Lizzie had thrown an unauthorized party in the house, where her father had hung the very same painting, and the artwork is stolen during the party.
The story is told via alternating chapters showing Rose as she becomes an adult in London, and Lizzie as she mourns the loss of her father (and the painting -- she felt enormous guilt for the theft). Ultimately, Rose and Lizzie meet at Joseph's funeral.
I loved the descriptions of Rose's post-war life in London and of Lizzie taking charge of her own life without a man [she seems to attract "the wrong kind of guy"], even though Rose's experiences make Lizzie's seem trivial. Both women ultimately learn how to deal with the guilt of their respective pasts, and -- of course -- resolve the issue of the Poutine.

A special thank you to Edelweiss and William Morrow for an ARC in exchange for an honest review.

This novel is about two women that are generations apart are connected by a famous Chaim Soutine painting. Umansky's debut moves from WWII to contemporary Los Angeles. In 1939, we meet Rose Zimmer who is being sent out of Austria to live with strangers in England. When the war ends, Rose is grief-stricken and seeks comfort in trying to find her mother's favourite Soutine painting but unfortunately for Rose, the painting has ended up in America.

In modern-day LA, Lizzie Goldstein is in mourning for her recently deceased father. She carries around extreme guilt that she cannot shed; as a teenager, Lizzie threw a party at her father's house and the cherished Soutine painting that offered her comfort after her mother's death was stolen and has yet to be found.

This work of art will bring the two women whom are seemingly adrift in their own lives, together. They forge a friendship that is marred by secrets and painful truths. Each woman is forced to examine her own life through longing, devastation, and ultimately forgiveness.

Umansky's writing is rich and wonderful although I quickly fell out of like with Rose. There were a few spots in the plot that could've been tighter, but overall, this is a good book and I would certainly recommend it. I look forward to her next book.

Valuables including the Impressionistic painting, The Bellhop, were looted from the Viennese family of Rose Barnes (née Zimmer) for Nazi coffers. For many years after the war Rose searched for the painting, hoping that it would resurface. Eventually her search led to Joseph Goldstein, a Los Angeles doctor, whose family later owned the painting only to have it disappear again in the mid 80s.

Lizzie, Joseph’s daughter, returns to her childhood home in Los Angeles after his sudden death. Now a 37 year-old attorney, she has lived with feelings of guilt from her part in the disappearance of her father’s painting, taken during a party she held at his house when she was 17. After his funeral she meets the blunt, but kind, Rose who is later mentioned in Joseph’s will.

Lizzie and Rose share a common desire to discover what happened to the painting that was linked to each family. Both of these intense and bright women struggle with setting aside the past. They begin a tentative connection in their search for the whereabouts of The Bellhop, forging a relationship while sharing bits of their past. The plot unfolds through chapters set in different time frames from the 30s to the present time. I particularly liked the portion of Rose’s story that brings to light the transports of Jewish children to England before war broke out in Austria, children kept safe but away from their parents, country and language. The book suffers from some looseness of plot but is nevertheless a good read.

In The Fortunate Ones, we get the story of Rose Zimmer whose parents send her and her brother to live with separate families in England to keep them safe from the war in 1939 Vienna.
We also get the story of Lizzie Goldstein, a newly single woman grieving her father in the year 2006.
What connects Rose and Lizzie is a painting called The Bellhop by Chaim Soutine. Both of them had the painting in their childhood homes, and both of them had it taken from them.
The women have Lizzie's father in common and they meet after his death, taking walks and visiting museums. Rose is prickly and well educated. She lets Lizzie know how much her father loved her, and Lizzie learns a lot from Rose.
Though Rose's story is the more interesting one (perhaps due to the time period and the struggles it brought), Lizzie's struggle with loneliness and her desire for a child are relatable and endearing.

I enjoyed the dynamic between Rose and Lizzie. The responsibility Rose felt for her parents in her youth, and the guilt Lizzie carries over the consequences of a party she threw as a teen are both poignant and relatable.
All in all, I enjoyed The Fortunate Ones, though it is more a book one reads on the bus or in a waiting room, rather than the kind that is a page turner.

This book tells the story of the Zimmer family, a Jewish family living in Vienna in the late 1930’s, and the parents’ decision to send little Rose and her brother to England on a kinder transport to keep them safe from the oncoming war. The children are devastated to be sent off to different households in England. They are told that it will only be for six months but of course the horrendous war lasts much longer.

The Zimmer family possess a valuable painting by Chaim Soutere of a bellhop, which the mother has a particular love of. After the war when Rose is trying to deal with the grievous losses she has endured, she fixates on trying to find the painting and other family belongings that were lost or stolen by the Nazis.

The missing painting finds its way to the Goldstein family in America. However, the painting is subsequently stolen during a party thrown by teenager Lizzie. Lizzie carries the guilt of that theft and likewise is searching for the painting. The loss and search for this painting forge a friendship between Lizzie and Rose and reveal painful family secrets.

This is a haunting and unforgettable story of loss, love and forgiveness and the “fortunate ones” who survived the war but bear the scars. Recommended.

This book was given to me by the publisher through Edelweiss in return for an honest review.

The Fortunate Ones by Ellen Umansky was an Early Reviewers book. A famous painting, The Bellhop, serves as the container for memories of lost loved ones across two generations and two continents. The Bellhop belonged to a Jewish family in Vienna as Germany invaded Austria. The son and daughter in that family were sent away on the "kindertransport" to live with foster families in Great Britain. Those children never saw there parents again. A search years later, in adulthood, to find the painting that had probably been confiscated by the Nazis by Rose, the daughter, eventually led to her meeting with Lizzie, a generation younger, who also had memories connected to the painting which had been purchased in America by her father when her mother fell in love with it. After her mother's death the painting was stolen and Lizzie, too, searched for it as a way to stay connected to her parents' memories soon after her father was killed in an automobile accident. Rose and Lizzie meet and recollections of The Bellhop unite them.
I enjoyed the book. However, it can use some significant but delicate editing. The early chapters are uneven and dialogue in those chapters is weak. Midway the writing matures, as though the author wrote from someplace within. Dialogue improves as well as story line and narrative.
I do recommend the book. I also hope that it gets that editing before it is released.½

I received the book as an early reviewer. I was not sure I would like the format - telling two stories that occur in different timelines but then intersect. However, I did find the story line interesting and the characters well developed and real. I thought the ending might have been a bit rushed but the book was an interesting read and offered insights into the experience of loss and how individuals react in unique ways to what life presents.

i received this book for free from the early reviewers giveaway on here. Its not that this as a bad book, but it just wasnt for me. I found it slightly boring. I think this was just out of my reading taste and meant for someone slightly older than me. I could possibly see my future self liking this book, but as of now... eh.

Overall, I enjoyed the book. It is pieced together by alternating between telling the story of Rose, a 70 year old Jewish woman who was sent away as a child from Vienna pre World War II, and Lizzie, a present day 30 something who has just lost her father. Their lives are intertwined by a painting that was owned by both of their parents. This book tells of love, death, loss, secrets, betrayal, and forgiveness. A unique story that kept my interest, I would recommend this book.

Thank you librarything.com for the advanced copy of The Fortunate Ones by Ellen Umansky in return for my honest review.

I seem to be in the minority on this one. I liked The Fortunate Ones, but I didn't love it. Chapters alternated between two main characters, Rose Zimmer, growing up in WWII Vienna, and modern-day Lizzie Goldstein. They both shared an intimate connection to a stolen painting that shaped their lives. Their stories ultimately converge.

I found Rose's story to be much more substantial and engaging. While Lizzie's chapters were interesting, they were written in a way that described every detail about her, including unnecessary minutiae, which detracted from, rather than enhanced, the story. Additionally, I didn't like Lizzie very much. She seemed controlling, jealous and childish; her desire to turn every encounter with a male into a romantic one became irritating.

I have read the other reviewer's opinions, and they did not find these same flaws. Don't be discouraged from reading this novel; decide for yourself.

Forty years apart, two girls loved a painting by Soutine that each one's family owned and lost--Rose's family, to the Nazis; Lizzie's family, to a theft for which she blamed herself. Their stories, and that of the missing painting, are interwoven as the scene shifts among Vienna, Leeds, London, New York, and Los Angeles as Rose's and Lizzie's lives take them in different directions between 1936 and 2008 but ultimately entwine in friendship.

Although the painting always figuratively hangs in the background, this is less a mystery of what happened to it than a story of life, death, and, between them, the interpersonal dynamics of families--parents and children, siblings, spouses and significant others. I expected more of a search for the painting, but this book did not disappoint in any way. Of particular interest is the contrast between Rose and Lizzie, each exemplifying a different generation's response to life. Highly recommended to those who enjoy reading about family relationships.

I received this as part of the Early Reviewers program for Library Thing so thanks Library Thing!

I am very picky when it comes to novels about the Holocaust but I thought this was quite good and in it's way, unexpected. It's about a painting by Chaim Soutine that first hangs in the home of a Jewish family in Vienna and resurfaces in the 1970s in America when once again, it disappears from the home of a private collector. Years later, the daughters of both owners - Rose (in her 70s) and Lizzie (in her 30s) meet in contemporary Los Angeles. Rose's story is the stronger of the two but the way each life reflects the other is quite artful. This is a story of kindertransport, love, secrecy and lies and a very moving one.

Thanks again to the Library Thing early reviewers program for a change to read and comment on this.½